“Art” has always been a word for this thing that can’t be rationalized, when you see or hear something that you struggle to explain. But that’s its strength, of course.
Gagosian is pleased to present Things by Urs Fischer at 511 Fifth Avenue, New York.
Amid the bustle of midtown Manhattan, a rhinoceros can be glimpsed through tall, arched windows at street level. Various man-made objects—including a copy machine, a car door, a handbag, a vacuum cleaner, a shovel, and a table—seem to float right through the creature, as if released from Earth’s gravitational pull. Carved out of aluminum, this barrage of incongruous items forms a single, continuous unit, anchored by the rhinoceros, which stands its ground. Produced at life size from a 3D scan of a taxidermy animal, its furrowed visage looms from a height of more than ten feet.
Things considers the ways that objects and forces—from plastic bottles and Wi-Fi signals to memories, history, and emotion—gather around and pass through our bodies as we move through the world, creating countless versions of reality that are specific to each of us. Like the rhinoceros, we absorb all that comes into our vicinity, and in the process we ourselves undergo a constant, often undetectable metamorphosis. Existence itself is thus presented as an accumulation, a collective gathering of physical and metaphorical baggage.
In his use of traditional materials and current technologies, Fischer’s art tests the boundaries of possibility and perception. He has used clay, steel, wax, bread, dirt, vegetables, and fruit, among other substances, often to extreme paradoxical visual effect, revealing a keen attunement to the infinite mutability of image and form. The vicissitudes of objecthood are further complicated when Fischer’s sculptures are installed outside of the typical white-walled gallery. In a courtyard, a vacated bank, an open field, his extroverted works have acted as portals into the uncanny. Here, the portal opens right between Grand Central Terminal and Bryant Park. An extraordinary creature made up of ordinary parts, Things transports unsuspecting passersby, if just for a moment, into a world that is at once prehistoric, digital, and mysteriously uncharted.
This special installation coincides with Sōtatsu, an exhibition of new paintings by Fischer at Gagosian 980 Madison Avenue, through June 23.
Urs Fischer: Things
In midtown Manhattan, a new sculpture by Urs Fischer, entitled Things, was debuted in May 2018. Fischer and international curator, Francesco Bonami, discuss this unique exhibition with the Gagosian Quarterly.
Uncanny Delights: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray
Catalyzed by the exhibition Crushed, Cast, Constructed: Sculpture by John Chamberlain, Urs Fischer, and Charles Ray, Alice Godwin examines the legacy and development of a Surrealist ethos in selected works from three contemporary sculptors.
Urs Fischer: Lives of Forms
In his introduction to the catalogue for Urs Fischer’s exhibition The Lyrical and the Prosaic, at the Aïshti Foundation in Beirut, curator Massimiliano Gioni traces the material and conceptual tensions that reverberate throughout the artist’s paintings, sculptures, installations, and interventions.
Fruit and Vegetables: Francesco Bonami on Urs Fischer
Fruit and vegetables are a recurring motif in Urs Fischer’s visual vocabulary, introducing the dimension of time while elaborating on the art historical tradition of the vanitas. Here, curator Francesco Bonami traces this thread through the artist’s sculptures and paintings of the past two decades.
Five Books: Urs Fischer
Urs Fischer talks about reading during the pandemic lockdown, sharing five books—both fiction and nonfiction—that he has turned to while in self-isolation.
Urs Fischer: Leo
Journalist and curator Judith Benhamou-Huet leads a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris.
June 24–30, 2020
Urs Fischer mines the potential of materials—from clay, steel, and paint to bread, dirt, and produce—to create works that disorient and bewilder. Through scale distortions, illusion, and the juxtaposition of common objects, his paintings, sculptures, photographs, and large-scale installations explore themes of perception and representation while maintaining a witty irreverence and mordant humor.
Photo: Chad Moore
Extended through December 15, 2018
September 12–December 15, 2018
Davies Street, London