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Anthony Caro

Anthony Caro, Torrents, 2012 Steel, rusted, 96 ⅛ × 126 × 70 ⅛ inches (244 × 320 × 178 cm)© Barford Sculptures Ltd.

Anthony Caro, Torrents, 2012

Steel, rusted, 96 ⅛ × 126 × 70 ⅛ inches (244 × 320 × 178 cm)
© Barford Sculptures Ltd.

About

Sir Anthony Caro played a pivotal role in the development of twentieth century sculpture. His breakthrough exhibition at the Whitechapel Gallery in 1963 presented brightly painted, abstract steel sculptures displayed without plinths, directly on the floor. At the time, the omission of the pedestal was a radical shift in the dynamic between art and the viewer. He often worked in steel, but also created works in bronze, silver, lead, stoneware, wood and on paper. Caro’s constant reinvention of the language of abstract sculpture, as well as his influential teaching career at St. Martin’s School of Art, distinguished him not only as the sculptural successor to artists such as Henry Moore and David Smith, but also as an innovative artist who consistently defied convention.

Sir Anthony Caro was born in 1925 in New Maden, London, England, and died in 2013, in London, England. He received his M.A. in 1944 from Christ’s College, Cambridge, England, before training as a sculptor at the Royal Academy Schools, London. From 1951 to 1953, Caro worked as an assistant to Henry Moore. His sculpture has been shown and collected by museums throughout the world. Recent solo exhibitions include Museo de Bellas Artes, Bilbao (2000); Town Hall, Lewes, England (2001, traveled to Millfield School, Somerset; and Château–musée de Dieppe, France); Yorkshire Sculpture Park, Wakefield, England (2001, 2012); Centre Cultural Caixa Catalunya, Barcelona (2002); Frederik Meijer Gardens and Sculpture Park, Michigan (2003, traveled to Meadows Museum, Dallas); Seoul Museum of Art, Korea (2004); Kunsthalle Würth, Schwäbisch Hall, Germany (2004); Tate Britain, London (2005); Ivam Centre Julio Gonzalez, Spain (2005); Portland Art Museum, Oregon (2005); New Art Centre Sculpture Park and Gallery, England (2007, 2010, 2012); Cleveland Museum of Contemporary Art, Ohio (2007); National Portrait Gallery, London (2008); Musée des Beaux–Arts, France (2008); Centre d'Art Sacre Contemporarin de Lille, France (2008); Musée des Beaux Arts et de la Dentelle, France (2008); Musee du Dessin et de l'Estampe Originale, France (2008); Lieu d'Art et Action Contemporain, France (2008); Metropolitan Museum of Art, New York (2010); Kunsthalle Würth, Germany (2012); Yale Center for British Art, Connecticut (2012); Museo Correr, Venice (2013); Musée Würth, France (2014); Yorkshire Sculpture Triangle, England (2015); and National Gallery, London (2015).

Fairs, Events & Announcements

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Art Fair

Frieze Masters 2021

October 13–17, 2021, booth C02
Regent’s Park, London
www.frieze.com

Gagosian is pleased to participate in Frieze Masters 2021 with Material Process. Conceived, carved, cast, or constructed—sculpture remained a continuously strong tradition throughout the twentieth century in Britain. Artists such as Henry Moore, Anthony Caro, Michael Craig-Martin, Rachel Whiteread, Damien Hirst, and Douglas Gordon have extended this lineage, often focusing on human figures or body parts, transforming materials and techniques, including language, into a widely diverse practice that is internationally recognized.

Rachel Whiteread, Untitled (Plaster Torso), 1993 © Rachel Whiteread. Photo: Prudence Cuming Associates

Museum Exhibitions

Anthony Caro, Month of May, 1963 © Barford Sculptures Limited

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Anthony Caro

September 10–December 17, 2017
Thomas Schütte Foundation, Neuss/Holzheim, Germany
thomas-schuette-stiftung.de

This exhibition presents a number of important large sculptures ranging from those made in the 1960s, including Month of May (1963), to one of Caro’s last sculptures, The Eye Knows (2013), as well as early Table Pieces.

Anthony Caro, Month of May, 1963 © Barford Sculptures Limited

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