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Honor

Michael Heizer
American Academy of Arts and Letters

On May 19, 2021, Michael Heizer will be inducted into the American Academy of Arts and Letters during a virtual award ceremony. Founded in 1898, the organization honors the country’s leading visual artists, architects, composers, and writers, and seeks to foster interest in literature, music, and art by administering awards, exhibiting work, funding performances, and purchasing artwork for donation to museums. Election into the American Academy of Arts and Letters is considered the highest form of recognition of artistic merit in the United States, and its 300 members are elected for life.

Michael Heizer, Complex One, City, 1970– © Michael Heizer. Photo: Mary Converse

Michael Heizer, Complex One, City, 1970– © Michael Heizer. Photo: Mary Converse

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Michael Heizer, 45°, 90°, 180°, City, 1970–2022 © Michael Heizer. Photo: Ben Blackwell, courtesy Triple Aught Foundation

Visit

Michael Heizer
City

Beginning Friday, September 2, 2022, Michael Heizer’s City (1970–2022), a vast sculpture in the desert of central Nevada, is open to the public. More than half a century in the making—a time scale suggestive of the immemorial cultures that have inspired it—City is as starkly uncompromising as the high desert of Nevada’s Basin and Range National Monument, the environment that is its setting and substance. Composed of shaped mounds and depressions made of compacted dirt, rock, and concrete, City is more than a mile and a half long and a half mile wide. Long-term care of the work is managed by Triple Aught Foundation, a not-for-profit organization. The sculpture is open to the public from May to November; reservations are required.

Schedule Visit

Michael Heizer, 45°, 90°, 180°, City, 1970–2022 © Michael Heizer. Photo: Ben Blackwell, courtesy Triple Aught Foundation

Installation view, Michael Heizer, Gagosian, Le Bourget, France, October 16, 2018–July 6, 2019. Artwork © Michael Heizer. Photo: Thomas Lannes

Talk

Michael Govan on Michael Heizer

Saturday, March 16, 2019, 2:30pm
Gagosian, 4 rue de Ponthieu, Paris

This event has been canceled. 

The CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art will discuss the exhibition Michael Heizer, currently on view at Gagosian, Le Bourget, which presents works dating from 1968 to the present. Over fifty years, Michael Heizer has redefined the very idea of sculpture in his explorations of size, mass, and process. His earth-moving constructions, paintings, and drawings explore the dynamics of positive and negative space. To attend the free event, RSVP to rsvplebourget@gagosian.com.

Installation view, Michael Heizer, Gagosian, Le Bourget, France, October 16, 2018–July 6, 2019. Artwork © Michael Heizer. Photo: Thomas Lannes

Sarah Sze, Afterimage, Silver, 2018 © Sarah Sze

Support

Artists for Biden

October 2–8, 2020

Artists for Biden is an online-only sale of works by leading contemporary artists to support the Biden Victory Fund—a joint fundraising committee authorized by Biden for President, the Democratic National Committee, and forty-seven state Democratic parties. All proceeds from the sale will provide resources needed to elect Joe Biden and Kamala Harris and support other Democratic candidates across the country in the lead up to Election Day. Work by Cecily Brown, Michael Heizer, Jeff Koons, Roy Lichtenstein, Brice Marden, Ed Ruscha, Richard Serra, Cindy Sherman, Sarah Sze, Stanley Whitney, and Christopher Wool will be available. To register for early access on October 1, visit secure.joebiden.com.

Sarah Sze, Afterimage, Silver, 2018 © Sarah Sze

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

A sculpture by the artist Duane Hanson of two human figures sitting on a bench

Duane Hanson: To Shock Ourselves

On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.