Georg Baselitz, Anselm Kiefer, Harmony Korine, Robert Rauschenberg, Julian Schnabel, Rudolf Stingel, Franz West

Janne Sirén considers Anselm Kiefer’s new paintings, the subject of an exhibition at Gagosian, New York, entitled Seal My Ears Shut and I Shall Hear You Still.

Thomas Demand looks at Rudolf Stingel’s Vineyard Paintings.

Sébastien Delot is director of conservation and collections at the Musée national Picasso–Paris and the organizer of the first retrospective to focus on Anselm Kiefer’s use of photography, which was held at Lille Métropole Musée d’art moderne, d’art contemporain et d’art brut (Musée LaM) in Villeneuve-d’Ascq, France. He recently sat down with Gagosian director of photography Joshua Chuang to discuss the exhibition Anselm Kiefer: Punctum at Gagosian, New York. Their conversation touched on Kiefer’s exploration of photography’s materials, processes, and expressive potentials, and on the alchemy of his art.

In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.  

On the occasion of his exhibition Anselm Kiefer: Exodus at Gagosian at Marciano Art Foundation in Los Angeles, the artist spoke with Michael Govan about his works that elaborate on themes of loss, history, and redemption.

In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents make a selection from the larger questionnaire and reply in as many or as few words as they desire. For the fourth installment, we are honored to present the artist Anselm Kiefer.

Camille Morineau writes of the triumph of the feminine at Anselm Kiefer’s former studio-estate in Barjac, France, describing the site and its installations as a demonstration of women’s power, a meditation on inversion and permeability, and a reversal of the long invisibility of women in history and myth.

The artists chat about Korine’s luminous new paintings based on teddy bears, touching upon the color yellow, the fresh smell of gas, and the relationship among presidents, golf, and little stuffed animals.

In celebration of five recent projects related to Georg Baselitz, Richard Calvocoressi, Max Hollein, and Katy Siegel speak with the artist and look at his prolific career.

Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.