Gagosian is pleased to present our group show entitled Hollywood Is a Verb. This exhibition explores the ways in which artists respond to Los Angeles as a landscape and Hollywood as an idea. It includes classic works by Ed Ruscha, David Hockney, Dennis Hopper, and Andy Warhol, and more recent paintings and photographic works by Maurizio Cattelan, Philip-Lorca diCorcia, Dexter Dalwood, Douglas Gordon, and Cindy Sherman.
Already in the 1960s Hollywood had acquired a lurid history and mythology associated with its location at the heart of the “dream factory.” For Ed Ruscha, who moved to Los Angeles in 1956, the Hollywood sign, the Sunset Strip, and the urban language of signs could be represented in a mysteriously cool, deadpan manner, whereas for David Hockney, who escaped to Los Angeles from the austerity and repression of England, the city was sunny, hedonistic, and gay.
Younger artists have seen Hollywood with deeper irony and an attention to the politics, sleaze, and darkness at the core of the entertainment industry. Maurizio Cattelan has remade the Hollywood sign on a hillside in Sicily, Dexter Dalwood’s new painting alludes to the effects of McCarthyism on the film industry, and Douglas Gordon has created a series of “blind star portraits” that exude a mordant humor and Warholian fascination with stardom.
As a complement to the works on exhibition at the gallery, there will be an evening of film introduced by Douglas Gordon on October 28, featuring Ed Ruscha’s Premier (1970) and Miracle (1975), Andy Warhol’s Screen Tests (1964–66), Kenneth Anger’s Puce Moment (1949), and Sydney Pollack and Frank Perry’s The Swimmer (1968).
Ed Ruscha: A Long Way from Oklahoma
In conjunction with his exhibition VERY at Louisiana Museum of Modern Art in Humlebæk, Denmark, Ed Ruscha sat down with Kasper Bech Dyg to discuss his work.
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Veil and Vault
An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.
Gagosian Quarterly Spring 2019
The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.