Arakawa and Arakawa + Gins
Art and Architecture
Wednesday, January 12, 2022, 12pm est
Tiffany Lambert, curator at the Japan Society in New York, will discuss the relationship between Arakawa’s art and his collaborative architecture practice with Madeline Gins. Taking Arakawa’s conceptual works from the 1960s and the 1980s—including paintings and drawings on view in the exhibition Arakawa: Waiting Voices at Gagosian, Basel, through January 22—as a starting point, this online talk examines the compelling connections between these works and the pair’s idea of using the built form as a way to investigate and transform the relationship between body and environment. To join the online event, register at zoom.us.
Installation view, Arakawa: Waiting Voices, Gagosian, Basel, November 25, 2021–January 22, 2022. Artwork © 2021 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins. Photo: Annik Wetter
Thursday, December 9, 2021, 11am EST (5pm CET)
Join the Reversible Destiny Foundation for a virtual tour of the exhibition Arakawa: Waiting Voices with Ignacio Adriasola, assistant professor in the Department of Art History, Visual Art, and Theory at the University of British Columbia. On view at Gagosian, Basel, through January 22, the exhibition features works on canvas and paper made by Arakawa between 1964 and 1984. The artist was one of the earliest international pioneers of Conceptual art, and a founding member of the Japanese avant-garde collective Neo Dada. To join the online event, register at us02web.zoom.us.
Arakawa, Sketches for “An Anatomy of the Signified or If . . .” (Part 1 and 2) No. 5, 1974–75 © 2021 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins. Photo: Rob McKeever
Diagrams for the Imagination
Saturday, April 6, 2019, 2pm
Gagosian, 980 Madison Avenue, New York
Stephen Hepworth will lead a tour of the exhibition Arakawa: Diagrams for the Imagination at Gagosian, 980 Madison Avenue, New York. This show examines the works Arakawa made in the two decades following his 1961 arrival in New York, a period during which he worked in two dimensions, using paint, ink, graphite, and assemblage on canvas and paper. To attend the free event, RSVP to email@example.com.
Arakawa, And/Or in Profile No. 2, 1974 © Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins
Brett Littman and Miwako Tezuka
on Arakawa and Isamu Noguchi
Sunday, March 17, 2019, 2pm
Christie’s New York
With their expansively imaginative works, New York–based artists of Japanese descent Arakawa and Isamu Noguchi both pushed artistic, conceptual, and ideological limits throughout their lives, probing the line between art and design as well as borders within cultural identities. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum, will be in conversation with Miwako Tezuka, consulting curator of Arakawa and Madeline Gins’s Reversible Destiny Foundation, to discuss the kinship between these artists in terms of their genre-defying interests and activities. The event is free and open to the public.
Arakawa, That in Which No. 2, 1974–75 © Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins
Why Not (A Serenade of Eschatological Ecology)
Monday, October 16, 2017, 7pm
National Sawdust, Brooklyn, New York
Arakawa’s film Why Not (A Serenade of Eschatological Ecology) (1969) will be screened. Renowned for his paintings, drawings, prints, and visionary architectural constructions, the artist's wide range of experimentation extended into filmmaking. There will be a discussion after the film with Peter Katz, Diana Seo Hyung Lee, Jay Sanders, and Miwako Tezuka. To attend the event, purchase tickets at www.nationalsawdust.org.
Arakawa, Why Not (A Serenade of Eschatological Ecology), 1969 © 2017 Estate of Madeline Gins. Reproduced with permission of the Estate of Madeline Gins and Reversible Destiny Foundation