Piero Manzoni’s brief career was one of the most radically inventive of the twentieth century, producing a body of work that continues to challenge the definitions of artistic sovereignty and virtuosity.
Piero Manzoni was born in 1933 in Soncino, Italy, and died in 1963 in Milan, Italy. His work has been the subject of numerous international exhibitions, including Herning Kunstmuseum, Germany (1991); Musée d'art Moderne de la Ville de Paris, France (1991); Castello di Rivoli—Museo d’Arte Contemporanea, Italy (1992); “Linee,” Palazzo delle Esposizioni, Rome (1995); “Line Drawings,” Museum of Contemporary Art, Los Angeles (1995); “Milano et mitologia,” Palazzo Reale, Milan (1997); MADRE Museum, Italy (2008); “When Bodies Became Art,” Stadel Museum, Germany (2013); Palazzo Reale, Italy (2014); and Museu de Arte Moderna, Brazil (2015).
Tsuyoshi Maekawa with Alberto Burri, Enrico Castellani, Jorge Eielson, Lucio Fontana, and Piero Manzoni
January 12–March 4, 2017
January 27–March 27, 2015
PLIAGE / FOLD
February 28–April 17, 2014
The Show is Over
October 15–November 30, 2013
Britannia Street, London
November 16, 2011–January 4, 2012
Davies Street, London
January 24–March 21, 2009
West 24th Street, New York
for what you are about to receive
September 18–October 25, 2008
Red October, Moscow
Gagosian at Galeries Lafayette Champs-Élysées
Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.
Gagosian at Galeries Lafayette Champs-Élysées, Paris
Gagosian App for iPad
Gagosian announces the release of issue 4 of the Gagosian App for iPad on July 13, 2013. Artists featured in this issue include Georg Baselitz, Piero Manzoni, Robert Rauschenberg, Nancy Rubins, Thomas Ruff, Taryn Simon, and Cy Twombly.
In issue 4 we feature an illustrated “pop-up” biography of Georg Baselitz, show Piero Manzoni’s Azimuth magazines digitized with full English translations for the first time, offer an endless “art board” of works from the exhibition The Private Collection of Robert Rauschenberg, including historical and biographical information on more than seventy-six artists. We also show a comprehensive overview of Nancy Rubins’s monumental public sculptures made from industrial objects, and give you a look at Thomas Ruff’s stereoscopic ma.r.s. photographs in 3-D. We invite you to interact with multimedia highlights from Taryn Simon’s four major bodies of work, curated by the artist, and explore Cy Twombly’s final paintings with a photographic and audio tribute to the artist by Sally Mann.
Arte e matericità tra informe et invisibile
October 4, 2018–January 6, 2019
GAMeC—Galleria d’Arte Moderna et Contemporanea di Bergamo, Italy
Black Hole: Arte e matericità tra informe et invisibile is the first exhibition in an ambitious three-year research program dedicated to the theme of matter. Activating a dialogue with the history of scientific and technological discoveries, and investigating the development of aesthetics theories, Black Hole showcases the work of artists who have explored the material element’s most intrinsic significance, where the actual concept of matter shatters to open up a more profound idea of matter as an original element, as the primordial substance that constitutes everything. Work by Urs Fischer, Lucio Fontana, Alberto Giacometti, Anselm Kiefer, and Piero Manzoni is included.
Installation view, Black Hole: Arte e matericità tra informe et invisibile, GAMeC—Galleria d’Arte Moderna et Contemporanea di Bergamo, Italy, October 4, 2018–January 6, 2019. Artwork, left to right: Fondazione Palazzo Albizzini-Collezione Burri, Città di Castello © 2018 SIAE; © Piero Manzoni/2018 SIAE. Photo: Antonio Maniscalco