Installation Views

Works Exhibited

About

Gagosian is pleased to announce Contraband, a new photographic series by Taryn Simon.

Simon’s photographs chronicle contradictory aspects of American identity while exposing the veiled mechanisms of society. Contraband expands on the earlier series An American Index of the Hidden and Unfamiliar (2007), which explored the covert intersection between private and public domains. For five days in November 2009, Simon lived at John F Kennedy International Airport, which processes more international passengers than any other airport in the United States. The exhaustive pace at which she photographed paralleled the twenty-four hour rhythm by which goods move across borders and time zones. Contraband includes 1075 photographs of over 1000 items detained or seized from passengers and from express mail entering the U.S. from abroad. Simon used a labor-intensive, forensic photographic procedure to document a broad array of forbidden items, including the active ingredient found in Botox, counterfeit clothes and designer accessories, pharmaceuticals, jewelry, overproof Jamaican rum, drugs, items made from endangered species, Cuban cigars, animal parts, pirated DVDs, khat, gold dust, GBL (date rape drug), cow-manure tooth powder, and steroids.

Cataloguing such an enormous amount of material in a limited period of time, emerging patterns reveal a comprehensive cross-section of international commerce, exposing the desires and demands that drive the international economy as well as the local economies that produce them. Simon photographed each item against a neutral grey background, producing an “objective” scientific record, devoid of context. Removed from the individual passenger’s belongings, each item loses its distinguishing personal associations and is transformed into an artifact of the larger global network. For Simon, “contraband” can also infer danger, raising questions about what is officially considered to be a threat to authority and security in contemporary society.

This exhibition is accompanied by a fully illustrated catalogue with a text by Hans Ulrich Obrist, director of the Serpentine Galleries, London. It is published by Steidl.

Contraband will also open at Lever House, New York on September 30 and run until December 31, 2010.

Gagosian Quarterly Summer 2023

Now available
Gagosian Quarterly Summer 2023

The Summer 2023 issue of Gagosian Quarterly is now available, featuring Richard Avedon’s Marilyn Monroe, actor, New York, May 6, 1957 on its cover.

Gagosian Quarterly Fall 2022

Now available
Gagosian Quarterly Fall 2022

The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.

Taryn Simon and Teju Cole

In Conversation
Taryn Simon and Teju Cole

This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.

Taryn Simon: An Occupation of Loss

Taryn Simon: An Occupation of Loss

In Taryn Simon’s performance work An Occupation of Loss  (2016), professional mourners enact rituals of grief, simultaneously broadcasting their lamentations from within a sculptural installation. This video by filmmaker Boris B. Bertram documents the April 2018 performance of this work with Artangel in Islington, London.

The New York Public Library’s Picture Collection

The New York Public Library’s Picture Collection

Joshua Chuang, the Robert B. Menschel Senior Curator of Photography at the New York Public Library, discusses the institution’s singular Picture Collection, the artist Taryn Simon’s rigorous engagement with it, and four instances of its little-known role in the history of art making.

Gagosian Quarterly Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Cast of Characters

Cast of Characters

James Lawrence explores how contemporary artists have grappled with the subject of the library.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

From Mortal Bodies to Immortal Crowds

From Mortal Bodies to Immortal Crowds

Two immersive installations by Taryn Simon presented at MASS MoCA in 2018–19 examined the rituals of cold-water plunges and applause. Text by Angela Brown.

Free Arts NYC

The Bigger Picture
Free Arts NYC

Meredith Mendelsohn discusses the impact of Free Arts NYC and its mission to foster creativity in children and teens, on the occasion of its twenty-year anniversary.

Obscuring the Index

Obscuring the Index

Taryn Simon’s 2016 exhibitions spanned the globe. Angela Brown brings us highlights from six museums.

Cover of the book Taryn Simon: The Innocents (2000–2003)

Taryn Simon: The Innocents (2000–2003)

$85
Cover of the book Taryn Simon: The Color of a Flea’s Eye: The Picture Collection

Taryn Simon: The Color of a Flea’s Eye: The Picture Collection

$150
Cover of the book Taryn Simon: Contraband

Taryn Simon: Contraband

$75
Cover of the Gagosian Quarterly: Summer 2023 Issue featuring artwork by Richard Avedon

Gagosian Quarterly: Summer 2023 Issue

$20
Cover of the Fall 2022 issue of Gagosian Quarterly magazine, featuring artwork by Jordan Wolfson

Gagosian Quarterly: Fall 2022 Issue

$20
Cover of the Summer 2021 issue of Gagosian Quarterly magazine, featuring artwork by Carrie Mae Weems

Gagosian Quarterly: Summer 2021 Issue

$20
Cover of the Summer 2019 issue of Gagosian Quarterly magazine, featuring artwork by Ellen Gallagher

Gagosian Quarterly: Summer 2019 Issue

$20
Cover of the Fall 2018 issue of Gagosian Quarterly magazine, featuring artwork by Nate Lowman

Gagosian Quarterly: Fall 2018 Issue

$20
Cover of the Spring 2017 issue of Gagosian Quarterly magazine, featuring artwork by Rudolf Stingel

Gagosian Quarterly: Spring 2017 Issue

$20