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Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
[The kind of girls I painted were] really made up of black lines and red dots. I see it that abstractly, that it’s very hard to fall for one of these creatures, to me, because they’re not really reality to me. However, that doesn’t mean that I don’t have a clichéd ideal, a fantasy ideal, of a woman that I would be interested in. But I think I have in mind what they should look like for other people.
—Roy Lichtenstein
Gagosian is pleased to present Girls, a seminal group of paintings by Roy Lichtenstein.
In the summer of 1961 Lichtenstein embarked on a series of iconic images of women, taken directly from newspaper clippings and the romance comic books so prevalent in postwar America. The anonymity of the mass-produced, cheap comic book helped him to capture specific impressions of real things while maintaining the necessary degree of aesthetic distance afforded by what he understood to be the “high restrictive quality of art.” He scrutinized his female subjects, editing and re-presenting the crux of their trials and tribulations in paint on canvas on a greatly enlarged scale. The Girl paintings, together with the war images (or Boy paintings), established him as a major protagonist of American Pop art. In all of Lichtenstein’s art there remains a particular, unmistakably American quality: a knowing and laconic examination of the world that separated him from his Capitalist Realist contemporaries in Europe, who also borrowed from pop cultural sources. His mixing of text and image, and of high and low culture, as well as his strategies involving the appropriated image, continues to be a rich source of inspiration for subsequent generations of artists, from Richard Prince, Jeff Koons, and Raymond Pettibon to John Currin and Elizabeth Peyton.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
In celebration of the centenary of Roy Lichtenstein’s birth, Irving Blum and Dorothy Lichtenstein sat down to discuss the artist’s life and legacy, and the exhibition Lichtenstein Remembered curated by Blum at Gagosian, New York.
Gagosian and the Art Students League of New York hosted a conversation on Roy Lichtenstein with Daniel Belasco, executive director of the Al Held Foundation, and Scott Rothkopf, senior deputy director and chief curator of the Whitney Museum of American Art, New York. Organized in celebration of the centenary of the artist’s birth and moderated by Alison McDonald, chief creative officer at Gagosian, the discussion highlights multiple perspectives on Lichtenstein’s decades-long career, during which he helped originate the Pop art movement. The talk coincides with Lichtenstein Remembered, curated by Irving Blum and on view at Gagosian, New York, through October 21.
Actor and art collector Steve Martin reflects on the friendship and professional partnership between Roy Lichtenstein and art dealer Irving Blum.
Jacoba Urist profiles the legendary collector.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Dorothy Lichtenstein sits down with Derek Blasberg to discuss the changes underway at the Lichtenstein Foundation, life in the 1960s, and what brought her to—and kept her in—the Hamptons.
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
A 1964 publication by the Chinese-American artist and poet Walasse Ting and Abstract Expressionist painter Sam Francis.
Diana Widmaier Picasso, curator of the exhibition Desire, reflects on the history of eroticism in art.
Jack Cowart, Executive Director of the Roy Lichtenstein Foundation, and Rob McKeever, a former assistant to Lichtenstein, recall the making of the original Greene Street Mural.
More than thirty years after its creation, Gagosian presents a full-scale painted replica of the original Greene Street Mural by Roy Lichtenstein, based on documentation from the artist’s studio and produced by sign painters under the supervision of his former studio assistant.