News / Events

Public Installation

Auguste Rodin
Monument à Whistler – Muse nue, bras coupés

September 7, 2021–March 2022
Berkeley Square, London

Auguste Rodin’s Monument à Whistler – Muse nue, bras coupés (Monument to Whistler – Nude Muse, without Arms) (1908) has been installed in Berkeley Square, London, in conjunction with the exhibition Houseago | Rodin, on view at Gagosian, Davies Street, London, through December 18. Rodin was commissioned to make a monument dedicated to the artist James Abbott McNeill Whistler. Though it was never realized publicly, the monument marks a watershed moment in civic sculpture due to its representation not of the artist himself but of a female muse. The sculpture, in the form of a female figure shown climbing the “mountain of fame,” references the difficulties Whistler overcame in his life.

Auguste Rodin, Monument à Whistler – Muse nue, bras coupés (Monument to Whistler – Nude Muse, without Arms), 1908, installation view, Berkeley Square, London

Auguste Rodin, Monument à Whistler – Muse nue, bras coupés (Monument to Whistler – Nude Muse, without Arms), 1908, installation view, Berkeley Square, London

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Alexander Calder, Flying Dragon, 1975 © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Darren James Photography

Public Installation

Alexander Calder
Flying Dragon, 1975

Opening October 19, 2021
Place Vendôme, Paris

Alexander Calder’s monumental sculpture Flying Dragon (1975) will be on view at Place Vendôme in Paris beginning October 19. The installation marks the opening of Gagosian’s new gallery at rue de Castiglione and is part of FIAC Hors les Murs, which presents artworks in emblematic public spaces throughout the city.

Flying Dragon (1975)—which exemplifies Calder’s capacity to invest a powerful visual dynamism in his work regardless of scale—is among the last of the monumental works he made. While static, the striking sculpture transforms when viewed from different angles. Constructed from sheet metal, it is physically weighty but appears delicate due to its limited points of contact with the ground.

Alexander Calder, Flying Dragon, 1975 © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Darren James Photography

Production still for Walter De Maria, HARD CORE, 1969 © 2021 Estate of Walter De Maria


Walter De Maria

Monday, September 20, 2021, 6:45pm, and Saturday, September 25, 2021, 4:45pm
Anthology Film Archives, New York

Walter De Maria’s film HARD CORE (1969) will be screened as part of Karl Precoda Selects, a program to celebrate the publication of Alan Licht’s book of interviews, Common Tones: Selected Interviews with Artists and Musicians 1995–2020. The selected films are directed by or feature artists highlighted in the book, or are discussed by Licht and his interlocutors in the interviews. Musician, filmmaker, and scholar Karl Precoda, one of the interviewees, has selected De Maria’s film, which was shot in the Black Rock desert of northwestern Nevada in the summer of 1969 and which features two pieces of music—Cricket Music (1964) and Ocean Music (1968)—composed, performed, and recorded by the artist. To attend the event, purchase tickets at

Production still for Walter De Maria, HARD CORE, 1969 © 2021 Estate of Walter De Maria

In Conversation

at home: Symposium
Titus Kaphar, Arthur Lewis, and Hau Nguyen

Friday, September 17, 2021, 12pm EDT

Titus Kaphar will be in conversation with art collectors Arthur Lewis and Hau Nguyen as part of the at home: Symposium at the Yale Center for British Art in New Haven, Connecticut. The trio will discuss Kaphar’s practice and the importance of supporting emerging artists, artists of color, and local art communities. The talk will be moderated by Abigail Lamphier, senior curatorial assistant at the Center. Focusing on “The Politics of the Portrait,” the three-part online symposium considers potential solutions and alternatives regarding the history, display, and making of portraits and the role of representation in today’s sociopolitical climate. To attend the online event, register at

Kahlil Robert Irving, Downtown Norfolk, Nebraska (1998), 2017, unglazed and glazed ceramic, enamel, luster, and image transfers.

Social Works II: Kahlil Robert Irving

Antwaun Sargent speaks with Kahlil Robert Irving in advance of the opening of Social Works II and presents a portfolio of Irving’s sculptures.

Damien Hirst's Reclining Woman on the cover of Gagosian Quarterly, Fall 2021

Now available
Gagosian Quarterly Fall 2021

The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.

Tatiana Trouvé in her Paris studio.

Behind the Art
Tatiana Trouvé: In the Studio

Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.

Sergio Zambon black-and-white portrait

Fashion and Art: Sergio Zambon

Designer Sergio Zambon, head of menswear at Moncler, speaks to Wyatt Allgeier about his inspirations and visions for this season’s 2 Moncler 1952 M collection, a project under the Moncler Genius initiative, and his collaboration with artists Andrea Anastasio, Prem Sahib, and Erwin Wurm on a special exhibition of unique artworks—being sold for a good cause—presented in Milan on September 25, 2021, in conjunction with the live digital show “MONDOGENIUS.”

Kon Trubkovich in his studio, Brooklyn, New York, 2021.

Kon Trubkovich

Historian Victoria Phillips speaks with the artist about his new paintings, memory and its relationship to media, and the continuing impact of the Cold War.

Installation view of Urs Fischer’s Untitled (2011) in the exhibition Ouverture, Bourse de Commerce – Pinault Collection, Paris, 2021. Artwork © Urs Fischer, courtesy Galerie Eva Presenhuber, Zurich; Bourse de Commerce – Pinault Collection © Tadao Ando Architect & Associates, Niney et Marca Architectes, Agence Pierre-Antoine Gatier. Photo: Stefan Altenburger

Bourse de Commerce

William Middleton traces the development of the new institution, examining the collaboration between the collector François Pinault and the architect Tadao Ando in revitalizing the historic space. Middleton also speaks with artists Tatiana Trouvé and Albert Oehlen about Pinault’s passion as a collector, and with the Bouroullec brothers, who created design features for the interiors and exteriors of the museum.

Anna Halprin in The Prophetess, 1955.

Game Changer
Anna Halprin

Jacquelynn Baas celebrates the choreographer, dancer, and teacher, tracing the profound influence she had on the worlds of dance and art.

Kevin Jerome Everson, 2019. Photo: © Erin Leland

Overtime: On Kevin Jerome Everson

Carlos Valladares writes on the filmmaker’s expansive body of work, exploring themes of identity, time, and reality.

Left: Nancy Rubins. Photo: Joel Searles. Right: Eric Shiner. Photo: Walker Olesen

In Conversation
Nancy Rubins and Eric Shiner

The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.

Andreas Gursky, Jonathan Ive, 2019, fine art print mounted on dibond, 64 1/2 × 50 ⅝ inches (163.7 × 128.5 cm). National Portrait Gallery, London, commissioned; made possible by the Outset Commission, supported by Scott Collins in partnership with Outset Contemporary Art Fund, 2019 © Andreas Gursky/VG BILD-KUNST, Bonn

Ive by Gursky: A Meeting of Minds

By exploring the conventions of past portraits of industrial designers and architects, Maria Morris Hambourg unpacks Andreas Gursky’s ingenious recent portrait of Apple designer Jony Ive to reveal its layered meanings.

Gregory Corso, New York, 1986. Photo: Allen Ginsberg

Gregory Corso: A Most Dangerous Art

On the occasion of the forthcoming publication of The Golden Dot: Last Poems by Gregory Corso, Raymond Foye reflects on the poet’s enduring engagement with the human condition and explores the unique structure of this final collection.

Jean Pigozzi:  An interview with Rachel Feinstein

Jean Pigozzi: An interview with Rachel Feinstein

Famed photographer of the famous, Jean Pigozzi speaks with artist Rachel Feinstein about the publication of his new book, The 213 Most Important Men in My Life, and provides a sneak peek at what’s coming up next.