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Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Gagosian is pleased to present an exhibition of large-scale paintings by the late artist Roy Lichtenstein. This body of work, completed during the 1990s, solely depicts the female nude.
The highly sexualized portrayal of women has been of paramount importance to Lichtenstein’s work since his earliest Pop paintings. The actual nude, however, appeared as a subject most prominently in works made during the artist’s last decade. In several instances, later paintings like Nude with Beach Ball (1994) clearly refer to works from the 1960s, such as Girl with Ball (1961).
Comparative pictures such as these emphasize the unique characteristics of Lichtenstein’s later paintings: larger areas of white, and a palette of extremely clear and vivid color. In the classic Pop paintings, the allover Benday dots mimicked the crude techniques of tabloid illustration. In the later paintings, the dots appear in cloud-like patches that express the effervescence of space and form.
The Nudes inhabit the ether of virtual reality more than the material world of comic books and cartoons. The intense and clear white ground and the overall impression of infinite space and “air” are in sympathy with the literal stripping of the female subjects to reveal their blatant and uncomplicated erotic availability. In these paintings, the hyper-world of virtual space opens an infinity of carnal and imaginative license and desire.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
Alice Godwin and Alison McDonald explore the history of Roy Lichtenstein’s mural of 1989, contextualizing the work among the artist’s other mural projects and reaching back to its inspiration: the Bauhaus Stairway painting of 1932 by the German artist Oskar Schlemmer.
In celebration of the centenary of Roy Lichtenstein’s birth, Irving Blum and Dorothy Lichtenstein sat down to discuss the artist’s life and legacy, and the exhibition Lichtenstein Remembered curated by Blum at Gagosian, New York.
Gagosian and the Art Students League of New York hosted a conversation on Roy Lichtenstein with Daniel Belasco, executive director of the Al Held Foundation, and Scott Rothkopf, senior deputy director and chief curator of the Whitney Museum of American Art, New York. Organized in celebration of the centenary of the artist’s birth and moderated by Alison McDonald, chief creative officer at Gagosian, the discussion highlights multiple perspectives on Lichtenstein’s decades-long career, during which he helped originate the Pop art movement. The talk coincides with Lichtenstein Remembered, curated by Irving Blum and on view at Gagosian, New York, through October 21.
Actor and art collector Steve Martin reflects on the friendship and professional partnership between Roy Lichtenstein and art dealer Irving Blum.
Jacoba Urist profiles the legendary collector.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
Dorothy Lichtenstein sits down with Derek Blasberg to discuss the changes underway at the Lichtenstein Foundation, life in the 1960s, and what brought her to—and kept her in—the Hamptons.
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
A 1964 publication by the Chinese-American artist and poet Walasse Ting and Abstract Expressionist painter Sam Francis.
Diana Widmaier Picasso, curator of the exhibition Desire, reflects on the history of eroticism in art.
Jack Cowart, Executive Director of the Roy Lichtenstein Foundation, and Rob McKeever, a former assistant to Lichtenstein, recall the making of the original Greene Street Mural.
More than thirty years after its creation, Gagosian presents a full-scale painted replica of the original Greene Street Mural by Roy Lichtenstein, based on documentation from the artist’s studio and produced by sign painters under the supervision of his former studio assistant.