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Derrick Adams, Woman in Grayscale (Alicia), 2017 © Derrick Adams Studio

On View

Giants
Art from the Dean Collection of Swizz Beatz and Alicia Keys

Through July 7, 2024
Brooklyn Museum, New York
www.brooklynmuseum.org

Giants, the first major exhibition of the Dean Collection, owned by musical icons Swizz Beatz (Kasseem Dean) and Alicia Keys, showcases a focused selection from the couple’s world-class holdings and spotlights works by Black diasporic artists. Expansive in their collecting habits, the Deans, both born and raised in New York, champion a philosophy of “artists supporting artists.” “Giants” refers to the renown of legendary artists, the impact of canon-expanding contemporary figures, and some of the monumental works in the collection. Work by Derrick Adams, Jean-Michel Basquiat, Titus Kaphar, and Deana Lawson is included.

Derrick Adams, Woman in Grayscale (Alicia), 2017 © Derrick Adams Studio

Deana Lawson, Nation, 2018 © Deana Lawson

Opening Soon

The Culture
Hip Hop and Contemporary Art in the 21st Century

June 28–September 29, 2024
Cincinnati Art Museum
www.cincinnatiartmuseum.org

Coinciding with the fiftieth anniversary of the birth of hip-hop, this exhibition aims to capture the influence the genre has had on contemporary society through more than ninety works. Including painting, sculpture, photography, installations, video, and fashion, the show is organized around six themes—language, brand, adornment, tribute, ascension, and pose. Work by Derrick AdamsJean-Michel Basquiat, and Deana Lawson is included. This exhibition originated at the Baltimore Museum of Art.

Deana Lawson, Nation, 2018 © Deana Lawson

Installation view, El eco de Picasso, Museo Picasso Málaga, Spain, October 2, 2023–March 30, 2024. Artwork, left to right: © Rebecca Warren, © Richard Prince. Photo: Pablo Asenjo, courtesy Museo Picasso Málaga

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El eco de Picasso

October 2, 2023–March 30, 2024
Museo Picasso Málaga, Spain
museopicassomalaga.org

Organized as part of Picasso Celebration 1973–2023, a series of international exhibitions and events commemorating the fiftieth anniversary of Pablo Picasso’s death, The Echo of Picasso focuses on his influence on twentieth-century art. The exhibition places Picasso’s practice in dialogue with work by more than fifty artists, including Francis Bacon, Georg Baselitz, Jean-Michel Basquiat, Willem de Kooning, Thomas Houseago, Ewa Juszkiewicz, Richard Prince, Nathaniel Mary Quinn, Cy Twombly, Tom Wesselmann, and Franz West.

Installation view, El eco de Picasso, Museo Picasso Málaga, Spain, October 2, 2023–March 30, 2024. Artwork, left to right: © Rebecca Warren, © Richard Prince. Photo: Pablo Asenjo, courtesy Museo Picasso Málaga

Installation view, Jean-Michel Basquiat: King Pleasure©, Grand LA, Los Angeles, March 31, 2023–January 1, 2024. Artwork © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York 

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Jean-Michel Basquiat
King Pleasure©

March 31, 2023–January 1, 2024
Grand LA, Los Angeles
kingpleasure.basquiat.com

Organized and curated by the family of Jean-Michel Basquiat, this exhibition of more than two hundred never-before-seen and rarely shown paintings, drawings, and artifacts tells Basquiat’s story from an intimate perspective, intertwining his artistic endeavors with his personal life, influences, and the times in which he lived. Immersive environments showcase Basquiat’s contributions to the history of art and his explorations of multifaceted cultural phenomena—including music, pop culture, and the Black experience—providing insight into his creative life and his singular voice. This exhibition has traveled from the Starrett-Lehigh Building, New York.

Installation view, Jean-Michel Basquiat: King Pleasure©, Grand LA, Los Angeles, March 31, 2023–January 1, 2024. Artwork © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York 

Helen Frankenthaler, Overture, 1992 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

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The Inner Island

April 28–November 4, 2023
Fondation Carmignac, Porquerolles, France
www.fondationcarmignac.com

This exhibition, which features more than eighty works by fifty artists, presents visitors with new, unknown worlds floating outside familiar geographies and temporalities. The artists included break away from reality, bringing to life fictional, mental, and abstract islands. Work by Harold Ancart, Jean-Michel Basquiat, Alexander Calder, Helen Frankenthaler, Simon Hantaï, Roy Lichtenstein, Albert Oehlen, and Christopher Wool is included.

Helen Frankenthaler, Overture, 1992 © 2023 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Installation view, Basquiat × Warhol: À Quatre Mains, Fondation Louis Vuitton, Paris, April 5–August 28, 2023. Artwork © Estate of Jean-Michel Basquiat Licensed by Artestar, New York, 2023 and © The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by ADAGP, Paris. Photo: Marc Domage, courtesy Fondation Louis Vuitton

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Basquiat × Warhol
À Quatre Mains

April 5–August 28, 2023
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

From 1984 to 1985, Jean-Michel Basquiat and Andy Warhol produced around 160 canvases together, “four-handed.” This exhibition, whose subtitle translates to With Four Hands, brings together more than three hundred works and documents, including eighty jointly signed canvases as well as individual works by each artist. Also included are works by fellow members of the 1980s New York art scene.

Installation view, Basquiat × Warhol: À Quatre Mains, Fondation Louis Vuitton, Paris, April 5–August 28, 2023. Artwork © Estate of Jean-Michel Basquiat Licensed by Artestar, New York, 2023 and © The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by ADAGP, Paris. Photo: Marc Domage, courtesy Fondation Louis Vuitton

Jean-Michel Basquiat, Profit 1, 1982 © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Robert Bayer

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Basquiat
The Modena Paintings

June 11–August 27, 2023
Fondation Beyeler, Riehen/Basel
www.fondationbeyeler.ch

In the summer of 1982, Jean-Michel Basquiat traveled to Modena, Italy, at the invitation of gallerist Emilio Mazzoli to produce new works for a solo exhibition. Within a few days, the twenty-one-year-old artist had painted eight large-format canvases, some of which are now among his most celebrated and valuable works. The planned exhibition ultimately did not take place, and the works were never shown together. More than forty years later, the full cycle of Modena Paintings, which are now held in collections in the United States, Asia, and Switzerland, are being displayed together at Fondation Beyeler for the very first time.

Jean-Michel Basquiat, Profit 1, 1982 © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Robert Bayer

Derrick Adams, Heir to the Throne, 2021 © Derrick Adams Studio

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The Culture
Hip Hop and Contemporary Art in the 21st Century

April 5–July 16, 2023
Baltimore Museum of Art
artbma.org

Coinciding with the fiftieth anniversary of the birth of hip-hop, this exhibition aims to capture the influence the genre has had on contemporary society through more than ninety works. Including painting, sculpture, photography, installations, video, and fashion, the show is organized around six themes—language, brand, adornment, tribute, ascension, and pose. Work by Derrick Adams, Jean-Michel Basquiat, and Deana Lawson is included.

Derrick Adams, Heir to the Throne, 2021 © Derrick Adams Studio

Cy Twombly, Untitled (North African Sketchbook), 1953 (page II) © Cy Twombly Foundation

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Hors-Les-Murs Gribouillage–Scarabocchio
De Léonard de Vinci à Cy Twombly

February 19–April 30, 2023
Beaux-Arts de Paris
www.beauxartsparis.fr

This exhibition, whose title translates to Outside the Walls Scribbling and Doodling: From Leonardo da Vinci to Cy Twombly, includes nearly three hundred original works from the Renaissance to the present day and aims to shed light on these unconventional and often overlooked aspects of the practice of drawing. By exploring scribbling and doodling, from sketches scribbled on the backs of canvases to expansive doodles conceived as artworks in themselves, the show unveils how these experimental, transgressive, regressive, or liberating mark-making gestures, which appear to flout all laws and conventions, have punctuated the history of artistic creation. This exhibition traveled from the Villa Medici–Académie de France à Rome. Work by Jean-Michel Basquiat, Pablo Picasso, and Cy Twombly is included.

Cy Twombly, Untitled (North African Sketchbook), 1953 (page II) © Cy Twombly Foundation

Duane Hanson, Child with Puzzle, 1978 © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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To Begin Again
Artists and Childhood

October 6, 2022–February 26, 2023
Institute of Contemporary Art, Boston
www.icaboston.org

To Begin Again investigates the influence of childhood and children on visual artists from the early twentieth century to today. Through painting, sculpture, photography, installation, and video by a group of forty international and intergenerational artists, this exhibition illustrates the diverse experiences of this phase of life and engages childhood as an intellectual query into language and learning. Work by Jean-Michel Basquiat and Duane Hanson is included.

Duane Hanson, Child with Puzzle, 1978 © 2023 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

Installation view, Jean-Michel Basquiat: King Pleasure©, Starrett-Lehigh Building, New York, April 9, 2022–January 1, 2023. Artwork © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Ivane Katamashvili

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Jean-Michel Basquiat
King Pleasure©

April 9, 2022–January 1, 2023
Starrett-Lehigh Building, New York
kingpleasure.basquiat.com

Organized and curated by the family of Jean-Michel Basquiat, this exhibition of more than two hundred never-before-seen and rarely shown paintings, drawings, and artifacts tells Basquiat’s story from an intimate perspective, intertwining his artistic endeavors with his personal life, influences, and the times in which he lived. With an exhibition design by Adjaye Associates, immersive environments showcase Basquiat’s contributions to the history of art and his explorations of multifaceted cultural phenomena—including music, pop culture, and the Black experience—providing insight into his creative life and his singular voice.

Installation view, Jean-Michel Basquiat: King Pleasure©, Starrett-Lehigh Building, New York, April 9, 2022–January 1, 2023. Artwork © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Ivane Katamashvili

Duane Hanson, Medical Doctor, 1992–94 © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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Take Care
Art and Medicine

April 8–July 17, 2022
Kunsthaus Zürich
www.kunsthaus.ch

This group exhibition aims to explore the timeless human preoccupation with health by retracing key moments in medical history from the nineteenth century to present day. More than three hundred works, including drawing, painting, sculpture, video, spatial installation, and performance, examine the productive interplay of sickness, pain, medicine, care, and healing. Work by Jean-Michel Basquiat, Duane Hanson, and Damien Hirst is included.

Duane Hanson, Medical Doctor, 1992–94 © 2022 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

Cy Twombly, Untitled (North African Sketchbook), 1953 (page X) © Cy Twombly Foundation

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Gribouillage/Scarabocchio
Da Leonardo da Vinci a Cy Twombly

March 3–May 22, 2022
Villa Medici–Académie de France à Rome
www.villamedici.it

This exhibition, whose title translates to Scribbling and Doodling: From Leonardo da Vinci to Cy Twombly, includes nearly three hundred original works from the Renaissance to the present day and aims to shed light on these unconventional and often overlooked aspects of the practice of drawing. By exploring scribbling and doodling, from sketches scribbled on the backs of canvases to expansive doodles conceived as artworks in themselves, the exhibition unveils how these experimental, transgressive, regressive, or liberating mark-making gestures, which appear to flout all laws and conventions, have punctuated the history of artistic creation. Work by Jean-Michel BasquiatPablo Picasso, and Cy Twombly is included.

Cy Twombly, Untitled (North African Sketchbook), 1953 (page X) © Cy Twombly Foundation

Ed Ruscha, Double Standard #36/40, 1969 © Ed Ruscha

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On the Edge
Los Angeles Art, 1970s–1990s, from the Joan and Jack Quinn Family Collection

September 30, 2021–April 2, 2022
Bakersfield Museum of Art, California
www.bmoa.org

This exhibition highlights 150 works from the collection of Joan and Jack Quinn, which was primarily amassed between the 1970s and the 1990s. Many of their holdings were collected directly from the artists and have never changed hands or been shown publicly. The artworks they were drawn to are defined by a spirit of nonconformity, a play of new materials, a celebration of light, and the “California cool” ethos. Work by Jean-Michel Basquiat, Frank Gehry, and Ed Ruscha is included.

Ed Ruscha, Double Standard #36/40, 1969 © Ed Ruscha

Installation view, The 80s: Art of the Eighties, Albertina Modern, Vienna, October 17, 2021–February 13, 2022. Artwork, left to right: © Jiří Georg Dokoupil, © Hubert Schmalix, © Albert Oehlen. Photo: © Ana Paula Franco/Albertina, Wien 2021

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The 80s
Art of the Eighties

October 17, 2021–February 13, 2022
Albertina Modern, Vienna
www.albertina.at

Some consider the 1980s to be the most important decade for the art of our age. For the first time, art was no longer determined by a dominant style, such as abstraction or Pop, but rather embodied an unprecedented stylistic pluralism that was a hallmark of postmodernism. This exhibition, curated by Albertina Modern director Angela Stief, examines the variety of artistic approaches and strategies that defined the era. Work by Jean-Michel Basquiat, Albert Oehlen, Richard Prince, Andy Warhol, and Franz West is included.

Installation view, The 80s: Art of the Eighties, Albertina Modern, Vienna, October 17, 2021–February 13, 2022. Artwork, left to right: © Jiří Georg Dokoupil, © Hubert Schmalix, © Albert Oehlen. Photo: © Ana Paula Franco/Albertina, Wien 2021

Rudolf Stingel, Untitled, 2002 © Rudolf Stingel. Photo: Alessandro Zambianchi

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Hey! Did you know that art does not exist…

July 27, 2021–January 8, 2022
Tel Aviv Museum of Art, Israel
www.tamuseum.org.il

This exhibition presents more than one hundred works from Sylvio Perlstein’s intensely personal collection, which traces artists and trends that have defined the avant-garde, complex, and experimental nature of twentieth-century art. Work by Jean-Michel BasquiatDuane HansonRoy LichtensteinMan RayBrice Marden, Ed RuschaRudolf Stingel, Cy Twombly, and Andy Warhol is included.

Rudolf Stingel, Untitled, 2002 © Rudolf Stingel. Photo: Alessandro Zambianchi

Jean-Michel Basquiat, Anthony Clarke, 1985 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

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Writing the Future
Basquiat and the Hip-Hop Generation

October 18, 2020–July 25, 2021
Museum of Fine Arts, Boston
www.mfa.org

The post-graffiti moment in 1980s New York City marked the transition of street art from city walls and subway trains onto canvas and into the art world. Jean-Michel Basquiat (1960–1988) became the frontrunner of this transformational movement in contemporary American art, which resulted in an unprecedented fusion of creative energies that defied long-standing racial divisions. This exhibition features Basquiat’s works in painting, sculpture, drawing, video, music, and fashion, alongside works by his contemporaries, such as Fab 5 Freddy, Futura, Keith Haring, and Rammellzee. Throughout the 1980s, these artists fueled new directions in fine art, design, and music, driving the now-global popularity of hip-hop culture.

Jean-Michel Basquiat, Anthony Clarke, 1985 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Jean-Michel Basquiat, Procession, 1986 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

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Grief and Grievance
Art and Mourning in America

February 17–June 6, 2021
New Museum, New York
www.newmuseum.org

Grief and Grievance, originally conceived by curator Okwui Enwezor (1963–2019), is an intergenerational exhibition, bringing together thirty-seven artists working in a variety of mediums who have addressed the concept of mourning, commemoration, and loss as a direct response to the national emergency of racist violence experienced by Black communities across America. The intertwined phenomena of Black grief and a politically orchestrated white grievance are further considered, as each structures and defines contemporary American social and political life. The exhibition comprises works encompassing video, painting, sculpture, installation, photography, sound, and performance made within the last decade, along with several key historical works and a series of new commissions created in response to the concept of the exhibition. Work by Jean-Michel Basquiat, Ellen Gallagher, and Theaster Gates is included.

Jean-Michel Basquiat, Procession, 1986 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Jean-Michel Basquiat, Untitled (Plaid), 1982, Whitney Museum of American Art, New York © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

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Around Day’s End
Downtown New York, 1970–1986

September 3–November 1, 2020
Whitney Museum of American Art, New York
whitney.org

This exhibition pays homage to Gordon Matta-Clark’s legendary Day’s End (1975) and features works by twenty-two artists who engaged with the Meatpacking District and West Side piers, among other downtown Manhattan locations, in the 1970s and early 1980s. The show also anticipates David Hammons’s monumental public artwork Day’s End, to be completed in December 2020 and located directly across from the Whitney in Hudson River Park. Work by Jean-Michel Basquiat and Richard Serra is included.

Jean-Michel Basquiat, Untitled (Plaid), 1982, Whitney Museum of American Art, New York © The Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Installation view, Third Dimension: Works from the Brant Foundation, Brant Foundation, New York, November 13, 2019–September 3, 2020. Artwork, front to back: © Urs Fischer, © Dan Flavin

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Third Dimension
Works from the Brant Foundation

November 13, 2019–September 3, 2020
Brant Foundation, New York
brantfoundation.org

Bringing together more than twenty artists integral to the Brant Foundation’s collection, this exhibition offers a glimpse into the multifaceted practices of artists whose work Peter M. Brant has collected over the past fifty years. Work by Jean-Michel Basquiat, Urs Fischer, Mike Kelley, Adam McEwen, Richard Prince, Andy Warhol, and Franz West is included.

Installation view, Third Dimension: Works from the Brant Foundation, Brant Foundation, New York, November 13, 2019–September 3, 2020. Artwork, front to back: © Urs Fischer, © Dan Flavin

Jean-Michel Basquiat, Museum Security (Broadway Meltdown), 1983 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

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Keith Haring | Jean-Michel Basquiat
Crossing Lines

December 1, 2019–April 13, 2020
National Gallery of Victoria, Melbourne, Australia
www.ngv.vic.gov.au

Keith Haring and Jean-Michel Basquiat changed the art world of the 1980s through their idiosyncratic imagery, radical ideas, and complex sociopolitical commentary, creating an indelible legacy that continues to influence contemporary visual and popular culture today. The exhibition surveys each artist’s tragically short yet prolific career through more than two hundred artworks, including works created in public spaces, painting, sculpture, objects, works on paper, photographs, and more.

Jean-Michel Basquiat, Museum Security (Broadway Meltdown), 1983 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York

Jean-Michel Basquiat, In Italian, 1983 © Estate of Jean-Michel Basquiat/Licensed by Artestar, New York. Photo: courtesy the Brant Foundation, Greenwich, Connecticut

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Jean-Michel Basquiat

March 6–May 15, 2019
Brant Foundation Art Study Center, New York
brantfoundation.org

To celebrate the inauguration of its new space in New York City, the Brant Foundation presents a solo exhibition of works by Jean-Michel Basquiat. This retrospective, organized in collaboration with the Fondation Louis Vuitton, brings together Basquiat’s most important masterworks from the Brant Collection as well as those from international museums and private collections.

Jean-Michel Basquiat, In Italian, 1983 © Estate of Jean-Michel Basquiat/Licensed by Artestar, New York. Photo: courtesy the Brant Foundation, Greenwich, Connecticut

Jean-Michel Basquiat, Untitled, 1981 © Estate of Jean-Michel Basquiat/Licensed by Artestar, New York. Photo: © Douglas M. Parker Studio

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Jean-Michel Basquiat – Egon Schiele

Through January 21, 2019 (Basquiat) and January 14, 2019 (Schiele)
Fondation Louis Vuitton, Paris
www.fondationlouisvuitton.fr

Separate exhibitions of two painters—Egon Schiele (1890–1918) and Jean-Michel Basquiat (1960–1988)—linked by their fascinating intensity and brief, meteoric lives are on view at the Fondation Louis Vuitton: together, the exhibitions present a total of 250 works selected from the two artists’ exceptional oeuvres. Schiele and Basquiat are major figures in twentieth-century art, each having created a body of work with rare impact and permanency in a very short period. The exhibitions underline the specific context behind the artists’ work, which was done during two very different periods in history.

Jean-Michel Basquiat, Untitled, 1981 © Estate of Jean-Michel Basquiat/Licensed by Artestar, New York. Photo: © Douglas M. Parker Studio

Jean-Michel Basquiat, Fallen Angel, 1981, Fondation Carmignac, Paris © The Estate of Jean-Michel Basquiat/ADAGP, Paris 2018

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Sea of Desire

June 2–November 4, 2018
Fondation Carmignac, Porquerolles, France
www.fondationcarmignac.com

The phrase “Sea of Desire” on a large-scale painting by Ed Ruscha welcomes visitors to this exhibition, which channels a spirit of rebellion and change. Sea of Desire confronts the viewer with compelling artworks that imply revolution, freedom, and a quest for beauty. Work by Jean-Michel Basquiat, Jeff Koons, Roy Lichtenstein, Ed Ruscha, and Andy Warhol is included.

Jean-Michel Basquiat, Fallen Angel, 1981, Fondation Carmignac, Paris © The Estate of Jean-Michel Basquiat/ADAGP, Paris 2018