Gagosian Hong Kong is pleased to present Figures in a Landscape, an exhibition of paintings and photographs by gallery artists including Cecily Brown, Glenn Brown, Roe Ethridge, Jeff Koons, Roy Lichtenstein, Richard Phillips, and Richard Prince.
Inspired by Roy Lichtenstein’s 1985 painting, Figures in a Landscape explores the classical artistic theme that remains of persistent interest to contemporary artists the world over. Here, three generations of artists, in works spanning more than twenty-five years, elaborate on the theme in paint on canvas, photography, or a synthesis of the two, producing images that are highly diverse in approach, content, and effect.
The late Pop icon Roy Lichtenstein is represented by a modern homage to the landscape idylls of French Classicism, with its abstracted scene of nymphs dancing in a forest. In contrast to the sketchy yet meticulously rendered flatness of Lichtenstein’s composition, Cecily Brown’s Figures in a Landscape I (2001) is a sensuous mélange of fleshy oil paint that recalls the loose brushwork and jumbled forms of Abstract Expressionism. Jeff Koons’s Waterfall Dots (Tree Rocks) (2008), with its oscillating visual field and anatomical overdrawing, revisits Marcel Duchamp’s famous Étant donnés, where a primordial landscape provides the backdrop for a mysterious naked female body.
In the 1980s, Richard Prince began “rephotographing” commercial photography, underscoring the pervasive influence of art history in the construction of advertising and popular visual media. Untitled (Cowboys) (1999), a sweeping mountain landscape with a rainbow cropped from an iconic Marlboro advertisement from the 1980s, is deeply indebted to the American Romantic landscape painting tradition as typified by the Hudson River School, while Roe Ethridge’s somber first-degree photographs provide a rather less heroic and more melancholy view of the contemporary American vernacular. Directly opposed to Ethridge’s low-key, gritty realism are the surreal and highly artificial compositions by Glenn Brown and Richard Phillips, in which figures emerge from backgrounds as if from a black-box theatrical set or a lurid landscape backdrop.
Roy Lichtenstein: 1961 to 1965
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
Gagosian Quarterly Winter 2018
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Jeff Koons: Easyfun-Ethereal
Learn more about Jeff Koons’s Easyfun-Ethereal series in this video featuring Rebecca Sternthal, one of the organizers behind the most recent exhibition of these works in New York.
Gagosian Quarterly Talks
Glenn Brown and Xavier Bray
Touching on everything from the politics of taste to the vibratory character of lines, Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s exhibition, Come to Dust, in London.
With preparations underway for an exhibition in London, Glenn Brown sat down with author Hari Kunzru to discuss the process behind Brown’s artmaking, the idea of the copy, and surprising overlaps between creating visual and literary works.
The Bigger Picture
Derek Blasberg speaks with Diane Brown, president and founder of RxArt, and with contributing artists Dan Colen, Urs Fischer, and Jeff Koons about the transformative power of visual art.