Gray Sound Sessions
Friday, July 31, 2020, 7–8pm edt
Theaster Gates and special guests will perform Gates’s sound piece Whoa de Whoa as part of Gray Sound Sessions, a free streaming weekly music-and-sound series featuring concerts, happenings, and experiments with form and platform. The event is put on by the Gray Center for Arts and Inquiry at the University of Chicago. To watch the live performance, visit Theaster Gates’s Instagram.
Photo: courtesy Theaster Gates Studio
Alternate Meanings in Film and Video
You’re only as young as the last time you changed your mind.
Gagosian is pleased to present Broadcast: Alternate Meanings in Film and Video, an online exhibition of artists’ films and videos viewable exclusively on gagosian.com. The exhibition will be organized into a series of “chapters,” each lasting two weeks. The first chapter begins on Tuesday, May 19, 2020.
Broadcast: Alternate Meanings in Film and Video employs the innate immediacy of time-based art to spark reflection on the here and now, taking the words of famed psychologist and countercultural icon Timothy Leary as its starting point.
Adam McEwen, Escape from New York, 2014 (still from “Battery Tunnel”) © Adam McEwen
Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins
Theaster Gates, Grace Wales Bonner, and Michael Ralph
Thursday, December 12, 2019, 4:30–6:30pm
Museum of Liverpool, England
On the occasion of Theaster Gates: Amalgam, opening on December 13 at Tate Liverpool, England, the artist will speak with fashion designer Grace Wales Bonner and Michael Ralph, associate professor and director of Africana studies at New York University. The trio will discuss how Gates’s art transforms places and aims to improve the lives of the people who live there. The artist will also share his thoughts about his ongoing artistic endeavors on questions of land ownership, displacement, and interracial relationships. The event has reached capacity.
Theaster Gates with his work So Bitter, This Curse of Darkness (2019) in the exhibition Theaster Gates: Amalgam at the Palais de Tokyo, Paris, 2019. Artwork © Theaster Gates. Photo: © Palais de Tokyo, Paris
Museum of Contemporary Art Chicago
2019 Benefit Art Auction
Live auction: Saturday, November 16, 2019, 8:30pm
Silent auction: November 1–16, 2019
Preview: November 12–16, 2019
Museum of Contemporary Art Chicago
The Museum of Contemporary Art Chicago presents its annual Benefit Art Auction on Saturday, November 16, with a cocktail reception and viewing of the available works, followed by a seated dinner and live auction. Works by leading artists, including Virgil Abloh, Theaster Gates, Takashi Murakami, Richard Prince, Sarah Sze, and Christopher Wool, have been donated. All proceeds support MCA programs and exhibitions. For information on works in the live or silent auctions, visit artsy.net. To attend the event, purchase tickets at mcachicago.org.
Richard Prince, Untitled, 2018 © Richard Prince
The Extreme Present
Opening reception: Tuesday, December 3, 5–8pm
December 4–8, 2019
Moore Building, Miami
Gagosian is pleased to announce The Extreme Present, the fifth in a series of annual exhibitions at the Moore Building in the Miami Design District during Art Basel Miami Beach, presented by Gagosian and Jeffrey Deitch. The Extreme Present will explore artists’ reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan’s groundbreaking study on technology’s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase “the medium is the message.” Works in this exhibition explore concepts of media, communication, togetherness, and isolation.
The Extreme Present
Screening and Talk
Dance of Malaga
Wednesday, May 8, 2019, 7–8:30pm
Getty Center, Los Angeles
To conclude the Getty Scholar Year Symposium on the theme of monumentality, keynote presenter Theaster Gates—current artist-in-residence at the Getty Research Institute—will screen his recent film Dance of Malaga (2019). The film is a monument to the people of Malaga Island, Maine, and a meditation on love and race in America. The screening will be followed by a conversation with the Research Institute’s deputy director, Andrew Perchuk. To attend the free event, reserve tickets at tickets.getty.edu.
Theaster Gates. Photo: Rankin
Vision and Justice: A Convening
April 25–26, 2019
Harvard University, Cambridge, Massachusetts
Theaster Gates is participating in “Vision and Justice,” a two-day creative gathering that will consider the role of the arts in understanding the nexus of art, race, and justice. The program will emphasize short presentations, with the goal of outlining and catalyzing ideas for future work in art and justice around the country and the world. To attend the free event, register at www.boxoffice.harvard.edu. To live-stream the event, visit www.radcliffe.harvard.edu.
Theaster Gates. Photo: Julian Salinas
Black Artists Retreat 2019
October 11–12, 2019
Park Avenue Armory, New York
Theaster Gates will host his renowned Black Artists Retreat for the first time outside of Chicago. This iteration of the retreat, which Gates conceived of as re-creating the kind of public-spirited dialogue that the artist associates with the civil-rights movement of the 1960s, includes a public celebration with roller-skating, DJs, and performers amid an installation of some of the artist’s famous “housebergs”—7-foot-tall sculptural disco balls shaped like icebergs. To attend the event, purchase tickets at www.armoryonpark.org.
Photo: Andre Wagner