at Crypta Balbi
November 21, 2018–January 27, 2019
Museo Nazionale Romano, Crypta Balbi, Rome
Sarah Sze’s Split Stone (7:34) (2018) appears amidst the historic ruins of Crypta Balbi. Opened like a geode, each half of the natural boulder reveals a sunset sky embedded in its flat surface, alluding to gongshi (scholar’s rocks) and the heavenly firmaments of Renaissance paintings. While her current exhibition at Gagosian Rome underscores and amplifies the materiality of digital images, in Split Stone (7:34), Sze takes a reverse approach by imbuing a granite boulder with a pixelated ephemerality.
Sarah Sze, Split Stone (7:34), 2018, installation view, Museo Nazionale Romano, Crypta Balbi, Rome © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio
2022 Asia Arts Game Changer Awards
Sarah Sze has been selected to receive a 2022 Asia Arts Game Changer Award. The award, presented by Asia Society at a gala on May 19, 2022, honors important figures across the arts who have made a significant impact on society and brings together artists, arts professionals, collectors, and Asia Society trustees and patrons to celebrate excellence in the arts from across Asia and the diaspora. Asia Society is the leading educational organization dedicated to promoting mutual understanding and strengthening partnerships among peoples, leaders, and institutions of Asia and the United States in a global context.
Photo: Deborah Feingold
Night Into Day
Sarah Sze’s exhibition Night Into Day opened at the Fondation Cartier pour l’art contemporain, Paris, during the COVID-19 pandemic but was later closed due to lockdown restrictions in France. Produced on the occasion of the Fondation’s reopening, this video explores the various programming conceived to allow viewers to experience the exhibition while it was closed to the public, including a conversation between Sze, Anselm Kiefer, and philosopher Emanuele Coccia; a walk-through of the exhibition with the artist and philosopher Bruno Latour; and a livestreamed performance staged within the installation by Sze’s longtime friend, choreographer and dancer Trajal Harrell.
Still from “Sarah Sze: Night Into Day”
with Anselm Kiefer and Emanuele Coccia
Thursday, April 15, 2021, 2pm edt
Sarah Sze will discuss her recent exhibition catalogue De nuit en jour/Night into Day—featuring contributions by Bruno Latour, Jean Nouvel, and Leanne Sacramone—with Anselm Kiefer and philosopher Emanuele Coccia, as part of the Fondation Cartier pour l’art contemporain’s Art Book Series. Sze will join from her studio in New York, while Kiefer and Coccia will speak from inside the exhibition Night into Day at Foundation Cartier. The trio will talk about Twice Twilight and Tracing Fallen Sky (both 2020), two works Sze created specifically for the Paris exhibition, and about Kiefer’s recently installed work at the Panthéon in Paris. To join the online event, visit www.fondationcartier.com.
Sarah Sze, Tracing Fallen Sky, 2020 (detail), installation view, Sarah Sze: Night into Day, Fondation Cartier pour l’art contemporain, Paris © Sarah Sze
Titus Kaphar and Zoé Whitley
Join Titus Kaphar and Zoé Whitley as they discuss the artist’s recent exhibition New Alte̲rs: Reworking Devotion, featuring paintings and sculptures in which Kaphar examines the history of representation by altering the work’s supports to reveal oft unspoken social and political truths.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Cy Twombly: Making Past Present
In 2020, the Museum of Fine Arts, Boston, announced their plan for a survey of Cy Twombly’s artwork alongside selections from their permanent ancient Greek and Roman collection. The survey was postponed due to the lockdowns necessitated by the coronavirus pandemic, but was revived in 2022 with a presentation at the J. Paul Getty Museum in Los Angeles from August 2 through October 30. In 2023, the exhibition will arrive at the Museum of Fine Arts, Boston. The curator for the exhibition, Christine Kondoleon, and Kate Nesin, author of Cy Twombly’s Things (2014) and advisor for the show, speak with Gagosian director Mark Francis about the origin of the exhibition and the aesthetic and poetic resonances that give the show its title: Making Past Present.
Cristina Iglesias and Iwona Blazwick
Join Gagosian for a conversation between Cristina Iglesias and Iwona Blazwick, former director of Whitechapel Gallery in London, on the occasion of the artist’s exhibition at Davies Street, London and concurrent outdoor commissions for the Annenberg Courtyard of the Royal Academy of Arts in London, and Madison Square Park in New York.
Nam June Paik: Art in Process: Part One
On the occasion of Nam June Paik: Art in Process: Part One, curator John G. Hanhardt and Nam June Paik Estate curator Jon Huffman discuss the survey of works spanning the artist’s career.
Amanda Williams: CANDYLADYBLACK
Jasmine Sanders addresses the economic, architectural, and chromatic roots of Amanda Williams’s new paintings.
Y.Z. Kami and Steven Henry Madoff
Y.Z. Kami and curator Steven Henry Madoff sit down in Kami’s studio to discuss the artist’s exhibition at the Museo de Arte Contemporáneo de Castilla y León, Spain. Entitled Y.Z. Kami: De forma silenciosa/In a Silent Way, the survey features portraits; images of buildings, both sacred and ordinary; a sculptural installation of loose bricks inscribed with texts; and recent dreamlike abstractions.
Brutalisten: An Interview with Carsten Höller
This spring, Carsten Höller launched Brutalisten, a new restaurant concept in Stockholm and the latest embodiment of his long-term culinary and artistic project called the Brutalist Kitchen. The twenty-eight-seat restaurant features a menu overseen by chef Stefan Eriksson that adheres to three classifications: “semi-brutalist” dishes (using oil or minimal ingredients), “brutalist” dishes (using salt and water), and “orthodox-brutalist” dishes (no additional ingredients). For the Quarterly, Höller speaks with Gagosian directors Serena Cattaneo Adorno and Mark Francis about this terminology, the importance of experimentation, and the fortuitous side effects of brutalist cuisine.
On the Dot
In the first installment of a two-part feature, John Elderfield discusses how dots found a special place in the vocabulary of painting with the work of the French artist Georges Seurat and continue to be used to this day, most famously by Damien Hirst and Yayoi Kusama. Elderfield asks: what is it about dots that attracted modern artists, and what functions do they serve?
The filmmaker sat down with Carlos Valladares to talk her chief inspirations, the countercultural radicality of being a nun, and the shifting landscape of the documentary.
Aria Darcella pays homage to the founder of Details magazine, enumerating the many ways in which Flanders changed discourses around fashion, nightlife, and photography.
Amanda Williams and Derrick Adams
On the occasion of her exhibition Amanda Williams: CANDYLADYBLACK at Gagosian in New York, the artist spoke with artist Derrick Adams about the way she uses color as a tool to examine the complex ways in which race informs our assignment of value to physical, social, and conceptual spaces.