![Roy and Irving](https://gagosian.com/media/images/quarterly/essay-roy-and-irving/-vazyPABsvhA_300x300.jpg)
Roy and Irving
Actor and art collector Steve Martin reflects on the friendship and professional partnership between Roy Lichtenstein and art dealer Irving Blum.
Extended through July 19, 2024
Bob Adelman: Why mural painting?
Roy Lichtenstein: For the pleasure of the dance.
Gagosian is pleased to announce the installation of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) in the gallery at 555 West 24th Street, New York. This is the second time that Gagosian has exhibited a Lichtenstein mural, following the replication of Greene Street Mural (1983) at the same location in 2015.
In the 1960s, Lichtenstein forged a new approach to painting by fusing popular culture and Western art history. His work is rooted in the seductive powers of advertising, and elevates the graphic imagery of popular print media and comic book illustrations to the realm of high art. Employing a handmade process, he mimicked the printing techniques of magazines and newspapers, making Benday dots and bright color synonymous with Pop art. Lichtenstein produced murals throughout his career, from Girl in a Window for the New York State Pavilion of the 1964 World’s Fair to Times Square Mural, designed in 1994 and installed in 2002.
Measuring more than 26 feet tall and painted in oil and Magna on canvas, Bauhaus Stairway Mural pays homage to German abstract artist Oskar Schlemmer (1888–1943) and his painting Bauhaustreppe (Bauhaus Stairway, 1932). Lichtenstein’s mural was commissioned for the main atrium of the headquarters of the Creative Artists Agency (CAA) in Beverly Hills, which the building’s architect, I.M. Pei, envisioned as a meeting place for writers, directors, actors, musicians, and agents—an emphasis on cross-disciplinary interaction that resonated with Lichtenstein’s interest in accessible creative forms.
555 West 24th Street
New York, NY 10011
+1 212 741 1111
newyork@gagosian.com
Hours: Tuesday–Saturday 10–6 by appointment
Notice: Photography and video are not permitted in the exhibition.
Gagosian
press@gagosian.com
Hallie Freer
hfreer@gagosian.com
+1 212 744 2313
Polskin Arts
Meagan Jones
meagan.jones@finnpartners.com
+1 212 593 6485
Julia Esposito
julia.esposito@finnpartners.com
+1 212 715 1643
Request more information
about this exhibition
Actor and art collector Steve Martin reflects on the friendship and professional partnership between Roy Lichtenstein and art dealer Irving Blum.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
In celebration of the centenary of Roy Lichtenstein’s birth, Irving Blum and Dorothy Lichtenstein sat down to discuss the artist’s life and legacy, and the exhibition Lichtenstein Remembered curated by Blum at Gagosian, New York.
Gagosian and the Art Students League of New York hosted a conversation on Roy Lichtenstein with Daniel Belasco, executive director of the Al Held Foundation, and Scott Rothkopf, senior deputy director and chief curator of the Whitney Museum of American Art, New York. Organized in celebration of the centenary of the artist’s birth and moderated by Alison McDonald, chief creative officer at Gagosian, the discussion highlights multiple perspectives on Lichtenstein’s decades-long career, during which he helped originate the Pop art movement. The talk coincides with Lichtenstein Remembered, curated by Irving Blum and on view at Gagosian, New York, through October 21.
Jacoba Urist profiles the legendary collector.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Dorothy Lichtenstein sits down with Derek Blasberg to discuss the changes underway at the Lichtenstein Foundation, life in the 1960s, and what brought her to—and kept her in—the Hamptons.
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
A 1964 publication by the Chinese-American artist and poet Walasse Ting and Abstract Expressionist painter Sam Francis.
Diana Widmaier Picasso, curator of the exhibition Desire, reflects on the history of eroticism in art.
Jack Cowart, Executive Director of the Roy Lichtenstein Foundation, and Rob McKeever, a former assistant to Lichtenstein, recall the making of the original Greene Street Mural.
More than thirty years after its creation, Gagosian presents a full-scale painted replica of the original Greene Street Mural by Roy Lichtenstein, based on documentation from the artist’s studio and produced by sign painters under the supervision of his former studio assistant.