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Georg Baselitz

What if...

March 12–May 2, 2020
San Francisco

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Installation view

Artwork © Georg Baselitz 2020. Photo: Robert Divers Herrick

Works Exhibited

Georg Baselitz, Ist dem etwas entgangen? (Did he miss the moment?), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Ist dem etwas entgangen? (Did he miss the moment?), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, German Kraut, paint Roy and Bill, 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, German Kraut, paint Roy and Bill, 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Noch etwas aus alter Zeit (Another thing from the olden days), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Noch etwas aus alter Zeit (Another thing from the olden days), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Irgendwie habe ich das schon einmal gesehen (Somehow that looks familiar), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Irgendwie habe ich das schon einmal gesehen (Somehow that looks familiar), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, War das schon einmal da? (Has that already been done?), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, War das schon einmal da? (Has that already been done?), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Aus den 50iger Jahren etwas (Something from the fifties), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Aus den 50iger Jahren etwas (Something from the fifties), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 6 (Orange Eater 6), 2019 Oil on canvas, 66 ⅞ × 57 ⅛ inches (170 × 145 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 6 (Orange Eater 6), 2019

Oil on canvas, 66 ⅞ × 57 ⅛ inches (170 × 145 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 8 (Orange Eater 8), 2019 Oil on canvas, 67 × 57 ⅛ inches (170 × 145 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 8 (Orange Eater 8), 2019

Oil on canvas, 67 × 57 ⅛ inches (170 × 145 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 11 (Orange Eater 11), 2019 Oil on canvas, 65 × 53 ⅛ inches (165 × 135 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 11 (Orange Eater 11), 2019

Oil on canvas, 65 × 53 ⅛ inches (165 × 135 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 14 (Orange Eater 14), 2019 Oil on canvas, 64 ⅞ × 53 ⅛ inches (165 × 135 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 14 (Orange Eater 14), 2019

Oil on canvas, 64 ⅞ × 53 ⅛ inches (165 × 135 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 15 (Orange Eater 15), 2019 Oil on canvas, 64 ⅞ × 53 ⅛ inches (165 × 135 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 15 (Orange Eater 15), 2019

Oil on canvas, 64 ⅞ × 53 ⅛ inches (165 × 135 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Wenn das Wörtchen wenn nicht wär, wärs Lichtenstein gewesen (If if were not a word, it would have been Lichtenstein), 2019 Oil on canvas, 99 ⅝ × 161 inches (253 × 410 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Wenn das Wörtchen wenn nicht wär, wärs Lichtenstein gewesen (If if were not a word, it would have been Lichtenstein), 2019

Oil on canvas, 99 ⅝ × 161 inches (253 × 410 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 16 – Oslo (Orange Eater 16 – Oslo), 2019 Oil on canvas, 64 ⅞ × 53 ⅛ inches (165 × 135 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Orangenesser 16 – Oslo (Orange Eater 16 – Oslo), 2019

Oil on canvas, 64 ⅞ × 53 ⅛ inches (165 × 135 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Die Schlittschuhläuferin (The Skating Woman), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Die Schlittschuhläuferin (The Skating Woman), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Eisbahn (Ice Rink), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Eisbahn (Ice Rink), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Holiday on Ice, 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, Holiday on Ice, 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, auf der Eisbahn (On the Ice Rink), 2019 Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)© Georg Baselitz 2019. Photo: Jochen Littkemann

Georg Baselitz, auf der Eisbahn (On the Ice Rink), 2019

Oil on canvas, 98 ½ × 78 ¾ inches (250 × 200 cm)
© Georg Baselitz 2019. Photo: Jochen Littkemann

About

I don’t want to see what I am making. I don’t want to have an overview, to create any kind of order that can be controlled visually.
—Georg Baselitz

Gagosian is pleased to present What if…, an exhibition of new paintings by Georg Baselitz. This is his first solo exhibition in the San Francisco gallery.

A pioneer of Neo-Expressionism, Baselitz conjures new formal developments from art historical lineages—his own extensive oeuvre included. Although his paintings focus on the human figure, his raw, vigorous mark making creates new and emotionally charged routes within abstraction.

The oil-on-canvas compositions in What if… mark a significant development in Baselitz’s technique. The paintings are created with a transfer method: he paints on a piece of unstretched canvas and then presses a second canvas onto the first to make an impression in oils. Through this technique, Baselitz continues to expand his own practice of painting and mark making, finding new ways to treat established subjects.

Read more

Installation view, Georg Baselitz: Archinto, Museo di Palazzo Grimani, Venice, May 19, 2021–November 27, 2022. Photo: Matteo De Fina

Georg Baselitz: Archinto

On the occasion of Georg Baselitz: Archinto at Museo di Palazzo Grimani, Venice, Artcore Films produced a short documentary featuring the artist. In the video, Baselitz details the origins of the project, how he approached the unique space, and his experiments in process and technique.

Baselitz: La rétrospective

Baselitz: La rétrospective

Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.

Georg Baselitz working on Madame Demoisielle weit weg von der Küste (Madame Demoiselle a long way from the coast)

Georg Baselitz: Pulling Up the Image

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Georg Baselitz working on a painting in his studio.

Georg Baselitz: What if...

Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.

Georg Baselitz and Zeng Fanzhi. Portraits of both artists in black-and-white.

Artist to Artist: Georg Baselitz and Zeng Fanzhi

On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.