Installation Views

Works Exhibited

About

Gagosian is pleased to present an exhibition of recent collage by more than fifty artists, many of whom have created works specifically for this occasion. Fit to Print exposes the artist’s compulsion to react to the steady stream of information that the print media delivers on a daily basis. The works on view range from meditations on formal composition to personal perspectives on current events.

All works included in this exhibition have been made since January 2000, illuminating the vast extent to which contemporary artists around the globe share an interest in the myriad forms of printed media while working within the traditional definition of collage. A thoroughly modernist invention, collage first appeared in the work of Picasso and Braque and was embraced by the international Dada movement as a mode of political critique. Whether referring to autobiography, disposable pop culture, or actualities of global politics, the artists in this exhibition acknowledge the legacy of past practice by immediately utilizing mass-distributed, readymade print materials, and incorporating them directly into their work.

Picasso’s ability to unite formal and political concerns on the eve of World War I resonates in today’s moment of global turmoil and is acknowledged at the onset of the exhibition by the inclusion of a single, rare Picasso, Bottle and Glass (1912). As one of the first examples of collage ever made, the work, with its simple yet radical gesture of incorporating primary physical objects rather than painted representations, continues to inspire.

Today, images of vilified political figures juxtaposed with provocative text fragments critique contemporary events in real time and evoke the structures engineered by Hannah Hoch and her contemporaries.

A Foreigner Called Picasso

Behind the Art
A Foreigner Called Picasso

Join president of the Picasso Museum, Paris, Cécile Debray; curator, writer, biographer, and historian Annie Cohen-Solal; art historian Vérane Tasseau; and Gagosian director Serena Cattaneo Adorno as they discuss A Foreigner Called Picasso. Organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris, the exhibition reframes our perception of Picasso and focuses on his status as a permanent foreigner in France.

Oscar Murillo and Ben Luke on Franz West

In Conversation
Oscar Murillo and Ben Luke on Franz West

In conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West at Frieze Masters 2023, artist Oscar Murillo and arts writer, critic, and broadcaster Ben Luke sit down to discuss Murillo’s collaboration in selecting the works on view, as well as his personal experiences meeting the late artist in London.

A Foreigner Called Picasso

A Foreigner Called Picasso

Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.

Sterling Ruby: The Frenetic Beat

Sterling Ruby: The Frenetic Beat

Ester Coen meditates on the dynamism of Sterling Ruby’s recent projects, tracing parallels between these works and the histories of Futurism, Constructivism, and the avant-garde.

Sterling Ruby: TURBINES

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Fashion and Art: Pieter Mulier

Fashion and Art: Pieter Mulier

Pieter Mulier, creative director of Alaïa, presented his second collection for the legendary house in Paris in January 2022. After the presentation, Mulier spoke with Derek Blasberg about the show’s inspirations, including a series of ceramics by Pablo Picasso, and about his profound reverence for the intimacy and artistry of the atelier.

Picture Books: Percival Everett and Brandon Taylor

Picture Books: Percival Everett and Brandon Taylor

The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.

The Art of Biography: Sir John Richardson’s “The Minotaur Years”

The Art of Biography: Sir John Richardson’s “The Minotaur Years”

Pepe Karmel celebrates the release of A Life of Picasso IV: The Minotaur Years, 1933–1943, the final installment of Sir John Richardson’s magisterial biography.

Albert Oehlen: Terrifying Sunset

Albert Oehlen: Terrifying Sunset

The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.

Gagosian Quarterly Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Albert Oehlen and Mark Godfrey

In Conversation
Albert Oehlen and Mark Godfrey

Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.

Albert Oehlen: In the Studio

Albert Oehlen: In the Studio

This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.

Augurs of Spring

Augurs of Spring

As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.

Albert Oehlen and Hans Ulrich Obrist

In Conversation
Albert Oehlen and Hans Ulrich Obrist

Hans Ulrich Obrist interviews the artist on the occasion of his recent exhibition at the Serpentine Galleries, London.

Richard Prince: Cowboy

Richard Prince: Cowboy

On the occasion of the publication of Richard Prince: Cowboy, a major monograph on the artist’s preoccupation with the mythic American West, Lucy Sante tracks the archetype through mass media, advertising, and the art of Richard Prince to illuminate the cowboy’s enduring appeal.

The Nature of Mark Grotjahn

The Nature of Mark Grotjahn

Michael Auping writes about the origins of Mark Grotjahn’s Capri paintings and their relationship with nature and landscape.

Gagosian Quarterly Summer 2020

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

The Right Time

The Right Time

Natasha Stagg on influencers, the loss of the it-girl, and the “promotional life.”

Daniel-Henry Kahnweiler

Game Changer
Daniel-Henry Kahnweiler

Michael Cary pays homage to the visionary dealer Daniel-Henry Kahnweiler (1884–1979).

Grace McCann Morley

Game Changer
Grace McCann Morley

Berit Potter pays homage to the ardent museum leader who transformed San Francisco’s relationship to modern art.