Harmony Korine: Young Twitchy is available for online reading from July 26 through August 25 as part of the From the Library series. This catalogue was published on the occasion of the 2019 exhibition at Gagosian, 980 Madison Avenue, New York, of new paintings by the artist. To make these works, Harmony Korine digitally painted different characters over iPhone photographs of his surroundings in Florida, and then re-created the compositions in oil paint on canvas. The publication includes a new text by Richard Prince.
Harmony Korine: Young Twitchy (New York: Gagosian, 2019)
Richard Prince: High Times is available for online reading from July 5 through August 3 as part of the From the Library series. Published on the occasion of the eponymously titled exhibition at Gagosian, West 21st Street, New York, in 2018, the book includes reproductions of Prince’s latest paintings alongside his earlier Hippie Drawings that serve as their main sources. Integrated among these fascinating images are recent essays by the artist; reprints of historical texts by Eve Babitz, Joan Didion, and Kim Gordon; and a new essay by Rachel Kushner. Plastic inserts throughout the book house postcards, facsimiles of ephemeral materials related to 1960s culture from Prince’s personal collection, and a seven-inch recording of Prince’s 1985 composition “Loud Song.”
Richard Prince: High Times (New York: Gagosian, 2018)
Visions of the Self
Rembrandt and Now
Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
In the interest of public health, this event has been postponed until further notice.
Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to email@example.com. Space is limited.
Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)
Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins
Saturday, February 15, 2020, 2pm
Gagosian, Beverly Hills
Join Gagosian for a tour of Richard Prince: New Portraits led by the artist’s studio manager, Matt Gaughan. Since the 1970s Prince has redefined the concepts of authorship and ownership, transforming images from mass media, advertising, and popular culture. This exhibition of new works from Prince’s New Portraits series was originally presented at the Museum of Contemporary Art Detroit from October 2019 to January 2020. To attend the free event, RSVP to email@example.com. Space is limited.
Richard Prince, Untitled (Portrait), 2019
Reflections on Artistic License
Tuesday, December 17, 2019, 6:30pm
Solomon R. Guggenheim Museum, New York
In this series of conversations, the six artist-curators of Artistic License, currently on view at the Solomon R. Guggenheim Museum in New York through January 12, are invited to reflect on their interpretations of the museum’s collection and the themes that informed their curatorial selections. Richard Prince’s presentation investigates the uncannily coherent formal qualities of the museum’s international holdings of abstract painting and sculpture from the 1940s and ’50s, and ultimately questions how taste is formed. To attend the event, purchase tickets at www.guggenheim.org.
Georges Mathieu, Untitled, 1959, Solomon R. Guggenheim Museum, New York © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris
Museum of Contemporary Art Chicago
2019 Benefit Art Auction
Live auction: Saturday, November 16, 2019, 8:30pm
Silent auction: November 1–16, 2019
Preview: November 12–16, 2019
Museum of Contemporary Art Chicago
The Museum of Contemporary Art Chicago presents its annual Benefit Art Auction on Saturday, November 16, with a cocktail reception and viewing of the available works, followed by a seated dinner and live auction. Works by leading artists, including Virgil Abloh, Theaster Gates, Takashi Murakami, Richard Prince, Sarah Sze, and Christopher Wool, have been donated. All proceeds support MCA programs and exhibitions. For information on works in the live or silent auctions, visit artsy.net. To attend the event, purchase tickets at mcachicago.org.
Richard Prince, Untitled, 2018 © Richard Prince
Brian Wallis on Richard Prince
Thursday, November 7, 2019, 7–9pm
Museum of Contemporary Art Detroit
Brian Wallis, a longtime scholar of Richard Prince’s work, will present a public lecture on the artist’s Portraits series, currently on view at the Museum of Contemporary Art Detroit, and its contemporary significance in the digital era of photography. The event is free to attend with museum admission.
Gagosian at Galeries Lafayette Champs-Élysées
Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.
Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019
Louis Vuitton X
June 28–November 10, 2019
Louis Vuitton X, Beverly Hills
Louis Vuitton X celebrates the fashion house’s 160-year history of artistic collaborations and marks the world premiere of the Artycapucines Collection. The line includes limited-edition reinterpretations of the label’s iconic Capucines bag by six artists including Urs Fischer, Alex Israel, and Jonas Wood. The exhibition also brings together a collection of early twentieth-century special-order trunks, art deco perfume bottles, iconic Monogram bags reworked by artists such as Frank Gehry and Cindy Sherman, and original collaborations by artists such as Richard Prince.
Jonas Wood’s limited-edition Louis Vuitton Artycapucines bag
Saturday, June 1, 2019, 3pm
Gagosian, San Francisco
Join us for an in-depth look at Richard Prince’s new High Times paintings at Gagosian, San Francisco. Engaging with the city’s historic counterculture and the tradition of American painting, these large-scale works are laden with colorful figures layered upon the canvas. Gagosian’s Graham Dalik will discuss the origins and evolution of these paintings, their connection to Prince’s earlier Hippie Drawings, and the artist’s long-standing interest in many of the literary and cultural figures associated with the Bay Area. To attend this free event, RSVP to firstname.lastname@example.org. Space is limited.
Richard Prince, Untitled, 2017–18 © Richard Prince
Visions of the Self: Rembrandt and Now
In partnership with English Heritage
Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London
Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact email@example.com.
Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library
Opening reception: Tuesday, December 4, 5–8pm
December 5–9, 2018
Moore Building, Miami
On the occasion of Art Basel Miami Beach 2018, Gagosian and Jeffrey Deitch are pleased to present Pop Minimalism | Minimalist Pop, their fourth collaboration at the Moore Building in the Miami Design District. This group exhibition explores the intersections and legacies of two major American art movements of the 1960s—Pop art and Minimalism—and the ways in which features of Minimalism have been incorporated into a variety of contemporary art practices. While these two art movements are typically seen to represent opposing artistic responses to the legacy of Abstract Expressionism, the work in Pop Minimalism | Minimalist Pop highlights points of common conceptual approaches and mutual exchange. Work by Jeff Koons, Adam McEwen, Sarah Morris, and Richard Prince is included.
Roy Lichtenstein, Entablature #4, 1971 © Estate of Roy Lichtenstein
This Must Be the Place
November 8–11, 2018
Grand Palais, Paris
This Must Be the Place features iconic photographs and recent acquisitions from the JPMorgan Chase Art Collection in conjunction with Paris Photo. The selection highlights the collection’s diversity from pioneering early photography to contemporary explorations of new media. Work by Vera Lutter and Richard Prince is included.
Vera Lutter, Old Slip East View, June, 1995, 1995 © Vera Lutter
December 6–10, 2017
Moore Building, Miami
On the occasion of Art Basel Miami Beach 2017, Gagosian and Jeffrey Deitch are pleased to present Abstract/Not Abstract, their third collaboration at the Moore Building in the Miami Design District. One of the great innovations of modernism, abstract painting continues to inspire and challenge artists. To make a fresh abstraction today following all the remarkable achievements of the School of Paris and the New York School is a daunting proposition. Yet through the use of innovative approaches, techniques, and technologies, this generation of artists is creating complex and astonishing new work that revitalizes the abstract tradition. Abstract/Not Abstract will include work by contemporary artists who redefine abstraction for our time.
Steven Parrino, Untitled, 1988 © Steven Parrino