Book Fair
June 16–18, 2023, table A05
Blum & Poe, Los Angeles
acid-free.info
Gagosian is participating in the Acid-Free Los Angeles Art Book Market, which is organized by a collective of Los Angeles–based independent publishers. Now in its third year, the three-day fair brings together over ninety exhibitors to present new books and projects and foster meaningful conversations around art publishing. To celebrate the recent release of its six hundredth title, the gallery will offer six hundred Gagosian publications for $10 each, including books on West Coast artists Jennifer Guidi, Ed Ruscha, and Jonas Wood, among others. The fair is free to attend.
A selection of recent Gagosian publications
Following a recent visit to Jonas Wood’s Los Angeles studio, Justin Beal thinks through the artist’s paintings of tennis courts—the subject of an exhibition at Gagosian, Beverly Hills—examining their relation to the game, color theory, and the rewards of practice.
Eli Diner visits Jonas Wood in his Los Angeles studio as the artist prepares for an exhibition of new paintings in London.
Invited to exhibit at Château La Coste in Provence, Jennifer Guidi created a new body of work that engaged with the cantilevered architecture of the gallery building, designed by Richard Rogers, and with the artistic heritage of the region. Amie Corry reports on the evolution of the exhibition and on its place within Guidi’s larger practice.
In this video, produced by Château La Coste, Jennifer Guidi discusses her latest solo exhibition, Mountain Range, conceived in response to the architecture of Château La Coste’s Richard Rogers Gallery and the surrounding landscape of Provence in the South of France. The exhibition, organized in collaboration with Gagosian, is now on view through September 3, 2023.
Gillian Pistell writes on the loaded symbol of the American flag in the work of postwar and contemporary artists.
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
Jacoba Urist profiles the legendary collector.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.
Jennifer Guidi shares a selection of the music she listens to in the studio and speaks about its connection to her meditative painting process.
The artist speaks with Laura Fried about her most recent paintings, the symbol of the serpent, and her evolving relationship to color.
