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Artist Plate Project
Coalition for the Homeless

November 16–December 14, 2020

Gagosian is pleased to support the Coalition for the Homeless’s Artist Plate Project fundraiser. Artwork by fifty artists, including Cecily Brown, Katharina Grosse, Sterling Ruby, Ed Ruscha, Sarah Sze, Andy Warhol, Jonas Wood, and Christopher Wool, is featured on limited-edition dinner plates produced by Prospect and made available through Artware Editions to support the Coalition’s lifesaving programs. All of the funds raised by the sale of the plates will provide food, crisis services, housing, and other critical aid to thousands of people experiencing homelessness and instability. The purchase of one plate can feed seventy-five homeless and hungry New Yorkers.

Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020

Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020

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Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Exhibition

The Future

November 30, 2020–January 9, 2021
gagosian-deitch.com

Gagosian is pleased to announce The Future, the sixth in a series of annual thematic exhibitions presented by Gagosian and Jeffrey Deitch during Art Basel Miami Beach. Previously staged at the historic Moore Building in the Miami Design District, this year the collaborative project will be hosted on a new stand-alone website.

Ed Ruscha, The Future, 1999 © Ed Ruscha. Photo: Jeff McLane

Still from Alexander Kluge’s film Separatrix (2020), featuring Katharina Grosse’s painting Untitled (2019)

In Conversation

Katharina Grosse and Alexander Kluge
with Joachim Bernauer and Julia Draganović

Tuesday, November 24, 2020, 1pm EST (7pm CET)

Katharina Grosse will speak with writer, theorist, and filmmaker Alexander Kluge about his writings on Leibniz’s theory of the “separatrix” and its key impact on her new body of watercolors and paintings on canvas, on view at Gagosian, Rome, through January 7. The conversation will be moderated by special guests Joachim Bernauer, director of Goethe-Institut Italien, and Julia Draganović, director of Accademia Tedesca Roma Villa Massimo, Rome. For this online discussion, Bernauer and Draganović will be speaking live from the gallery while Grosse and Kluge will join remotely. To join, complete this form.

Still from Alexander Kluge’s film Separatrix (2020), featuring Katharina Grosse’s painting Untitled (2019)

Mark Grotjahn, Untitled (Capri 53.57), 2020 © Mark Grotjahn

Support

The Kitchen
Ice and Fire: A Benefit Exhibition in Three Parts

October 15, 2020–January 31, 2021

The benefit exhibition Ice and Fire features works by more than forty artists who have enduring relationships with the Kitchen in New York. Installed within the organization’s three-story space in Chelsea, which is currently closed due to the global pandemic, the three-part exhibition is viewable online. Proceeds from sales will go toward a planned renovation on the occasion of the Kitchen’s fiftieth anniversary, ensuring that the nonprofit space will remain a platform for artistic experimentation in its historic and beloved building. Work by Cecily Brown, Roe Ethridge, Mark Grotjahn, Alex Israel, Ed Ruscha, Taryn Simon, Mary Weatherford, and Christopher Wool is included.

Mark Grotjahn, Untitled (Capri 53.57), 2020 © Mark Grotjahn

Jeff Wall, Low tide gull shadow, 2020, inkjet print, 23 x 26 inches (58.5 x 66 cm)

In Conversation
Jeff Wall and Gary Dufour

Jeff Wall speaks to Gary Dufour about his new photographs, made on the beachfront of English Bay in Vancouver, Canada, that record the endlessly varied and shifting patterns created in seaweed by the ebb and flow of the tide.

Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

Now available
Gagosian Quarterly Winter 2020

The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.

Dancer on Soho roof in performance "Roof Piece," New York, 1973

Foray Forêt: Trisha Brown’s Choreographed Landscapes

On the occasion of the Trisha Brown Dance Company’s fiftieth anniversary, Hendel Teicher examines the legendary choreographer’s work through a biographical lens.

The Kitchen, 512 West 19th Street, New York

The Kitchen: Fifty-Year Anniversary

To celebrate the fiftieth anniversary of the trailblazing New York institution The Kitchen, we present an oral history that includes contributions from Laurie Anderson, Charles Atlas, Wade Guyton, Jacqueline Humphries, Joan Jonas, Ralph Lemon, and Anicka Yi. Statements organized by Christopher Bollen and Tim Griffin.

Jeff Wall, Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox, 90 ⅛ × 164 ⅛ inches (229 × 417 cm)

Death Valley ’89: Jeff Wall vs. Photography

Daniel Spaulding considers formal and technical developments in the photographer’s work against the background of global shifts of power and politics, specifically the fall of the Berlin Wall in 1989.

Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2020, oil on canvas, 63 × 47 ¼ inches (160 × 120 cm)

Ewa Juszkiewicz

Lisa Small, senior curator of European art at the Brooklyn Museum, considers the historical precedents for Ewa Juszkiewicz’s painting practice.

Gaia Repossi. Photo: Zoe Ghertner

Fashion and Art: Gaia Repossi

The creative director of the Parisian jewelry house Repossi speaks with the Quarterly’s Wyatt Allgeier about her enduring love of Donald Judd, her use of photography and drawing in the design process, and the innovative collaborations, with visionaries like Rem Koolhaas and Flavin Judd, behind their retail spaces.

From left to right: Carolyn Christov-Bakargiev, Elvira Dyangani Ose, and Sarah Cosulich

Leaders in the Arts: Italy Edition

We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.

Installation view, Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020. Artwork

Meleko Mokgosi: Democratic Intuition

Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.

Rendering of framework for the new UCSD-Alacrán Community Station housing project on the remediated site, Alacrán Canyon, Tijuana, Mexico. Rendering: Estudio Teddy Cruz + Fonna Forman (Marcello Maltagliati)

Prouvé in Tijuana

Architect Teddy Cruz and political theorist Fonna Forman speak about a new social-housing project on the outskirts of Tijuana, and its connections to the modernist designer Jean Prouvé, with cultural historian Robert M. Rubin and critic Alastair Gordon.

Gerhard Richter, Uncle Rudi, 1965, oil on canvas, 34 ¼ × 19 ¾ inches (87 × 50 cm), CR: 85

Gerhard Richter: Young Gerd

Richard Calvocoressi reflects on the monochrome world of Gerhard Richter’s early photo paintings.

Jay DeFeo’s Transcendent Objects

Jay DeFeo’s Transcendent Objects

Alice Godwin explores the shifts in Jay DeFeo’s practice in the 1970s, considering the familiar objects that became recurrent subjects in her work during these years and their relationship to the human body.