Art Fair
May 2–5, 2024, booth B06
The Shed, New York
frieze.com
Gagosian is presenting new works by Sterling Ruby at Frieze New York 2024, including four paintings from the TURBINE series (2021–) and a selection of collages from the DRFTRS series (2012–). Incorporating the same materials and namesake mechanism as Ruby’s WIDW paintings (2016–), but also suggesting hurricanes and explosions, fire and conflict, the TURBINE paintings evoke speed and self-destruction, alluding to the Futurists and Russian Constructivism. Ruby again employs formal relationships in response to contemporary problems, pairing them with diverse cultural and historical references. In the DRFTRS series of works on paper, Ruby layers and formally arranges microcosmic and macrocosmic imagery, collaging photographs of spores and plants, particles and stars onto surfaces washed with paint.
#SterlingRuby
Sterling Ruby in his studio, Los Angeles, 2024. Artwork © Sterling Ruby. Photo: Romoff Media
Featured Works
Sterling Ruby: The Frenetic Beat
Ester Coen meditates on the dynamism of Sterling Ruby’s recent projects, tracing parallels between these works and the histories of Futurism, Constructivism, and the avant-garde.
Sterling Ruby: TURBINES
Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.
Augurs of Spring
As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Now available
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
For Notre-Dame
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Related Exhibitions
Related News
Public Installation
Sterling Ruby
SPECTERS TOKYO
November 23–December 23, 2023
Sogetsu Kaikan, Tokyo
www.sogetsu.or.jp
In SPECTERS TOKYO, Sterling Ruby’s first public installation in Japan, the artist creates a dialogue with Isamu Noguchi’s indoor stone garden Heaven (1977–78), which is permanently installed in the lobby of the Sogetsu Foundation headquarters. Exploring the interactions between the living and the dead, Ruby’s site-specific work draws influence from kaidan, a genre of Japanese ghost stories. The otherworldly scene includes spectral figures made from heavily worn, tattered textiles and found objects that are suspended from the ceiling like puppets.
Installation view, Sterling Ruby: SPECTERS TOKYO, Sogetsu Kaikan, Tokyo, November 23–December 23, 2023. Artwork © Sterling Ruby. Photo: Kenji Takahashi, courtesy Taka Ishii Gallery, Tokyo
Art Fair
Taipei Dangdai 2023
May 12–14, 2023, booth E10
Taipei Nangang Exhibition Center
taipeidangdai.com
Gagosian is pleased to participate in Taipei Dangdai 2023, presenting works by Louise Bonnet, Dan Colen, Edmund de Waal, Urs Fischer, Cy Gavin, Nan Goldin, Katharina Grosse, Mark Grotjahn, Damien Hirst, Thomas Houseago, Yayoi Kusama, Deana Lawson, Takashi Murakami, Sterling Ruby, Alexandria Smith, Spencer Sweeney, Kon Trubkovich, Mary Weatherford, Cameron Welch, Anna Weyant, and Zeng Fanzhi.
Gagosian’s booth at Taipei Dangdai 2023. Artwork, left to right: © Mark Grotjahn; © Zeng Fanzhi; © 2023 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved. Photo: Ringo Cheung
Art Fair
Art Basel Miami Beach 2022
December 1–3, 2022, booth D5
Miami Beach Convention Center
artbasel.com
Gagosian is pleased to present a selection of modern and contemporary works at Art Basel Miami Beach 2022. Returning to Miami for the fair’s twentieth anniversary, the gallery is honored to have participated each year the fair has been held.
Gagosian’s booth at Art Basel Miami Beach 2022. Artwork, left to right: © Gerhard Richter; © Amoako Boafo; © Richard Prince; © 2022 Judd Foundation/Artists Rights Society (ARS), New York; © Richard Diebenkorn Foundation; © The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York; © Stanley Whitney. Photo: Sebastiano Pellion di Persano
Museum Exhibitions
On View
For What It’s Worth
Value Systems in Art since 1960
Through June 29, 2024
The Warehouse, Dallas
thewarehousedallas.org
Looking at global, conceptual art tendencies since 1960, For What It’s Worth focuses on artists who generate, question, and infect value systems through their work. These systems might address exchange, social structures, or philosophical intangibles, and many of the selected works share an exploration of the codification of values through language and patterns of behavior. Work by Chris Burden and Sterling Ruby is included.
Chris Burden, Kunst Kick (3 photographs and text), 1974 (detail), The Warehouse, Dallas © 2024 Chris Burden/Licensed by the Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: courtesy Chris Burden Estate
On View
Effetto Notte
Nuovo Realismo Americano
Through July 14, 2024
Gallerie Nazionali di Arte Antica, Palazzo Barberini, Rome
barberinicorsini.org
This exhibition’s title was borrowed from a work by Lorna Simpson, Day for Night (2018), which translates to Effetto Notte in Italian. Curated by Massimiliano Gioni and Flaminia Gennari Santori in collaboration with the Aïshti Foundation, Beirut, the exhibition features more than 150 artworks from the collection of Tony and Elham Salamé that interrogate the meanings and functions of figuration in contemporary art and address questions around the notion of realism and the representation of truth in painting. Work by Derrick Adams, Louise Bonnet, Maurizio Cattelan, Urs Fischer, Theaster Gates, Duane Hanson, Rick Lowe, Richard Prince, Nathaniel Mary Quinn, Sterling Ruby, Anna Weyant, Stanley Whitney, and Christopher Wool is included.
Richard Prince, Untitled, 2015, Aïshti Foundation, Beirut © Richard Prince
On View
Janus
Through November 24, 2024
Palazzo Diedo, Venice
berggruenarts.org
Janus, appropriately titled after the Roman god of beginnings, is the inaugural exhibition at Palazzo Diedo, a new contemporary arts space in Venice established by Berggruen Arts & Culture. For the exhibition, curated by Mario Codognato, eleven international artists—Urs Fischer, Piero Golia, Carsten Höller, Liu We, Ibrahim Mahama, Mariko Mori, Sterling Ruby, Jim Shaw, Hiroshi Sugimoto, Aya Takano, and Lee Ufan—have conceived site-specific interventions in response to the architecture and original features of the eighteenth-century building designed by the acclaimed Venetian architect Andrea Tirali. The Polaroid Foundation has also contributed a special project that invites the participating artists to create an original work using the Polaroid 20×24, the world’s largest instant camera.
Jim Shaw, The Alexander Romances, 2024 (detail) © Jim Shaw. Photo: Jeff McLane
Closed
Sterling Ruby in
Un patrimoine méconnu. Tableaux du diocèse de Paris du XVe au XXe siècle
October 18–December 16, 2023
Collège des Bernardins, Paris
www.collegedesbernardins.fr
This exhibition, whose title translates to A Little-Known Heritage: Paintings from the Diocese of Paris from the Fifteenth to the Twentieth Centuries, places fourteen rarely seen paintings from the collection of the diocese in dialogue with a work by Sterling Ruby. Ruby’s ceramic sculpture Basin Theology/BRAVAMAX (2014) alludes to the rich Christian symbolism of the basin as a purifying vessel. Made by fusing discarded clay shards into a new form, the work engages the paintings’ sacred themes.
Installation view, Un patrimoine méconnu. Tableaux du diocèse de Paris du XVe au XXe siècle, Collège des Bernardins, Paris, October 18–December 16, 2023. Artwork © Sterling Ruby. Photo: Thomas Lannes