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Georg Baselitz, Anselm Kiefer, Harmony Korine, Robert Rauschenberg, Julian Schnabel, Rudolf Stingel, Franz West

June 7–July 18, 2014
555 West 24th Street, New York

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Installation video

Installation view Artwork © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Installation view

Artwork © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Installation view Artwork, left to right: © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York, © 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view

Artwork, left to right: © The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York, © 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Installation view Photo: Rob McKeever

Installation view

Photo: Rob McKeever

Installation view Photo: Rob McKeever

Installation view

Photo: Rob McKeever

Installation view Artwork © Georg Baselitz. Photo: Rob McKeever

Installation view

Artwork © Georg Baselitz. Photo: Rob McKeever

Installation view Photo: Rob McKeever

Installation view

Photo: Rob McKeever

Installation view  Artwork © Anselm Kiefer. Photo: Rob McKeever

Installation view

Artwork © Anselm Kiefer. Photo: Rob McKeever

Installation view Artwork, left to right: © Rudolf Stingel, © Anselm Kiefer. Photo: Rob McKeever

Installation view

Artwork, left to right: © Rudolf Stingel, © Anselm Kiefer. Photo: Rob McKeever

Works Exhibited

Georg Baselitz, ll wam ruch nichtet mehr (Ill bar fe well), 2013 Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)© Georg Baselitz

Georg Baselitz, ll wam ruch nichtet mehr (Ill bar fe well), 2013

Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)
© Georg Baselitz

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)© Georg Baselitz

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013

Oil on canvas, 118 ⅛ × 108 ¼ inches (300 × 275 cm)
© Georg Baselitz

Anselm Kiefer, Wasserman, 2001 Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)© Anselm Kiefer

Anselm Kiefer, Wasserman, 2001

Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)
© Anselm Kiefer

Anselm Kiefer, Wasserman, 2001 (detail) Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)© Anselm Kiefer

Anselm Kiefer, Wasserman, 2001 (detail)

Oil, emulsion, and acrylic on lead and canvas, 183 × 196 ¾ inches (464.8 × 499.7 cm)
© Anselm Kiefer

Anselm Kiefer, Lichtfalle, 1999 Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999

Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)
© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999 (detail) Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999 (detail)

Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)
© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999 (detail) Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)© Anselm Kiefer. Photo: Rob McKeever

Anselm Kiefer, Lichtfalle, 1999 (detail)

Shellac, emulsion, glass, and steel trap on linen, 149 × 220 inches (378.5 × 558.8 cm)
© Anselm Kiefer. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974 Cardboard, sand, and Day-Glo paint, 108 ½ × 138 × 28 inches (275.6 × 350.5 × 71.1 cm)© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974

Cardboard, sand, and Day-Glo paint, 108 ½ × 138 × 28 inches (275.6 × 350.5 × 71.1 cm)
© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974 Cardboard, sand, Day-Glo paint, spoked wheels, pillow, and hose, 80 ¼ × 78 × 36 inches (203.8 × 198.1 × 91.4 cm)© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Robert Rauschenberg, Untitled (Early Egyptian), 1974

Cardboard, sand, Day-Glo paint, spoked wheels, pillow, and hose, 80 ¼ × 78 × 36 inches (203.8 × 198.1 × 91.4 cm)
© The Robert Rauschenberg Foundation 2014/Licensed by VAGA, New York. Photo: Rob McKeever

Julian Schnabel, The Conversion of St. Paolo Malfi, 1995 Oil and resin on canvas, 120 × 108 inches (304.8 × 274.3 cm)© 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Julian Schnabel, The Conversion of St. Paolo Malfi, 1995

Oil and resin on canvas, 120 × 108 inches (304.8 × 274.3 cm)
© 2014 Julian Schnabel/Artists Rights Society (ARS), New York. Photo: Rob McKeever

Rudolf Stingel, Untitled, 2009 Oil on canvas, 132 × 181 ¾ inches (335.3 × 461.6 cm)© Rudolf Stingel. Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled, 2009

Oil on canvas, 132 × 181 ¾ inches (335.3 × 461.6 cm)
© Rudolf Stingel. Photo: Alessandro Zambianchi

Franz West, Caino va incontro ad Abele, 2010 Epoxy resin, lacquer, and steel, in 2 parts, overall dimensions variable© Archiv Franz West. Photo: Rob McKeever

Franz West, Caino va incontro ad Abele, 2010

Epoxy resin, lacquer, and steel, in 2 parts, overall dimensions variable
© Archiv Franz West. Photo: Rob McKeever

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Darkly lit road, trees, and building exterior at La Ribaute, Barjac, France.

Anselm Kiefer: Architect of Landscape and Cosmology

Jérôme Sans visits La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer over the course of decades. The labyrinthine site, now open to the public, stands as a total work of art, reflecting through its grounds, pavilions, and passageways major themes in Kiefer’s oeuvre: regeneration, mythology, memory, and more. 

Two dress sculptures in the landscape at Barjac

La Ribaute: Transitive, It Transforms

Camille Morineau writes of the triumph of the feminine at Anselm Kiefer’s former studio-estate in Barjac, France, describing the site and its installations as a demonstration of women’s power, a meditation on inversion and permeability, and a reversal of the long invisibility of women in history and myth.

Installation view, Georg Baselitz: Archinto, Museo di Palazzo Grimani, Venice, May 19, 2021–November 27, 2022. Photo: Matteo De Fina

Georg Baselitz: Archinto

On the occasion of Georg Baselitz: Archinto at Museo di Palazzo Grimani, Venice, Artcore Films produced a short documentary featuring the artist. In the video, Baselitz details the origins of the project, how he approached the unique space, and his experiments in process and technique.

Colorful painting of a teddy bear with a swirling design motif as the background

In Conversation
Harmony Korine and Rita Ackermann

The artists chat about Korine’s luminous new paintings based on teddy bears, touching upon the color yellow, the fresh smell of gas, and the relationship among presidents, golf, and little stuffed animals.

Baselitz: La rétrospective

Baselitz: La rétrospective

Richard Calvocoressi visits Georg Baselitz’s retrospective exhibition at the Centre Pompidou in Paris and reflects on both the historical specificity and timeless themes of the artist’s sixty-year career.