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Gagosian Quarterly

Summer 2021, Page 2 of 3

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Rick Lowe, Black Wall Street Journey Manifesto #1, 2021, acrylic and paper collage on paper, 141 × 115 inches (358.1 × 292.1 cm).

Social Works: Rick Lowe and Walter Hood

Rick Lowe and Walter Hood speak about Black space, the built environment, and history as a footing for moving forward as part of “Social Works,” a supplement guest edited by Antwaun Sargent for the Summer 2021 issue of the Quarterly.

Carrie Mae Weems, Lewitt’s Wall, 2006

Social Works: Carrie Mae Weems and Maya Phillips

A pairing of photography and poetry from “Social Works,” a supplement guest edited by Antwaun Sargent for the Summer 2021 issue of the Quarterly.

Cover page with title and author against soft red, white, and blue colors

Mercury Was There

A short story by Libby Flores, published here on the occasion of the Quarterly’s collaboration with PEN America.

Rick Lowe, Black Wall Street Journey #5, 2021, Acrylic and paper collage on canvas, 108 × 192 inches (274.3 × 487.7 cm)© Rick Lowe Studio. Photo: Thomas Dubrock

Notes on Social Works

Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.

Early preparatory drawing for the installation of Asaase, a sculpture by David Adjaye.

Social Works: Sir David Adjaye OBE

David Adjaye speaks with Antwaun Sargent about Asaase, a new sculpture included in the exhibition Social Works.

Taryn Simon, “Folder: Broken Objects” (detail), from the series The Picture Collection, 2012, framed archival inkjet print, 47 × 62 inches (119.4 × 157.5 cm) © Taryn Simon

The New York Public Library’s Picture Collection

Joshua Chuang, the Robert B. Menschel Senior Curator of Photography at the New York Public Library, discusses the institution’s singular Picture Collection, the artist Taryn Simon’s rigorous engagement with it, and four instances of its little-known role in the history of art making.

Helen Frankenthaler, Heart of London Map, steel sculpture

Helen Frankenthaler: A Painter’s Sculptures

On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.

Installation view, Lauren Halsey, David Kordansky Gallery, Los Angeles, January 25–March 14, 2020. Artwork © Lauren Halsey. Photo: Jeff McLane, courtesy David Kordansky Gallery, Los Angeles

Social Works: Lauren Halsey and Mabel O. Wilson

Lauren Halsey and Mabel O. Wilson discuss Black space and community in the context of architecture, building, and gentrification, as part of “Social Works,” a supplement guest edited by Antwaun Sargent for the Summer 2021 issue of the Quarterly.

Plated prawns on table cloth of hot pink velvet

Social Works: Linda Goode Bryant and DeVonn Francis

Linda Goode Bryant and DeVonn Francis discuss their involvement in community-building projects based on food and farming, as part of “Social Works,” a supplement guest edited by Antwaun Sargent for the Summer 2021 issue of the Quarterly.