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Taryn Simon

Installation view, Taryn Simon: A Cold Hole, Massachusetts Museum of Contemporary Art, North Adams, May 26, 2018–May 26, 2019 Artwork © Taryn Simon. Photo: David Dashiell, courtesy MASS MoCA

Installation view, Taryn Simon: A Cold Hole, Massachusetts Museum of Contemporary Art, North Adams, May 26, 2018–May 26, 2019

Artwork © Taryn Simon. Photo: David Dashiell, courtesy MASS MoCA

Installation view, Taryn Simon: An Occupation of Loss, Islington Green and Essex Road, London, April 17–28, 2018. Produced by Artangel. A co-commission by Artangel and Park Avenue Armory Artwork © Taryn Simon. Photo: Hugo Glendinning/Taryn Simon Projects, courtesy the artist

Installation view, Taryn Simon: An Occupation of Loss, Islington Green and Essex Road, London, April 17–28, 2018. Produced by Artangel. A co-commission by Artangel and Park Avenue Armory

Artwork © Taryn Simon. Photo: Hugo Glendinning/Taryn Simon Projects, courtesy the artist

Installation view, Taryn Simon: Paperwork and the Will of Capital, MOMENTA | Biennale de l’image at Musée d’art contemporain de Montréal, Quebec, September 8–November 19, 2017 Artwork © Taryn Simon. Photo: Richard-Max Tremblay, courtesy MAC Montréal

Installation view, Taryn Simon: Paperwork and the Will of Capital, MOMENTA | Biennale de l’image at Musée d’art contemporain de Montréal, Quebec, September 8–November 19, 2017

Artwork © Taryn Simon. Photo: Richard-Max Tremblay, courtesy MAC Montréal

Installation view, Taryn Simon: Birds of the West Indies, Carnegie International 56th Edition, Carnegie Museum of Art, Pittsburgh, October 5, 2013–March 16, 2014 Artwork © Taryn Simon. Photo: Greenhouse Media, courtesy Carnegie Museum of Art and Gagosian

Installation view, Taryn Simon: Birds of the West Indies, Carnegie International 56th Edition, Carnegie Museum of Art, Pittsburgh, October 5, 2013–March 16, 2014

Artwork © Taryn Simon. Photo: Greenhouse Media, courtesy Carnegie Museum of Art and Gagosian

Installation view, Taryn Simon: A Soldier Is Taught to Bayonet the Enemy and Not Some Undefined Abstraction, Galerie Rudolfinum, Prague, Czech Republic, April 27–July 10, 2016 Artwork © Taryn Simon. Photo: Martin Polák, courtesy Galerie Rudolfinum

Installation view, Taryn Simon: A Soldier Is Taught to Bayonet the Enemy and Not Some Undefined Abstraction, Galerie Rudolfinum, Prague, Czech Republic, April 27–July 10, 2016

Artwork © Taryn Simon. Photo: Martin Polák, courtesy Galerie Rudolfinum

Installation view, Taryn Simon: A Living Man Declared Dead and Other Chapters, Museum of Modern Art, New York, May 2–September 3, 2012 Artwork © Taryn Simon. Photo: Jonathan Muzikar, courtesy Museum of Modern Art

Installation view, Taryn Simon: A Living Man Declared Dead and Other Chapters, Museum of Modern Art, New York, May 2–September 3, 2012

Artwork © Taryn Simon. Photo: Jonathan Muzikar, courtesy Museum of Modern Art

Installation view, Taryn Simon, Helsinki Art Museum, Finland, March 9–May 13, 2012 Artwork © Taryn Simon. Photo: Hanna Kukorelli, courtesy Helsinki Art Museum

Installation view, Taryn Simon, Helsinki Art Museum, Finland, March 9–May 13, 2012

Artwork © Taryn Simon. Photo: Hanna Kukorelli, courtesy Helsinki Art Museum

Installation view, Taryn Simon: Action Research/The Stagecraft of Power, Garage Museum of Contemporary Art, Moscow, March 17–May 22, 2016 Artwork © Taryn Simon. Photo: Naroditskiy Alexey, courtesy Garage Museum of Contemporary Art

Installation view, Taryn Simon: Action Research/The Stagecraft of Power, Garage Museum of Contemporary Art, Moscow, March 17–May 22, 2016

Artwork © Taryn Simon. Photo: Naroditskiy Alexey, courtesy Garage Museum of Contemporary Art

Installation view, Taryn Simon: An American Index of the Hidden and Unfamiliar, Whitney Museum of American Art, New York, March 9–June 24, 2007 Artwork © Taryn Simon. Photo: Sheldan Collins, courtesy Whitney Museum of American Art

Installation view, Taryn Simon: An American Index of the Hidden and Unfamiliar, Whitney Museum of American Art, New York, March 9–June 24, 2007

Artwork © Taryn Simon. Photo: Sheldan Collins, courtesy Whitney Museum of American Art

Installation view, Taryn Simon: The Innocents, Kunst-Werke Institute for Contemporary Art, Berlin, 2003 Artwork © Taryn Simon. Photo: courtesy KW Institute for Contemporary Art

Installation view, Taryn Simon: The Innocents, Kunst-Werke Institute for Contemporary Art, Berlin, 2003

Artwork © Taryn Simon. Photo: courtesy KW Institute for Contemporary Art

Installation view, Taryn Simon: An Occupation of Loss, Park Avenue Armory, New York, September 13–25, 2016 © Taryn Simon. Photo: Naho Kubota, courtesy the artist and Gagosian

Installation view, Taryn Simon: An Occupation of Loss, Park Avenue Armory, New York, September 13–25, 2016

© Taryn Simon. Photo: Naho Kubota, courtesy the artist and Gagosian

Installation view, Taryn Simon: Action Research/The Stagecraft of Power, Garage Museum of Contemporary Art, Moscow, March 17–May 22, 2016 Artwork © Taryn Simon. Photo: Naroditskiy Alexey, courtesy Garage Museum of Contemporary Art

Installation view, Taryn Simon: Action Research/The Stagecraft of Power, Garage Museum of Contemporary Art, Moscow, March 17–May 22, 2016

Artwork © Taryn Simon. Photo: Naroditskiy Alexey, courtesy Garage Museum of Contemporary Art

Installation view, Taryn Simon: Shouting Is under Calling , Kunstmuseum Luzern, Switzerland, February 24–June 16, 2018 Artwork © Taryn Simon. Photo: Annik Wetter Photographie, courtesy Gagosian

Installation view, Taryn Simon: Shouting Is under Calling , Kunstmuseum Luzern, Switzerland, February 24–June 16, 2018

Artwork © Taryn Simon. Photo: Annik Wetter Photographie, courtesy Gagosian

Installation view, Taryn Simon: Rear Views, a Star-Forming Nebula, and the Office of Foreign Propaganda, Jeu de Paume, Paris, February 24–May 17, 2015 Artwork © Taryn Simon. Photo: Romain Darnaud, courtesy Jeu de Paume

Installation view, Taryn Simon: Rear Views, a Star-Forming Nebula, and the Office of Foreign Propaganda, Jeu de Paume, Paris, February 24–May 17, 2015

Artwork © Taryn Simon. Photo: Romain Darnaud, courtesy Jeu de Paume

Installation view, Taryn Simon: A Living Man Declared Dead and Other Chapters, Neue Nationalgalerie, Berlin, September 21, 2011–January 1, 2012 Artwork © Taryn Simon. Photo: David von Becker, courtesy Neue Nationalgalerie

Installation view, Taryn Simon: A Living Man Declared Dead and Other Chapters, Neue Nationalgalerie, Berlin, September 21, 2011–January 1, 2012

Artwork © Taryn Simon. Photo: David von Becker, courtesy Neue Nationalgalerie

Installation view, Taryn Simon: A Soldier Is Taught to Bayonet the Enemy and Not Some Undefined Abstraction, Staatliche Kunstsammlungen, Dresden, Germany, October 27, 2016–January 15, 2017 Artwork © Taryn Simon. Photo: David Pinzer, courtesy Staatliche Kunstsammlungen, Dresden

Installation view, Taryn Simon: A Soldier Is Taught to Bayonet the Enemy and Not Some Undefined Abstraction, Staatliche Kunstsammlungen, Dresden, Germany, October 27, 2016–January 15, 2017

Artwork © Taryn Simon. Photo: David Pinzer, courtesy Staatliche Kunstsammlungen, Dresden

Installation view, Taryn Simon: A Soldier Is Taught to Bayonet the Enemy and Not Some Undefined Abstraction, Staatliche Kunstsammlungen, Dresden, Germany, October 27, 2016–January 15, 2017 Artwork © Taryn Simon. Photo: David Pinzer, courtesy Staatliche Kunstsammlungen, Dresden

Installation view, Taryn Simon: A Soldier Is Taught to Bayonet the Enemy and Not Some Undefined Abstraction, Staatliche Kunstsammlungen, Dresden, Germany, October 27, 2016–January 15, 2017

Artwork © Taryn Simon. Photo: David Pinzer, courtesy Staatliche Kunstsammlungen, Dresden

Installation view, Taryn Simon: An American Index of the Hidden and Unfamiliar, Louisiana Museum of Modern Art, Denmark, October 29, 2016–January 15, 2017 Artwork © Taryn Simon. Photo: Poul Buchard/Broendum & Co, courtesy Louisiana Museum of Modern Art

Installation view, Taryn Simon: An American Index of the Hidden and Unfamiliar, Louisiana Museum of Modern Art, Denmark, October 29, 2016–January 15, 2017

Artwork © Taryn Simon. Photo: Poul Buchard/Broendum & Co, courtesy Louisiana Museum of Modern Art

Installation view, Taryn Simon: Rear Views, a Star-Forming Nebula, and the Office of Foreign Propaganda, Jeu de Paume, Paris, February 24–May 17, 2015 Artwork © Taryn Simon. Photo: Romain Darnaud, courtesy Jeu de Paume

Installation view, Taryn Simon: Rear Views, a Star-Forming Nebula, and the Office of Foreign Propaganda, Jeu de Paume, Paris, February 24–May 17, 2015

Artwork © Taryn Simon. Photo: Romain Darnaud, courtesy Jeu de Paume

Installation view, Taryn Simon: Paperwork and the Will of Capital, United Nations, 2016 Treaty Event, New York, 2016 Artwork © Taryn Simon. Photo: courtesy the artist and Gagosian

Installation view, Taryn Simon: Paperwork and the Will of Capital, United Nations, 2016 Treaty Event, New York, 2016

Artwork © Taryn Simon. Photo: courtesy the artist and Gagosian

Installation view, Taryn Simon: A Living Man Declared Dead and Other Chapters, Ullens Center for Contemporary Art, Beijing, October 15, 2013–January 5, 2014 Artwork © Taryn Simon. Photo: Peter Lo, courtesy Ullens Center for Contemporary Art

Installation view, Taryn Simon: A Living Man Declared Dead and Other Chapters, Ullens Center for Contemporary Art, Beijing, October 15, 2013–January 5, 2014

Artwork © Taryn Simon. Photo: Peter Lo, courtesy Ullens Center for Contemporary Art

About

Taryn Simon is a multidisciplinary artist who has worked in photography, text, sculpture, and performance. Her practice involves extensive research, resulting in projects guided by an interest in systems of categorization and classification.

Simon was born in 1975 in New York. She received a BA in 1997 from Brown University, Providence, Rhode Island. Recent solo museum exhibitions include PS1 Contemporary Art Center, New York (2003); Nikolaj Kunsthal, Copenhagen (2004); Museum Jan Cunen, Oss, Netherlands (2005); Musée de l’Élysée, Lausanne, Switzerland (2006); Contemporary Arts Center, Cincinnati (2006); High Museum of Art, Atlanta (2006); Whitney Museum of American Art, New York (2007); Museum für Moderne Kunst, Frankfurt, Germany (2007); Foam Fotografiemuseum, Amsterdam (2008); Institute of Modern Art, Brisbane, Australia (2009); Centre for Contemporary Photography, Melbourne (2010); Milwaukee Art Museum, Wisconsin (2011); Tate Modern, London (2011, traveled to Neue Nationalgalerie Berlin; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Corcoran Gallery of Art, Washington, DC; and Ullens Center for Contemporary Art, Beijing, through 2013); Centre d’Art Contemporain, Geneva (2011); Museum of Modern Art, New York (2012); Geffen Contemporary at MOCA, Los Angeles (2012–13); Multimedia Art Museum, Moscow (2012); Helsinki Art Museum (2012); Ullens Center for Contemporary Art, Beijing (2013); Museum Folkwang, Essen, Germany (2013); Carnegie International, Pittsburgh (2013); Museum of Contemporary Art in Kraków, Poland (2014); Fondation Louis Vuitton, Paris (2014); Le Point du Jour—Centre d’Art Editeur, Cherbourg-en-Cotentin, France (2015); Jeu de Paume, Paris (2015); Garage Museum of Contemporary Art, Moscow (2016); Galerie Rudolfinum, Prague (2016); Albertinum, Dresden (2016); Park Avenue Armory, New York (2016); Louisiana Museum of Modern Art, Humlebaek, Denmark (2016); George Eastman Museum, Rochester, New York (2016); and Kunstmuseum Luzern, Lucerne, Switzerland (2018). Simon’s work was included in the Gwangju Biennale (2008); Singapore Biennale (2011); Carnegie International (2013); Yokohama Triennale, Japan (2014); and 56th Biennale di Venezia, Venice (2015). She was awarded a Guggenheim Fellowship in Photography in 2001.

Simon’s work is featured in museum collections worldwide, including the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art; Tate, London; Centre Pompidou, Paris; and Museum für Moderne Kunst, Frankfurt, Germany.

Simon lives and works in New York.

Taryn Simon

Photo: courtesy the artist and MASS MoCA

Website

tarynsimon.com

From the Quarterly

Fairs, Events & Announcements

Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha

Art Fair

Seattle Art Fair

August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
www.seattleartfair.com

Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at seattleartfair.com.

Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha

Taryn Simon, Professional Mourners, 2018 © Taryn Simon

Auction

Artists for Artangel

Live auction: June 28, 2018
Banqueting House, London

Online auction: June 7–28, 2018
paddle8.com

Exhibition: June 8–27, 2018
Cork Street Galleries, London

Artists for Artangel is a special auction to benefit Artangel’s ambitious projects in contemporary art. For over thirty years, Artangel has worked with artists to produce extraordinary artworks of public import in unexpected places. Commissions by gallery artists include Rachel Whiteread’s House (1993), a negative concrete cast of a condemned terrace house in Bow, London; Douglas Gordon’s Feature Film (1998); and most recently, Taryn Simon’s highly acclaimed performance on the culture of mourning, An Occupation of Loss (2016 and 2018), presented in an astonishing underground location in Islington, London. For information on works in the auction or how to bid, go to www.artangel.org.uk.

Taryn Simon, Professional Mourners, 2018 © Taryn Simon

Sterling Ruby, Heart (6634), 2018 © Sterling Ruby Studio. Photo: Robert Wedemeyer

Art Fair

Artmonte-Carlo

April 28–29, 2018, booth B8
Grimaldi Forum, Monaco
www.artmontecarlo.ch

Gagosian is pleased to participate in Artmonte-Carlo 2018, presenting a selection of works by artists including Richard Artschwager, Davide Balula, Glenn Brown, Michael Craig-Martin, Edmund de Waal, Damien Hirst, Peter Lindbergh, Takashi Murakami & Virgil Abloh, Sterling Ruby, and Taryn Simon. To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.artmontecarlo.ch.

Sterling Ruby, Heart (6634), 2018 © Sterling Ruby Studio. Photo: Robert Wedemeyer

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Museum Exhibitions

Vera Lutter, Clock Tower, Brooklyn, XXXVI: June 16, 2009, 2009 © Vera Lutter

Just Opened

Civilization
The Way We Live Now

Through February 17, 2019
National Museum of Modern and Contemporary Art, Seoul, South Korea
www.mmca.go.kr

Civilization: The Way We Live Now features more than two hundred works from one hundred international photographers. The show addresses and illuminates major aspects of our increasingly global civilization and stresses the fact that contemporary society is an extremely complex collective enterprise. Work by Mike Kelley, Vera Lutter, and Taryn Simon is included.

Vera Lutter, Clock Tower, Brooklyn, XXXVI: June 16, 2009, 2009 © Vera Lutter

Taryn Simon, Cryopreservation Unit, Cryonics Institute, Clinton Township, Michigan, 2004–07 © Taryn Simon

On View

Taryn Simon in
The Future Starts Here

Through November 4, 2018
Victoria & Albert Museum, London
www.vam.ac.uk

The Future Starts Here brings together groundbreaking technologies and designs currently in development in studios and laboratories around the world. Visitors are guided by a series of ethical and speculative questions to connect the subject matter to the choices that we all face in our everyday lives. Work by Taryn Simon is included.

Taryn Simon, Cryopreservation Unit, Cryonics Institute, Clinton Township, Michigan, 2004–07 © Taryn Simon

Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection, White House, Washington, D.C., United States, 1981, Paperwork and the Will of Capital, 2015 © Taryn Simon

On View

Taryn Simon in
Zeitspuren: The Power of Now

Through November 18, 2018
Kunsthaus Pasquart Biel, Switzerland
www.pasquart.ch

Zeitspuren: The Power of Now demonstrates how the passage of time can be expressed visually by artistic processes and how the duration of an action or the aura of memory can be represented. The exhibition uses video, film, painting, drawing, printmaking, and sculpture, as well as ephemeral and site-specific works to show how perspectives are being developed that make time perceivable as a relative and subjective dimension. Work by Taryn Simon is included.

Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection, White House, Washington, D.C., United States, 1981, Paperwork and the Will of Capital, 2015 © Taryn Simon

Taryn Simon, Research Marijuana Crop Grow Room, National Center for Natural Products Research, Oxford, Mississippi, 2007 © Taryn Simon

On View

Tubology
Our Lives in Tubes

Through December 30, 2018
FRAC Grand Large—Hauts-de-France, Dunkirk, France
www.fracnpdc.fr

Tubology: Our Lives in Tubes offers a totally new reading of the FRAC Grand Large collection from the 1960s up to the present day, and speculates about the prerequisites for rendering art and design relevant to a society mutating at high speed. Work by Marc Newson and Taryn Simon is included.

Taryn Simon, Research Marijuana Crop Grow Room, National Center for Natural Products Research, Oxford, Mississippi, 2007 © Taryn Simon

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Press

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