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Gagosian Quarterly

January 6, 2021

In Conversation

Meleko Mokgosi and Louise Neri

On the occasion of Meleko Mokgosi’s recent exhibition Democratic Intuition, the artist speaks with Louise Neri about notions of pedagogy, the nation state, and value systems wrapped up in his visual epic.

Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020,

Artwork © Meleko Mokgosi; video: Pushpin Films; footage: Matt Glen

Portraits of Meleko Mokgosi and Isaac Julien

Artist to Artist: Isaac Julien and Meleko Mokgosi

This video features a dialogue between artists Isaac Julien and Meleko Mokgosi, moderated by Zoé Whitley, director of Chisenhale Gallery, London, and presented by Gagosian in partnership with the Decolonising Arts Institute of the University of the Arts London (UAL). The two artists discuss narrative and montage strategies in their respective practices as filmmaker and painter.

Installation view, Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020. Artwork

Meleko Mokgosi: Democratic Intuition

Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.

From left to right: Carolyn Christov-Bakargiev, Elvira Dyangani Ose, and Sarah Cosulich

Leaders in the Arts: Italy Edition

We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.

Jenny Saville’s Prism (2020) on the cover of Gagosian Quarterly magazine.

Now available
Gagosian Quarterly Winter 2020

The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.

Installation view, Louise Bonnet: The Hours, Gagosian, Park & 75

Louise Bonnet: The Hours

The artist describes her new body of work from her Los Angeles studio.

Edmund de Waal, London, 2019

Edmund de Waal: psalm

Edmund de Waal speaks with Alison McDonald about the components of psalm, his two-part project in Venice. He details the influences behind the exhibition and reveals some of his hopes for the project.

Still from Vertigo (1958), directed by Alfred Hitchcock. Photo: PARAMOUNT PICTURES/Ronald Grant Archive/Alamy Stock Photo

Shortlist
Five Films: Louise Bonnet

Los Angeles painter Louise Bonnet reminisces about the films that influenced her development as an artist.

Louise Bonnet in her Los Angeles studio, 2020

Louise Bonnet

Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

The Fall 2020 issue of Gagosian Quarterly is now available.

Photo: Moneta Sleet, Jr., 1965. Johnson Publishing Company Archive. Courtesy Ford Foundation, J. Paul Getty Trust, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, and Smithsonian Institution.

Theaster Gates: Black Image Corporation

As a prelude to his first-ever solo exhibition in New York, Theaster Gates discusses his prescient work with the photographic archive of Chicago’s Johnson Publishing Company and his formation of Black Image Corporation as a conceptual project. In conversation with Louise Neri, he expands on his strategies as artist and social innovator in his quest to redeem and renew the sacred power of Black images and Black space. 

Andy Warhol cover design for the magazine Aspen 1, no. 3.

Artists’ Magazines

Gwen Allen recounts her discovery of cutting-edge artists’ magazines from the 1960s and 1970s and explores the roots and implications of these singular publications.

Exterior of Museu de Arte de São Paulo. Photo: Eduardo Ortega

Multiplo–Diverso–Plural: Museu de Arte de São Paulo

Louise Neri speaks with Adriano Pedrosa, artistic director of the Museu de Arte de São Paulo (MASP), about the history of this unique Brazilian museum and his vision for its future.