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Hong Kong Exchange

January 28–April 30, 2021
Hong Kong

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Installation video

Installation view Artwork, left to right: © Rudolf Stingel, © Cy Twombly Foundation, © Jenny Saville

Installation view

Artwork, left to right: © Rudolf Stingel, © Cy Twombly Foundation, © Jenny Saville

Installation view Artwork, left to right: © Richard Prince, © Andreas Gursky/VG Bild-Kunst, Bonn 2021

Installation view

Artwork, left to right: © Richard Prince, © Andreas Gursky/VG Bild-Kunst, Bonn 2021

Installation view Artwork, left to right: © Nam June Paik Estate, © Richard Prince

Installation view

Artwork, left to right: © Nam June Paik Estate, © Richard Prince

Installation view Artwork, left to right: © Georg Baselitz 2021, © Nam June Paik Estate, © Richard Prince

Installation view

Artwork, left to right: © Georg Baselitz 2021, © Nam June Paik Estate, © Richard Prince

Installation view Artwork, left to right: © Jonas Wood, © Urs Fischer

Installation view

Artwork, left to right: © Jonas Wood, © Urs Fischer

Installation view Artwork, left to right: © Urs Fischer; © Damien Hirst and Science Ltd. All rights reserved, DACS 2021; © Mary Weatherford; © Zeng Fanzhi Studio; © Sterling Ruby

Installation view

Artwork, left to right: © Urs Fischer; © Damien Hirst and Science Ltd. All rights reserved, DACS 2021; © Mary Weatherford; © Zeng Fanzhi Studio; © Sterling Ruby

Installation view Artwork, left to right: © Zeng Fanzhi Studio, © Sarah Sze, © Jeff Koons

Installation view

Artwork, left to right: © Zeng Fanzhi Studio, © Sarah Sze, © Jeff Koons

Installation view Artwork, left to right: © Sarah Sze; © Jeff Koons; © 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Installation view

Artwork, left to right: © Sarah Sze; © Jeff Koons; © 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Installation view Artwork, left to right: © 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved; © Alex Israel

Installation view

Artwork, left to right: © 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved; © Alex Israel

Works Exhibited

Jenny Saville, Title to be confirmed, 2021 Oil on canvas, 47 ¼ × 39 ⅜ inches (120 × 100 cm)© Jenny Saville

Jenny Saville, Title to be confirmed, 2021

Oil on canvas, 47 ¼ × 39 ⅜ inches (120 × 100 cm)
© Jenny Saville

Cy Twombly, Untitled, 1957 Oil-based house paint, wax crayon, lead pencil, and pastel on paper, laid down canvas, 19 ½ × 27 ½ inches (49.5 × 69.9 cm)© Cy Twombly Foundation

Cy Twombly, Untitled, 1957

Oil-based house paint, wax crayon, lead pencil, and pastel on paper, laid down canvas, 19 ½ × 27 ½ inches (49.5 × 69.9 cm)
© Cy Twombly Foundation

Jonas Wood, Yellow Orchid with Purple Dots, 2020 Gouache and colored pencil on paper, 59 ⅞ × 40 ⅞ inches (152.1 × 103.8 cm)© Jonas Wood

Jonas Wood, Yellow Orchid with Purple Dots, 2020

Gouache and colored pencil on paper, 59 ⅞ × 40 ⅞ inches (152.1 × 103.8 cm)
© Jonas Wood

Urs Fischer, Blue Succulents, 2020 Aluminum composite panel, aluminum honeycomb, polyurethane adhesive, epoxy primer, gesso, solvent-based screen-printing paint, and water-based screen-printing paint, 96 × 76 ¾ inches (243.8 × 194.9 cm)© Urs Fischer

Urs Fischer, Blue Succulents, 2020

Aluminum composite panel, aluminum honeycomb, polyurethane adhesive, epoxy primer, gesso, solvent-based screen-printing paint, and water-based screen-printing paint, 96 × 76 ¾ inches (243.8 × 194.9 cm)
© Urs Fischer

Damien Hirst, Gatherer, 2019 Butterflies and household gloss on canvas, 48 × 72 ⅛ inches (122 × 183 cm)© Damien Hirst and Science Ltd. All rights reserved, DACS 2021

Damien Hirst, Gatherer, 2019

Butterflies and household gloss on canvas, 48 × 72 ⅛ inches (122 × 183 cm)
© Damien Hirst and Science Ltd. All rights reserved, DACS 2021

Mary Weatherford, Meadow Larks’ Nest, 2020 Flashe and neon on linen, 44 × 50 inches (111.8 × 127 cm)© Mary Weatherford. Photo: Fredrik Nilsen Studio

Mary Weatherford, Meadow Larks’ Nest, 2020

Flashe and neon on linen, 44 × 50 inches (111.8 × 127 cm)
© Mary Weatherford. Photo: Fredrik Nilsen Studio

Zeng Fanzhi, Untitled, 2020 Oil on canvas, 78 ¾ × 63 inches (200 × 160 cm)© Zeng Fanzhi Studio

Zeng Fanzhi, Untitled, 2020

Oil on canvas, 78 ¾ × 63 inches (200 × 160 cm)
© Zeng Fanzhi Studio

Jeff Koons, Landscape (Tree) III, 2007 Oil on canvas, 108 × 84 inches (274.3 × 213.4 cm)© Jeff Koons. Photo: Markus Tretter Fotografie

Jeff Koons, Landscape (Tree) III, 2007

Oil on canvas, 108 × 84 inches (274.3 × 213.4 cm)
© Jeff Koons. Photo: Markus Tretter Fotografie

Takashi Murakami, Quiet and Deep Ultramarine, 2020 Acrylic on canvas mounted on aluminum frame, 55 ½ × 47 ¼ inches (141 × 120 cm)© 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Takashi Murakami, Quiet and Deep Ultramarine, 2020

Acrylic on canvas mounted on aluminum frame, 55 ½ × 47 ¼ inches (141 × 120 cm)
© 2020 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved

Nam June Paik, Bakelite Robot, 2002 Single-channel video (color, silent) with LCD monitors and colored electric lights, 72 ¾ × 56 ⅝ × 12 inches (184.8 × 143.8 × 30.5 cm)© Nam June Paik Estate

Nam June Paik, Bakelite Robot, 2002

Single-channel video (color, silent) with LCD monitors and colored electric lights, 72 ¾ × 56 ⅝ × 12 inches (184.8 × 143.8 × 30.5 cm)
© Nam June Paik Estate

Roe Ethridge, Blue and White Umbrella, 2020 Dye sublimation print on aluminum, 40 × 60 inches (101.6 × 152.4 cm), edition of 5 + 2 AP© Roe Ethridge

Roe Ethridge, Blue and White Umbrella, 2020

Dye sublimation print on aluminum, 40 × 60 inches (101.6 × 152.4 cm), edition of 5 + 2 AP
© Roe Ethridge

Alex Israel, Wave, 2020 Acrylic on fiberglass, 72 × 72 inches (182.9 × 182.9 cm)© Alex Israel

Alex Israel, Wave, 2020

Acrylic on fiberglass, 72 × 72 inches (182.9 × 182.9 cm)
© Alex Israel

About

Gagosian is pleased to present Hong Kong Exchange, an exhibition of works by some of the gallery’s most esteemed artists, most of whom have shown at the Hong Kong location, and some of whom will be exhibiting in the space for the first time.

New and recent works will be featured, including Ed Ruscha’s painting on paper TOWN TONE (2020) and Andreas Gursky’s large-scale photograph Hong Kong Shanghai Bank I (2020), a revisitation of his 1994 depiction of the same skyscraper. These compositions will be shown alongside key works of historical significance, such as Cy Twombly’s enigmatic oil painting Untitled (1957) and Nam June Paik’s iconic sculpture Bakelite Robot (2002).

Additional works in various media by Georg Baselitz, John Currin, Roe Ethridge, Urs Fischer, Katharina Grosse, Andreas Gursky, Damien Hirst, Tetsuya Ishida, Alex Israel, Jeff Koons, Takashi Murakami, Nam June Paik, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Sarah Sze, Cy Twombly, Mary Weatherford, Jonas Wood, and Zeng Fanzhi will be on view.

高古軒欣然宣佈舉辦展覽「香港融匯」,展出一系列知名藝術家的精彩力作,當中大部分藝術家曾於香港畫廊舉辦過展覽,另外亦有首次在此展出的藝術家。

展覽將展出藝術家的新作及近期作品,包括愛德華‧魯沙(Ed Ruscha)的紙上作品《城鎮之聲》(2020年作),以及安德烈亞斯‧古爾斯基(Andreas Gursky)的大型攝影作品《香港上海滙豐銀行I》(2020年作),回顧他1994年對同一座摩天大樓的呈現。同場展覽還有賽·托姆布雷(Cy Twombly)高深莫測的油畫作品《無題》(1957年作)及白南準的經典雕塑《收音機機器人》(2002年作)等極具歷史重要性的作品。

是次展覽還會呈獻多位藝術家的作品,包括喬治·巴塞利茲(Georg Baselitz)、約翰·柯林(John Currin)、羅伊·埃思里奇(Roe Ethridge)、烏爾斯·菲舍爾(Urs Fischer)、卡塔琳娜·格羅斯(Katharina Grosse)、安德烈亞斯·古爾斯基(Andreas Gursky)、達米恩·赫斯特(Damien Hirst)、石田徹也、亞歷克斯·伊斯雷爾(Alex Israel)、傑夫·昆斯(Jeff Koons)、村上隆、白南準、理查德·普林斯(Richard Prince)、斯特林·魯比(Sterling Ruby)、愛德華·魯沙(Ed Ruscha)、珍妮·薩維爾(Jenny Saville)、魯道夫·斯汀格爾(Rudolf Stingel)、莎拉·施(Sarah Sze)、賽·托姆布雷(Cy Twombly)、瑪麗·韋瑟福德(Mary Weatherford)、喬納斯·伍德(Jonas Wood)及曾梵志。

Anna Weyant’s Two Eileens (2022) on the cover of Gagosian Quarterly, Winter 2022

Now available
Gagosian Quarterly Winter 2022

The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.

Damien Hirst and Ashley Bickerton during an installation at Newport Street Gallery, London, c. 2017

Truth Revealed: Damien Hirst and James Fox on Ashley Bickerton

In conversation with James Fox, Damien Hirst reflects on the artwork of his longtime friend.

Urs Fischer: Denominator

Urs Fischer: Denominator

Urs Fischer sits down with his friend the author and artist Eric Sanders to address the perfect viewer, the effects of marketing, and the limits of human understanding.

Image of Cy Twombly's Treatise on the Veil (Second Version), 1970

Cy Twombly: Imperfect Paradise

Eleonora Di Erasmo, cocurator of Un/veiled: Cy Twombly, Music, Inspirations, a program of concerts, video screenings, and works by Cy Twombly at the Fondazione Nicola Del Roscio, Rome, reflects on the resonances and networks of inspiration between the artist and music. The program was the result of an extensive three-year study, done at the behest of Nicola Del Roscio in the Rome and Gaeta offices of the Cy Twombly Foundation, intended to collect, document, and preserve compositions by musicians around the world who have been inspired by Twombly’s work, or to establish an artistic dialogue with them.

Black and white image of the interior of Cy Twombly’s apartment in Rome

Cy Twombly: Making Past Present

In 2020, the Museum of Fine Arts, Boston, announced their plan for a survey of Cy Twombly’s artwork alongside selections from their permanent ancient Greek and Roman collection. The survey was postponed due to the lockdowns necessitated by the coronavirus pandemic, but was revived in 2022 with a presentation at the J. Paul Getty Museum in Los Angeles from August 2 through October 30. In 2023, the exhibition will arrive at the Museum of Fine Arts, Boston. The curator for the exhibition, Christine Kondoleon, and Kate Nesin, author of Cy Twombly’s Things (2014) and advisor for the show, speak with Gagosian director Mark Francis about the origin of the exhibition and the aesthetic and poetic resonances that give the show its title: Making Past Present.

Jon Huffman and John G. Hanhardt stand in front of Nam June Paik’s “Bakelite Robot”

Nam June Paik: Art in Process: Part One

On the occasion of Nam June Paik: Art in Process: Part One, curator John G. Hanhardt and Nam June Paik Estate curator Jon Huffman discuss the survey of works spanning the artist’s career.