Essays, Page 3 of 39
A Horse, of Course
Alix Browne considers the enduring presence of horses in the contemporary imagination.
Kiss Me, Stupid
Carlos Valladares mines the history of the romantic comedy and proposes an expanded canon for the genre.
Sarah Sze: Timelapse
Francine Prose ruminates on temporality, fragility, and strength following a visit to Sarah Sze’s exhibition Timelapse at the Solomon R. Guggenheim Museum, New York.
Between Shadow and Light
Scholar and researcher Yves Guignard, who is working on Balthus’s archives for a revision of the Balthus catalogue raisonné, examines the artist’s engagement with drawing, arguing for a more concerted attention to these works than scholarship has paid them.
Carol Bove
Poet Ariana Reines responds to the work of Carol Bove.
Mount Fuji in Cinema: Satyajit Ray’s Woodblock Art
In the first installment of a two-part feature, novelist and critic Amit Chaudhuri arrives at a more nuanced understanding of the filmmaker Satyajit Ray by tracing the global impacts of woodblock printing, following its perspective and language as it circulated in the last three centuries.
A Foreigner Called Picasso
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
Brice Marden
Larry Gagosian celebrates the unmatched life and legacy of Brice Marden.
This Is Hardcore: Pulp, and the Making of an Image
This year marks the twenty-fifth anniversary of This Is Hardcore, the sixth album by the band Pulp. A new book by Paul Burgess and Louise Colbourne celebrates the occasion by bringing together behind-the-scenes imagery and anecdotes from the creation of the album and its music videos. Author Young Kim reflects on the album’s impact, both musical and visual, on the late ’90s and speaks with the primary collaborators—Pulp lead singer Jarvis Cocker, art director Peter Saville, and artist John Currin—behind the iconic imagery.