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Gagosian Quarterly

Spring 2023, Page 2 of 3

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Arianne Phillips, 2020. Photo: Frank Ockenfels 3

Fashion and Art: Arianne Phillips

Costume designer and stylist Arianne Phillips has shaped the role of fashion and clothing in movies, theater, music, and pop culture since the 1980s. From working with Madonna to crafting the look of films such as The Crow (1994) and Once upon a Time…in Hollywood (2019), Phillips has elevated the function of costume and fashion to an art form. Here she speaks with Derek Blasberg about her early friendship with Lenny Kravitz, the diverse set of artists and mediums that informs her work, and why she refuses to settle down into any codified vocation.

Joy Williams in Amherst, Massachusetts, 2016. Photo: Jonno Rattman

Hans Ulrich Obrist’s Questionnaire: Joy Williams

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents make a selection from the larger questionnaire and reply in as many or as few words as they desire. For the first installment of 2023, we are honored to present the author Joy Williams.

Sally Mann and Benjamin Moser

Sally Mann and Benjamin Moser

During the 2022 edition of Paris Photo, Sally Mann and Benjamin Moser sat down for an intimate conversation as the first event in Gagosian’s Paris Salon series, initiated by Jessie Fortune Ryan. In light of Moser’s Pulitzer Prize–winning biography of Susan Sontag, Sontag: Her Life and Work (2019), recently translated into French, the two discussed the power and responsibility tied up in their respective practices of photography and writing.

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In an excerpt from his forthcoming monograph, Richard Wright pens a personal and philosophical text about painting.

Genieve Figgis, Eternal Garden, 2022, acrylic on canvas, 39 ⅜ × 47 ¼ inches (100 × 120 cm)

Picture Books: Genieve Figgis and Lydia Millet

The fourth book published by Picture Books, an imprint organized by Emma Cline and Gagosian, is Lydia Millet’s novella Lyrebird. Accompanying the text is a painting by Genieve Figgis, inspired by the story’s lush setting. In celebration of this publication, Figgis and Millet spoke to each other about the process, the role of humor in their work, and the genesis of their contributions.

Red, White, Yellow, and Black: 1972–73

Red, White, Yellow, and Black: 1972–73

In December 1972 and April 1973, Shigeko Kubota, Mary Lucier, Cecilia Sandoval, and Charlotte Warren conceived of “multimedia concerts” at The Kitchen, New York, under the name Red, White, Yellow, and Black. Here, Lumi Tan, former senior curator at The Kitchen, and Lia Robinson, director of programs and research at the Shigeko Kubota Video Art Foundation, speak with the Quarterly’s Wyatt Allgeier about the project.

Sterling Ruby: The Frenetic Beat

Sterling Ruby: The Frenetic Beat

Ester Coen meditates on the dynamism of Sterling Ruby’s recent projects, tracing parallels between these works and the histories of Futurism, Constructivism, and the avant-garde.

Glenn Brown: From the Inside Out

Glenn Brown: From the Inside Out

Novelist Andrew Winer reports on the formal, conceptual, historical, and philosophical perspectives embedded in Glenn Brown’s latest paintings and drawings. The two talked after the opening of the artist’s recent New York exhibition Glenn Brown: We’ll Keep On Dancing Till We Pay the Rent.

Karl Lagefeld in front of a blue background. Photo: Roe Ethridge

The Art of Biography: Paradise Now: The Extraordinary Life of Karl Lagerfeld

William Middleton’s forthcoming biography of Karl Lagerfeld, Paradise Now, comes as a major follow-up to his lauded history of Dominique and John de Menil, Double Vision, from 2018. Here, curator Michael Cary speaks with Middleton about the challenges, strategies, and revelations that went into telling the story of this larger-than-life visionary in the world of fashion and the culture at large.