Helen Frankenthaler: Sea Change: A Decade of Paintings, 1974–1983, Gagosian, Rome, March 13–July 19, 2019; artwork © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York; video by Pushpin Films; interviews by Alison McDonald and Lauren Mahony; archival photographs: © Timothy Greenfield-Sanders, all rights reserved; © Inge Morath/Magnum Photos; Cora Kelley Ward; and Edward Youkilis
March 12, 2019
helen frankenthaler: sea changeA Decade of Paintings, 1974–1983
Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Helen and High Water
John Elderfield shares part of his lecture, prepared on the occasion of the exhibition Abstract Climates: Helen Frankenthaler in Provincetown.
Helen Frankenthaler at the Clark Art Institute
Phyllis Tuchman on the critical role of scale in Frankenthaler’s art practice.
John Elderfield and Lauren Mahony discuss Helen Frankenthaler and her work from 1959 to 1962.
Helen Frankenthaler: Line into Color, Color into line
To mark the occasion of the exhibition Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962–1987, the Helen Frankenthaler Foundation and Gagosian produced a video of rare archival footage of Frankenthaler on the subject of line and color.
After Frankenthaler: An Interview with Katy Siegel
Art historian Katy Siegel discusses her recent exhibition at the Rose Art Museum and publication “The heroine Paint”: After Frankenthaler with Gagosian’s Alison McDonald.
John Elderfield and Elizabeth Smith
John Elderfield and Elizabeth Smith discuss the paintings of Helen Frankenthaler on the occasion of Helen Frankenthaler: Composing with Color, Paintings 1962–1963.
Zeng Fanzhi on Cézanne, Morandi, and Sanyu
Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.
For the 16th International Architecture Biennale in Venice, the architectural firm Caruso St John teamed up with artist Marcus Taylor to curate the British Pavilion. Their design, Island, offers a profound adjustment of public space at a moment of profound geopolitical change. James Lawrence considers its implications.
Course of Empire
Ed Ruscha sat down with Tom McCarthy and Elizabeth Kornhauser, curator at the Metropolitan Museum of Art, to discuss the nineteenth-century artist Thomas Cole, whose Course of Empire paintings inspired a series of works by Ruscha more than a century later.
Losing Nothing: Arakawa and Madeline Gins
Mary Ann Caws reflects on the centrality of perception and imagination in Arakawa’s art, from his early diagrammatic paintings to his later architectural investigations with Madeline Gins.
The Art of Biography: John Richardson and Jed Perl
Picasso biographer Sir John Richardson sits down with Calder biographer Jed Perl to discuss the dynamism of these two artistic geniuses, the inadequacies of fixed methodologies, and the importance of keeping a fresh perspective.