The exhibition came together following Louise Bonnet’s observation about the latent psychological tension in Gustav Klimt’s The Kiss. “Don’t look at the faces,” she said. “Look at how the woman’s toes are curled.”
Gagosian is pleased to present Domestic Horror, an exhibition organized by Bill Powers. On view will be works by Natalie Ball, Louise Bonnet, Ginny Casey, Genieve Figgis, Ewa Juszkiewicz, Tanya Merrill, Cheikh Ndiaye, Rene Ricard, Pauline Shaw, Lucien Smith (with Glenn O’Brien), Vaughn Spann, and Chloe Wise. Featuring several young and emerging artists, this exhibition includes many specially commissioned works.
Addressing the darker fears that arise when we encounter the unknown, Domestic Horror probes the friction between the civilized world and baser human impulses. The word “domestic” contains a potent double meaning here, alluding to the unintended consequences that can occur—in private life and in a larger national and cultural life—where internalized anxieties meet external pressures.
Ndiaye and Spann confront the perils of political turmoil by disrupting familiar images of cultural stability: the office space of the state newspaper of Senegal, in shambles after an anti-government protest; an American flag, deconstructed and reassembled with a single ominous, looming star. Working with structures of concealment and visibility, Figgis and Juszkiewicz construct surreal, discomforting scenes of physical and societal suppression. Figgis’s ghoulish, psychedelic painting of a well-dressed family mocks the ritual of aristocratic portraiture, while Juszkiewicz parodies Louis Léopold Boilly’s Portrait of Madame Saint-Ange Chevrier in a Landscape (1807) by suffocating the titular subject with fabric and foliage wrapped tightly around her head.
As a subversive nod to the tradition of depicting dead game in academic still-life painting, Merrill’s Cat with Eel and Snail (2019) instead imagines a moment in which the artist’s subjects break free from a carefully composed tableau. Merrill reanimates the once lifeless forms of the cat, eel, and snail, allowing them to inflict their inherently violent tendencies upon one another. While Merrill’s subject matter and muted color palette constitute a somber memento mori, her loose, erratic brushstrokes imbue the scene with a frenetic energy that is very much alive.
Rife with physiological drama, the fleshy, fabric-draped forms of Bonnet’s Interior with Pink Blanket (2019) exaggerate the human body’s contours to the limits of recognizability. Her eerie composition suggests that in everyday life only the thinnest veneer of propriety masks the grotesque from view.
Louise Bonnet and Dodie Bellamy
Poet and novelist Dodie Bellamy visits the artist Louise Bonnet at her Los Angeles studio as she prepares for an exhibition of new works in Hong Kong and the inclusion of one of her paintings in the 59th Biennale di Venezia. The two discuss the power of horror, the intensity of memory, and their creative processes.
Behind the Art
Louise Bonnet: Onslaught
Join Louise Bonnet in her Los Angeles studio as she works on new paintings ahead of her exhibition Onslaught, at Gagosian, Hong Kong.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Louise Bonnet: Sphinxes
Ali Subotnick investigates the artist’s surreal new series of drawings.
Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
Ewa Juszkiewicz: In vain her feet in sparkling laces glow
The artist elaborates on the creation of her first solo exhibition in New York.
Thursday, October 3, 2019, 6pm
Gagosian, Park & 75, New York
Bill Powers will lead a second tour of Domestic Horror, currently on view at Gagosian, Park & 75, New York. The exhibition, organized by Powers and featuring several young and emerging artists, addresses the darker fears that arise when we encounter the unknown, and probes the friction between the civilized world and baser human impulses. To attend the free event, RSVP to email@example.com. Space is limited.
Tanya Merrill, Cat with Eel and Snail, 2019 © Tanya Merrill
Thursday, September 26, 2019, 6pm
Gagosian, Park & 75, New York
Bill Powers will lead a tour of Domestic Horror, currently on view at Gagosian, Park & 75, New York. The exhibition, organized by Powers and featuring several young and emerging artists, addresses the darker fears that arise when we encounter the unknown, and probes the friction between the civilized world and baser human impulses. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Ewa Juszkiewicz, Portrait of a Lady (after Louis Léopold Boilly), 2019 © Ewa Juszkiewicz