The Show Is Over

Helter Skelter—an exhibition at Fondazione Prada’s Venetian venue, Ca’ Corner della Regina—marks the first creative dialogue between two visionaries of American art, Arthur Jafa and Richard Prince. The show explores the grit, grift, violence, and ingenuity of American culture through more than fifty works, including photography, video, and large-scale installations that interrogate themes of race, gender, media, and politics. In the interview below, Nancy Spector, the exhibition’s curator, speaks about the shared motifs—from apocalyptic sunsets to a fascination with “monstrosity”—that led her to pair these artists for the first time.

In this video, musical ensemble Sō Percussion performs Steve Reich’s “Music for Pieces of Wood” inside the exhibition Richard Serra: Running Arcs (For John Cage), 1992, at Gagosian, New York.

Jonathan Griffin traveled to Marfa to see the second iteration of Christopher Wool’s See Stop Run exhibition and to talk with the artist about his latest work, and about the photography series and sculptures that grew from his time in the Texas town.

Thomas Demand looks at Rudolf Stingel’s Vineyard Paintings.

Sydney Stutterheim traces the linkages and affinities between the work of Richard Prince and that of Bob Dylan. Using Prince’s Untitled (Dylan) as a starting point, she considers the artist’s enduring interest in questions of originality and authorship, as well as his sustained relationship with the worlds of American music and counterculture.

On the occasion of Willem de Kooning: Endless Painting, curated by Cecilia Alemani and comprising paintings from 1944 through 1986 and two sculptures, the Quarterly revisits a conversation between Albert Oehlen and John Corbett from 2013. The pair reflect on de Kooning’s late work and its lasting influence on them.

Jenny Saville reflects on Cy Twombly’s poetic engagement with the world, with time and tension, and with growth in this excerpt from her Marion Barthelme Lecture, presented at the Menil Collection, Houston, in 2024.

The Fall 2024 issue of Gagosian Quarterly is now available, featuring Andy Warhol’s Mao (1972) on the cover.

Michael Ovitz, cofounder of Creative Artists Agency (CAA), looks back to 1989, the year he and the architect I. M. Pei commissioned Roy Lichtenstein to create the Bauhaus Stairway Mural for the then new CAA Building in Los Angeles. Through the experience of working with Lichtenstein, Ovitz formed a meaningful friendship with the artist.

Alice Godwin and Alison McDonald explore the history of Roy Lichtenstein’s mural of 1989, contextualizing the work among the artist’s other mural projects and reaching back to its inspiration: the Bauhaus Stairway painting of 1932 by the German artist Oskar Schlemmer.