CLEAR

Since Narcissus’s first reflection in the gazing pool, the mirror has offered glimpses of a parallel reality. Douglas Gordon’s Everything is Nothing Without its Reflection: A Photographic Pantomime (2014) presents a diary of poignant photographic images interspersed with identically framed mirrors; thus, in the process of looking, the viewer is drawn in as an active player in the visual drama. Upon passing through the looking-glass, Alice contemplated the qualities of “mirror milk” in the chiral sameness before her; the same conundrum underscores Michael Craig-Martin’s iconic conceptual work An Oak Tree (1972). Notions of duality also inform Gianni Motti’s six-hour film titled HIGGS—Looking for the Anti-Motti (2005), which shows the artist walking through the Large Hadron Collider at CERN, the European Organization for Nuclear Research. Here, science and fiction meet face-to-face in the thirty-kilometer tunnel that loops beneath Geneva, where particles are accelerated into divine ether.

In 1971, artist and psychic Ingo Swann coined the term “remote viewing” to describe his ability to consciously leave his body and visit places both tangible and unknown. Swann’s collaboration with the Stanford Research Institute, and eventually the CIA—in what was later declassified as the “Stargate Project”—bridged science and fiction and became his prime artistic motivation, resulting in paintings such as Cosmic Egg (1994). Since the earliest recordings of astral projection, one third of all accounts report a silver umbilical cord tethering the subject to the physical body while floating in the astral plane—literalized in Lazaros’s sculpture A Silver Cord (2014). Were the mind’s full capacity to be accessible, total clarity would allow the visualization of multiverses, such as Jorinde Voigt’s large-scale algorithmic drawings, which suggest an omniscient pattern of interplanar activity, or Mark Lombardi’s detailed constellations of global conspiracy. Investigating a range of possibilities, from x-ray vision to astral projection and the cosmos, CLEAR treats translucence as an avenue to transcendence.

Artists in the exhibition: Richard Artschwager, Larry Bell, Julien Bismuth, Dan Colen, Michael Craig-Martin, Olafur Eliasson, Piero Golia, Douglas Gordon, Andreas Gursky, Jacob Kassay, Idris Khan, Germaine Kruip, Lazaros, Mark Lombardi, Gianni Motti, Lisa Oppenheim, Kirsten Pieroth, Thomas Ruff, Ingo Swann, James Turrell, Daniel Turner, De Wain Valentine, Jorinde Voigt.