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Detail from Roy Lichtenstein’s Bauhaus Stairway Mural (1989), on the cover of Gagosian Quarterly, Summer 2024

Now available
Gagosian Quarterly Summer 2024

The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.

A hand holds a tree branch like a gun

Maurizio Cattelan: Sunday Painter

Curated by Francesco Bonami, Sunday is the first solo presentation of new work by Maurizio Cattelan in New York in over twenty years. Here, Bonami asks us to consider Cattelan as a political artist, detailing the potent and clear observations at the core of these works.

portrait of Stanley Whitney

Stanley Whitney: Vibrations of the Day

Stanley Whitney invited professor and musician-biographer John Szwed to his studio on Long Island, New York, as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.

Richard Armstrong; color photograph

Richard Armstrong

Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies facing museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Touch of Evil

Touch of Evil

Andrew Russeth situates Jamian Juliano-Villani’s daring paintings within her myriad activities shaking up the art world.

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Institutional Buzz

Institutional Buzz

On the occasion of Andrea Frasers exhibition at the Fondazione Antonio Dalle Nogare in Bolzano, Italy, Mike Stinavage speaks with the feminist performance artist about institutions and their discontents.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Announcement

Exhibiting Forgiveness
Acquired by Roadside Attractions

Exhibiting Forgiveness (2023), a film written, directed, and produced by Titus Kaphar, which premiered in January 2024 at the Sundance Film Festival, has been acquired by the film distribution company Roadside Attractions. Exploring family, generational healing, and the power of forgiveness, the motion picture follows a Black artist (André Holland) attempting to overcome the trauma of his past through painting; he is on the path to success when he is derailed by an unexpected visit from his estranged father. The film will open in theaters nationwide in Fall 2024.

Still from Exhibiting Forgiveness (2023), directed by Titus Kaphar

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Shop Takeover

Nan Goldin

May 14–June 22, 2024
Gagosian Shop, London

Nan Goldin is taking over the Gagosian Shop in London’s Burlington Arcade, offering visitors an opportunity to explore her practice in depth. The basement floor will be transformed into a reading room of books chosen by Goldin, with publications on artists such as Louise Bourgeois, Larry Clark, Andy Warhol, and David Wojnarowicz, and fiction, essays, and memoirs by writers including Toni Morrison, Darryl Pinckney, Lucy Sante, and Sarah Schulman. A wide selection of publications on Goldin are available on the ground floor, including both new and out-of-print exhibition catalogues, monographs, and artist’s books. Also on display are in-progress layouts from Heartbeat, a forthcoming nine-volume catalogue raisonné of Goldin’s photographs published by Steidl. Over the course of the takeover, different pages from this comprehensive publication project will be displayed, revealing Goldin’s notes and markups over the course of its development.

The Shop takeover accompanies an exhibition of Goldin’s early works in the gallery upstairs and Nan Goldin: Sisters, Saints, Sibyls, the second presentation in the Gagosian Open series of off-site exhibitions, on view at 83 Charing Cross Road from May 30 to June 23, 2024.

Nan Goldin, Self-portrait with eyes turned inward, Boston, 1989 © Nan Goldin

Sky High Farm, Columbia County, New York. Photo: Ryan McGinley

Fundraiser

Sky High Farm Spring Picnic

Saturday, May 18, 2024, 2–6pm
Kaatsbaan Cultural Park, Tivoli, New York
www.skyhighfarm.org

Sky High Farm is hosting a picnic fundraiser featuring a DJ set by Michaël Brun and performances by Kelsey Lu, Moses Sumney, The Roots, and other special acts, with food and beverages by local Hudson Valley purveyors available for purchase. The farm is a nonprofit founded by Dan Colen that aims to improve access to nutritious food for New Yorkers in underserved communities. All proceeds from the event will benefit Sky High Farm’s work to solve urgent and long-term issues at the intersection of climate, food access, and education.

Purchase Tickets

Sky High Farm, Columbia County, New York. Photo: Ryan McGinley

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Museum Exhibitions

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Closing this Week

ICP at 50
From the Collection, 1845–2019

Through May 6, 2024
International Center of Photography, New York
www.icp.org

ICP at 50 is a thematic exploration of the many processes that comprise the history of the photographic medium, drawn from the International Center of Photography’s holdings. The institution was established in 1974 and the exhibition offers insight into the breadth and depth of its collection which spans from the nineteenth century to the present day. Work by Richard Avedon, Nan Goldin, Deana Lawson, and Andy Warhol is included.

Installation view, ICP at 50: From the Collection, 1845–2019, International Center of Photography, New York, January 24–May 6, 2024. Artwork, left to right: © Nan Goldin, © Zanele Muholi, © Deana Lawson. Photo: Jeenah Moon, courtesy International Center of Photography

Installation view, When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024. Artwork, left to right: © Nairy Baghramian; © Archiv Franz West, © Estate Franz West. Photo: Jo Underhill, courtesy Hayward Gallery

Closing this Week

Franz West in
When Forms Come Alive

Through May 6, 2024
Hayward Gallery, London
www.southbankcentre.co.uk

Spanning over sixty years of contemporary sculpture, When Forms Come Alive highlights ways in which artists draw on familiar experiences of movement, flux, and organic growth. Inspired by sources ranging from a dancer’s gesture to the breaking of a wave, from a flow of molten metal to the interlacing of a spider’s web, the works by twenty-one international artists conjure fluid and shifting realms of experience. Work by Franz West is included.

Installation view, When Forms Come Alive, Hayward Gallery, London, February 7–May 6, 2024. Artwork, left to right: © Nairy Baghramian; © Archiv Franz West, © Estate Franz West. Photo: Jo Underhill, courtesy Hayward Gallery

Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann

Just Opened

Georg Baselitz
Belle Haleine

Through November 24, 2024
Galleria degli Antichi, Sabbioneta, Italy
www.visitsabbioneta.it

Georg Baselitz: Belle Haleine features large-scale sculptures, paintings, and ten monumental linocuts by Baselitz installed along the Renaissance arches and under the frescoed ceilings of the Galleria degli Antichi in the UNESCO World Heritage site of Sabbioneta, Italy. In exhibiting his work within this setting, Baselitz aims to reveal the importance of Italian art history to his own artistic development, creating a confrontation between the contemporary and the past.

Georg Baselitz, Donna Via Venezia, 2004–06 © Georg Baselitz 2024. Photo: Jochen Littkemann

Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski

Just Opened

Jadé Fadojutimi in
Abstraction (re)creation—20 under 40

Through September 8, 2024
Le Consortium, Dijon, France
www.leconsortium.fr

Through the work of twenty artists under the age of forty, this exhibition explores the question, Will abstraction in painting reveal a new way to face art and provide a better way to address issues that are far away from subjects, storytelling, and other figurative topics? Work by Jadé Fadojutimi is included.

Jadé Fadojutimi, This last leaf just seems to refuse to rest upon the lake, 2022 © Jadé Fadojutimi. Photo: Michael Brzezinski

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