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Artist Plate Project 2021
Coalition for the Homeless

Launching November 16, 2021, 10am est

Limited-edition bone china plates produced by Prospect and featuring artwork by more than forty artists—including Virgil Abloh, Urs Fischer, Helen Frankenthaler, Alex Israel, Ewa Juszkiewicz, Ed Ruscha, Sarah Sze, Tom Wesselmann, Jonas Wood, and Christopher Wool—will be sold through Artware Editions to raise funds for the Coalition’s lifesaving programs. The funds raised by the sale of the plates will provide food, crisis services, housing, and other critical aid to thousands of people experiencing homelessness and instability. The purchase of one plate can feed one hundred homeless and hungry New Yorkers.

Jonas Wood, Clipping Plate, 2021 © Jonas Wood

Jonas Wood, Clipping Plate, 2021 © Jonas Wood

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Willem de Kooning, Woman, 1953, Hirshhorn Museum and Sculpture Garden, Washington, DC © 2021 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

Symposium

When New York looks at the School of Paris

Tuesday, November 30, 2021, 4am–10am est (10am–4pm cet)

An online symposium will take place in conjunction with the exhibition Chaïm Soutine/Willem de Kooning, la peinture incarnée, currently on view at the Musée de l’Orangerie, Paris. At 4:30am est (10:30am cet) John Elderfield, chief curator emeritus of painting and sculpture at the Museum of Modern Art, New York, will speak with Claire Bernardi, chief curator of paintings at the Musée d’Orsay. The pair will discuss responses to the 1950 MoMA exhibition of Chaïm Soutine’s work as seen in Willem de Kooning’s paintings and in the writings of critic Clement Greenberg. To join the online event, register at www.musee-orangerie.fr.

Willem de Kooning, Woman, 1953, Hirshhorn Museum and Sculpture Garden, Washington, DC © 2021 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York

Ottessa Moshfegh, My New Novel / Issy Wood, The down payment (New York: Picture Books | Gagosian, 2021)

Book Signing

Ottessa Moshfegh
My New Novel

Wednesday, December 8, 2021, 6:30–7:30pm
Gagosian Shop, 976 Madison, New York

Ottessa Moshfegh will sign copies of her book My New Novel at the Gagosian Shop in New York. Matched with an artwork by Issy Wood, Moshfegh’s acerbic story inaugurates Gagosian’s Picture Books, an imprint conceived by author Emma Cline and dedicated to publishing fiction by leading authors alongside contributions by celebrated contemporary artists. “Moshfegh and Wood share a gothic, spiky humor and an attunement to the darker currents of the world, the hidden realms where shame and desire intersect,” Cline observes. To join, register at eventbrite.com.

Ottessa Moshfegh, My New Novel / Issy Wood, The down payment (New York: Picture Books | Gagosian, 2021)

Grace Wales Bonner’s digital art installation for the façade of Flannels, London, 2021. Artwork © Grace Wales Bonner. Photo: courtesy W1 Curates

Public Installation

W1 Curates
Grace Wales Bonner

November 22–28, 2021
Flannels, London
www.w1curates.com

Work by Grace Wales Bonner is viewable twenty-four hours a day on a three-story building on Oxford Street in London, presented by W1 Curates. Bonner creates conceptual shrines to Black Atlantic style and history, stressing the ritualistic importance of learning about and connecting to one’s cultural roots. The installation also includes segments from a film Wales Bonner made in collaboration with Tyler Mitchell to celebrate the publication of A Magazine Curated by Grace Wales Bonner. Both artists currently have work on view in Social Works II at Gagosian, Grosvenor Hill, London.

Grace Wales Bonner’s digital art installation for the façade of Flannels, London, 2021. Artwork © Grace Wales Bonner. Photo: courtesy W1 Curates

Still from "Sally Mann: Vinculum".

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Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Cover of Gagosian Quarterly with Jasper Johns’s Target with Four Faces (1955)

Now available
Gagosian Quarterly Winter 2021

The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.

Still from video, featuring artwork by Jonas Wood

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Ugo Mulas, Jasper Johns, 1964, vintage gelatin silver print, 9 ⅞ × 14 ½ inches (25 × 37 cm), Ugo Mulas Archive, Milan © Ugo Mulas Heirs

Jasper Johns: Mind/Mirror

Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.

Issy Wood, The down payment, 2021, oil on linen.

Picture Books: Ottessa Moshfegh and Issy Wood

Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.

Jenny Saville, Pietà I, 2019–21, charcoal and pastel on canvas

Jenny Saville: A cyclical rhythm of emergent forms

An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.

Installation view, Semiotext(e) exhibition at the 2014 Whitney Biennial

Leaders in the Arts: Publishing Edition

Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.

Tyler Mitchell, Untitled (Lunarlander), 2021

Social Works II: Tyler Mitchell | A New Landscape

Tyler Mitchell speaks with Antwaun Sargent about Black representation, the diversity of Southern landscapes, and the importance of play in his new series of photographs. The conversation forms part of “Social Works II,” a supplement guest edited by Sargent for the Winter 2021 issue of the Quarterly.

Edmund de Waal, stone for two hands and water, 2021, Hornton stone, bamboo, and water, 27 ⅜ × 56 ¾ × 23 ⅝ inches (69.5 × 144 × 60 cm), installation view, Henry Moore Studios & Gardens, Perry Green, England

The Thinking Hand

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Cy Twombly, Untitled (Say Goodbye, Catallus, to the Shores of Asia Minor), 1994, oil, acrylic, oil stick, crayon, and graphite on three canvases,

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Thierry Greub tracks the literary references in Cy Twomblys epic painting of 1994.

Portrait of Sir John Richardson, New York, 2005. Photo: Janette Beckman/Getty Images

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Lucie and Luke Meier. Photo: Peter Lindbergh

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