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Adam McEwen

Adam McEwen, Michael III, 2014 Inkjet print on cellulose sponge, 32 ¾ × 129 ¼ inches (83.2 × 328.3 cm)

Adam McEwen, Michael III, 2014

Inkjet print on cellulose sponge, 32 ¾ × 129 ¼ inches (83.2 × 328.3 cm)

Adam McEwen, Untitled, 2012 Graphite mounted on aluminum panel, 96 × 48 inches (243.8 × 121.9 cm)

Adam McEwen, Untitled, 2012

Graphite mounted on aluminum panel, 96 × 48 inches (243.8 × 121.9 cm)

Adam McEwen, I'm So Tired, 2007 Chromogenic print, 71 ⅝ × 79 ½ inches (181.9 × 201.9 cm), edition of 3

Adam McEwen, I'm So Tired, 2007

Chromogenic print, 71 ⅝ × 79 ½ inches (181.9 × 201.9 cm), edition of 3

About

Adam McEwen’s work resides somewhere between the celebratory and funereal. After writing obituaries for the Daily Telegraph in London, he began producing obituaries of living subjects such as Bill Clinton and Jeff Koons, highlighting the blurred line between history and fiction. In a reverse Midas-effect, McEwen has answered to the shimmering claims of Minimalist art by creating contemporary work that is freighted with the leaden melancholy of modern history. As a meditation on the many lives and deaths of art, he has created a space that conflates a beleaguered present with the afterlife of a potent and contentious moment in art history, in much the same way as his obituaries narrate the future-perfect of the rich, the famous, the beautiful, and the notorious. McEwen’s dead zone of dark relics and faded memories confronts us, literally and metaphysically, with the filthy lucre of our past and present.

Adam McEwen was born in 1965 in London, England. He received his B.A. in 1987 from Christ Church, Oxford, and then received his B.F.A. in 1991 from California Institute of the Arts, Valencia. McEwen’s work has been shown in major exhibitions around the world, including “Axis of Praxis,” Midway Contemporary Art, Minneapolis (2006); “Into Me/Out of Me,” P.S.1 Contemporary Art Center, New York (2006); “Beg, Borrow and Steal,” Rubell Family Collection, Miami (2009); “The Reach of Realism,” Museum of Contemporary Art, North Miami (2009); “Haunted: Contemporary Photography/Video/Performance,” Solomon R. Guggenheim Museum, New York (2010, traveled to Guggenheim Bilbao, Spain); “The Last Newspaper,” New Museum of Contemporary Art, New York (2010); “America Is Hard to See,” Whitney Museum of American Art, New York (2015); and “Progressive Praxis,” de la Cruz Collection Contemporary Art Space, Miami (2016). McEwen’s work was included in the 2006 Whitney Biennial. Recent solo exhibitions include The McAllister Institute, New York (2003); The Goss Michael Foundation, Dallas (2012); The Modern Institute, Glasgow (2013); Museo Civico Diocesano di Santa Maria dei Servi, Città della Piene (2015); “Tinnitus,” The Modern Institute, Glasgow (2016); and “Adam McEwen: I Think I'm in Love,” Aspen Art Museum, Colorado (2017). McEwen’s works are in the public collections of the Rubell Family Collection, Miami; Julia Stoschek Collection, Düsseldorf; The Brant Foundation Art Study Center, Greenwich; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Aberdeen Art Gallery and Museum, Scotland; Jumex Collection, Mexico City; de la Cruz Collection, Miami; and Arts Council Collection, England.

McEwen has curated various projects and exhibitions, including “Power, Corruption and Lies,” (with Neville Wakefield; Roth Horowitz, New York, 2004); “Interstate” (Nicole Klagsbrun Gallery, New York, 2005); and “Beneath the Underdog” (with Nate Lowman; Gagosian Gallery, 2007). In 2010, he curated “Fresh Hell” at the Palais de Tokyo, Paris, as the 2010 edition of the Carte Blanche series.

McEwen currently lives and works in New York City.

Fairs, Events & Announcements

John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Art Fair

Zona Maco

February 7–11, 2018, booth F201
Centro Citibanamex, Mexico City
www.zsonamaco.com

Gagosian is pleased to participate in Zona Maco México Arte Contemporáneo 2018, presenting works by Chris Burden, John Chamberlain, Dan Colen, Frank Gehry, Piero Golia, Douglas Gordon, Katharina Grosse, Adam McEwen, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Robert Therrien, Blair Thurman, Adriana Varejão, Jeff Wall, Andy Warhol, and Tom Wesselmann. If you wish to receive a PDF with detailed information on the works, please contact us at losangeles@gagosian.com. Tickets are available at www.zsonamaco.com.

John Chamberlain, Untitled, 1993 © 2018 Fairweather & Fairweather LTD/Artists Rights Society (ARS), New York

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Art Fair

Art Basel Miami Beach

December 7–10, 2017, booth D7
Miami Beach Convention Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Miami Beach 2017, presenting a selection of works by modern and contemporary artists including:

Richard Artschwager, Jean-Michel Basquiat, Cecily Brown, Glenn Brown, John Chamberlain, Dan Colen, John Currin, Urs Fischer, Sam Francis, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Alex Israel, Neil Jenney, Jasper Johns, Jeff Koons, Harmony Korine, Roy Lichtenstein, Brice Marden, Adam McEwen, Takashi Murakami, Albert Oehlen, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Frank Stella, Rudolf Stingel, Mark Tansey, Robert Therrien, Cy Twombly, Andy Warhol, Mary Weatherford, Tom Wesselmann, and Christopher Wool.

Tickets are available at www.artbasel.com.

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

In Conversation

Adam McEwen
Wayne Koestenbaum

Thursday, September 7, 2017, 6–8pm 
Printed Matter, New York
www.printedmatter.org

Adam McEwen and poet and cultural critic Wayne Koestenbaum will discuss McEwen’s recent solo exhibition at the Aspen Art Museum and use Koestenbaum’s contribution to the exhibition catalogue as a grounds for a conversation about art-making and objecthood. The event is free and open to the public.

See all News for Adam McEwen

Museum Exhibitions

Urs Fischer, Untitled, 2015. Photo by Mats Nordman

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The Transported Man

April 29–October 22, 2017
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing
broadmuseum.msu.edu

The Eli and Edythe Broad Art Museum at Michigan State University is pleased to announce its debut exhibition curated by director Marc-Olivier Wahler. The Transported Man spans the entire museum and features more than fifty renowned and emerging artists whose work relies on the notion of belief. Work by Walter De Maria, Urs Fischer, and Adam McEwen is included.

Urs Fischer, Untitled, 2015. Photo by Mats Nordman

Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer

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99 Cents or Less

May 19–August 6, 2017
Museum of Contemporary Art Detroit
mocadetroit.org

A major group exhibition of ninety-nine artists based in the United States addresses Detroit’s ongoing economic crisis and its 2013 bankruptcy. Four years after a federal judge approved Detroit’s bankruptcy-exit plan, the city’s financial present and future are still in flux. This exhibition is a reflection on the realities of a city that was once one of the country’s wealthiest and most diverse. Work by Piero Golia, Alex Israel, Adam McEwen, Josephine Meckseper, and Sterling Ruby is included.

Sterling Ruby, 99/MK, 2017. Photo by Robert Wedemeyer

Photo by Tony Prikryl

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Adam McEwen
I Think I’m in Love

January 13–June 4, 2017
Aspen Art Museum, Colorado
www.aspenartmuseum.org

Adam McEwen is known for works that engage viewers with a dark yet poignant sense of humor. His recent sculptural works include a life-size coffin-carrier fabricated from solid graphite and deployed air bags cast in concrete. This exhibition marks the artist’s first solo museum show in the United States. He was the Aspen Art Museum’s 2016–17 Distinguished Artist in Residence.

Photo by Tony Prikryl