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Gagosian Quarterly

January 6, 2021

In Conversation

Meleko Mokgosi and Louise Neri

On the occasion of Meleko Mokgosi’s recent exhibition Democratic Intuition, the artist speaks with Louise Neri about notions of pedagogy, the nation state, and value systems wrapped up in his visual epic.

Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020,

Artwork © Meleko Mokgosi; video: Pushpin Films; footage: Matt Glen

Portraits of Meleko Mokgosi and Isaac Julien

Artist to Artist: Isaac Julien and Meleko Mokgosi

This video features a dialogue between artists Isaac Julien and Meleko Mokgosi, moderated by Zoé Whitley, director of Chisenhale Gallery, London, and presented by Gagosian in partnership with the Decolonising Arts Institute of the University of the Arts London (UAL). The two artists discuss narrative and montage strategies in their respective practices as filmmaker and painter.

Installation view, Meleko Mokgosi: Democratic Intuition, Gagosian, Britannia Street, London, September 29–December 12, 2020. Artwork

Meleko Mokgosi: Democratic Intuition

Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.

Lucie and Luke Meier. Photo: Peter Lindbergh

Fashion and Art: Lucie and Luke Meier

The creative directors for Jil Sander tell the Quarterly’s Wyatt Allgeier about their inspirations, the recent campaign they created in collaboration with celebrated fine-art photographer Joel Meyerowitz, and their developing engagement with pop-up retail spaces.

Diego Rivera, The Making of a Fresco Showing the Building of a City, installation view, San Francisco Art Institute (SFAI)

The San Francisco Art Institute: Its History and Future

Constance Lewallen marks the 150th anniversary of the San Francisco Art Institute, exploring the school’s evolution and pioneering faculty, as well as current challenges and the innovations necessary for its preservation.

Galerie Patrick Seguin, Paris

Patrick Seguin

Andisheh Avini speaks with the Paris gallerist and publisher about his passion for architecture, design, and art.

Shelley Duvall in Robert Altman’s 3 Women (1977). Photo: Photo 12/Alamy Stock Photo

Shelley Duvall

Every era has a handful of actors who embody the moods and aesthetics of their time. Carlos Valladares looks back to the 1970s, the time of New Hollywood, and argues for the singular contemporaneity of Shelley Duvall.

Louise Bonnet, Resting Sphinx Black Background, 2021, colored pencil on paper, 24 x 19 inches (61 x 48.3 cm)

Louise Bonnet: Sphinxes

Ali Subotnick investigates the artist’s surreal new series of drawings.

From left to right: Carolyn Christov-Bakargiev, Elvira Dyangani Ose, and Sarah Cosulich

Leaders in the Arts: Italy Edition

We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.

Installation view, Louise Bonnet: The Hours, Gagosian, Park & 75

Louise Bonnet: The Hours

The artist describes her new body of work from her Los Angeles studio.

Edmund de Waal, London, 2019

Edmund de Waal: psalm

Edmund de Waal speaks with Alison McDonald about the components of psalm, his two-part project in Venice. He details the influences behind the exhibition and reveals some of his hopes for the project.

Still from Vertigo (1958), directed by Alfred Hitchcock. Photo: PARAMOUNT PICTURES/Ronald Grant Archive/Alamy Stock Photo

Shortlist
Five Films: Louise Bonnet

Los Angeles painter Louise Bonnet reminisces about the films that influenced her development as an artist.

Louise Bonnet in her Los Angeles studio, 2020

Louise Bonnet

Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.