Gagosian New York is pleased to present a new exhibition in two parts by Urs Fischer, opening on April 3, 2014.
The exhibition is directly related to the vast and extraordinary installation YES, which Fischer and fifteen hundred participants made on-site at the Geffen Contemporary in 2013 together with 1,500 participants, parallel to his survey exhibition at the Museum of Contemporary Art, Los Angeles. Working quickly with clay, in a manner more like a sketch—abstract, approximate, and raw—they were able to achieve an unprecedented directness. But where YES dealt with the ephemeral energies of a collective creative act, Fischer’s new exhibition eternalizes key elements of the original installation as cast unpatinated bronze and gilded bronze figurative sculptures.
The exhibition is in two parts, uptown and downtown. The uptown exhibition inaugurates the opening of a new Gagosian space at 821 Park Avenue at 75th Street, a storefront gallery of approximately a thousand square feet in a landmarked building. The gallery contains a single large-scale sculpture, last supper, Fischer’s take on the classical religious theme, cast in bronze from the original unfired clay composition that first appeared as a central element of YES.
Simultaneously, an exhibition of other sculptures that Fischer has selected and cast from YES will open in a temporary location downtown operated by Gagosian in a former Chase bank branch at 104 Delancey Street on the Lower East Side. The bland features of the bank’s architecture and decor have been retained, from the corporate signage to the vaults—an incongruous setting for Fischer’s guilelessly expressionistic and exuberant sculptures. From the vast array of forms and figures that YES generated, Fischer has, for the most part, selected some that he initiated then left open to his collaborators to finish as they wished, adding to the alterity and diversity of the final results. The cast bronze sculptures, some of which are silver- and gold-plated, are a heterogenous bunch that includes a one-legged boy in an armchair, a big foot, a fireplace, some columns, a bust of Napoleon, a Louis XIV chair, a mermaid (conceived as a functional fountain), a depiction of sleep, a man copulating with a pig, a man and woman embracing, a hat on rocks, a man in a boat, a faceless cat, a pile, a Pièta, a lion in chains, and so on. Like dreams, these works have no logical relation other than Fischer’s affection for them, a “chaotic little non-family of things,” brought together in an unexpected and therefore “convulsive” context.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gagosian Quarterly Winter 2018
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Who is choreographing whom?
PLAY, currently on view at Gagosian on West 21st Street in New York, is a work by Urs Fischer in which nine office chairs move through the gallery and interact with visitors. Artist and choreographer Madeline Hollander worked with Fischer and a team of programmers and animators to create various gestures, movements, and behavior sequences for the chairs. Gagosian’s Angela Brown sat down to talk with Hollander about this process.
Urs Fischer: Sotatsu
Urs Fischer and Francesco Bonami sat down with the Gagosian Quarterly to discuss Sōtatsu, a new painting in nine parts.
Urs Fischer: Things
In midtown Manhattan, a new sculpture by Urs Fischer, entitled Things, was debuted in May 2018. Fischer and international curator, Francesco Bonami, discuss this unique exhibition with the Gagosian Quarterly.
The Bigger Picture
Derek Blasberg speaks with Diane Brown, president and founder of RxArt, and with contributing artists Dan Colen, Urs Fischer, and Jeff Koons about the transformative power of visual art.
October 14–December 20, 2019
January 11–February 9, 2019
Extended through December 15, 2018
September 12–December 15, 2018
Davies Street, London
PLAY with choreography by Madeline Hollander
September 6–October 13, 2018
West 21st Street, New York