Exhibition of one hundred unique works by Ed Ruscha to benefit the Estate Project for Artists with AIDS and AIDS Project Los Angeles
Gagosian is pleased to present a benefit exhibition of new work by Ed Ruscha. Proceeds from the exhibition will benefit two Los Angeles AIDS organizations:
The Estate Project for Artists with AIDS is the first national organization to assist artists with HIV and AIDS in presenting, continuing, and preserving their work. Through cost-effective services such as free art materials and estate planning, the Estate Project focuses on the needs of one of the communities most devastated by AIDS—the arts community. The Estate Project began work in Los Angeles last year and also provides assistance to artists in New York, Miami, and Chicago. The Estate Project works with existing AIDS and arts service organizations to enhance their programs and to provide funding for special efforts focused on artists with HIV and AIDS.
AIDS Project Los Angeles (APLA) is well known as the leading AIDS service provider in Los Angeles. APLA provides a range of services including case management, entitlements, housing, a food bank, dental care, and health care.
Patrick Moore, director of the Estate Project, explains, “We are delighted to be working with the AIDS Project Los Angeles to jointly raise funds to assist people with AIDS. Because the Estate Project receives referrals from APLA, it makes a great deal of sense to work together in this way as well. To have Ed Ruscha, one of the most important living American artists, working with us to assist his colleagues in the arts community who are living with AIDS is an incredible opportunity.”
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Ed Ruscha: A Long Way from Oklahoma
In conjunction with his exhibition VERY at Louisiana Museum of Modern Art in Humlebæk, Denmark, Ed Ruscha sat down with Kasper Bech Dyg to discuss his work.
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Veil and Vault
An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.
Course of Empire
Ed Ruscha sat down with Tom McCarthy and Elizabeth Kornhauser, curator at the Metropolitan Museum of Art, to discuss the nineteenth-century artist Thomas Cole, whose Course of Empire paintings inspired a series of works by Ruscha more than a century later.
Gagosian Quarterly Winter 2018
The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.
Eilshemius & Me
June 18–August 2, 2019
Davies Street, London
Custom-Built Intrigue: Drawings 1974–1984
May 6–June 30, 2017
980 Madison Avenue, New York
Ed Ruscha | Jonas Wood
Notepads, Holograms and Books
March 30–June 17, 2017
Extremes and In-betweens
October 5–December 17, 2016
Grosvenor Hill, London