There’s a peculiar kind of patois, like Okie jargon. People have a funny way of speaking, almost like using bad English, double negatives like, “I can’t find my keys nowhere.” . . . Yes, they were incorrect, but they had a punch to them.
—Ed Ruscha

Gagosian is pleased to present recent paintings by Ed Ruscha online for galleryplatform.la. The works are currently featured in the solo exhibition Drum Skins at the Blanton Museum of Art at the University of Texas at Austin. The museum is currently closed due to the ongoing health crisis, but the show can be explored through a 360° virtual tour.

Fifty years ago, Ruscha purchased a set of vellum drum skins from a leather shop in Los Angeles. He has continued to collect these vintage objects, and since 2011 he has used them as canvases for the works on view at the Blanton Museum of Art. In these paintings, Ruscha wraps a slangy phrase—each one chock full of double and triple negatives—around the perimeter of a drum skin. The resulting compositions are fresh and evocative, while also harking back to the crisp, colorful text paintings about the idiosyncrasies of West Coast life for which Ruscha is known. Here, however, he looks back to his earlier hometown of Oklahoma City, evoking the Americana of his youth with fondness and wit. The drum skin paintings possess a warm nostalgia that transports the artist’s fine-tuned visual language back to a simpler time and place.

In 1980, Larry Gagosian opened his first gallery in Los Angeles. In the forty years since, the gallery has continued to celebrate the city’s vibrant arts scene. We are thrilled to be among the founding members of galleryplatform.la, and we look forward to broadening our contribution to Los Angeles’s artistic community through this new initiative.

Download the full press release (PDF)

Installation view, Ed Ruscha: Drum Skins, Blanton Museum of Art, University of Texas at Austin, January 11–October 4, 2020. Artwork © Ed Ruscha

Eilshemius and Me: An Interview with Ed Ruscha

Eilshemius and Me: An Interview with Ed Ruscha

Ed Ruscha tells Viet-Nu Nguyen and Leta Grzan how he first encountered Louis Michel Eilshemius’s paintings, which of the artist’s aesthetic innovations captured his imagination, and how his own work relates to and differs from that of this “Neglected Marvel.”

Ed Ruscha: A Long Way from Oklahoma

Ed Ruscha: A Long Way from Oklahoma

In conjunction with his exhibition VERY at Louisiana Museum of Modern Art in Humlebæk, Denmark, Ed Ruscha sat down with Kasper Bech Dyg to discuss his work.

Ed Ruscha and Joanne Northrup

In Conversation
Ed Ruscha and Joanne Northrup

Ed Ruscha sat down with JoAnne Northrup of the Nevada Museum of Art to discuss the exhibition Unsettled, which the two co-curated.

Ed Ruscha: On the Highline

Ed Ruscha: On the Highline

The High Line Art Program’s Cecilia Alemani discusses Ed Ruscha’s mural.

Flags

Flags

Gillian Pistell writes on the loaded symbol of the American flag in the work of postwar and contemporary artists.

Donald Marron

Donald Marron

Jacoba Urist profiles the legendary collector.

The Art History of Presidential Campaign Posters

The Art History of Presidential Campaign Posters

Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.

Artists’ Magazines

Artists’ Magazines

Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.

The River Café Cookbook

The River Café Cookbook

London’s River Café, a culinary mecca perched on a bend in the River Thames, celebrated its thirtieth anniversary in 2018. To celebrate this milestone and the publication of her cookbook River Café London, cofounder Ruth Rogers sat down with Derek Blasberg to discuss the famed restaurant’s allure.

Gagosian Quarterly Fall 2019

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

For Notre-Dame

For Notre-Dame

An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.