Francis Bacon: Couplings, Gagosian, Grosvenor Hill, London, June 6–August 3, 2019; all artwork and archival material © The Estate of Francis Bacon. All rights reserved, DACS 2019; photos: John Deakin (02:43, 02:50), Perry Ogden (04:41), and Peter Stark (02:09); all other archival material: courtesy Hugh Lane Gallery, Dublin; video: Emma Charles, Miriam Perez, and PerryDuke
September 18, 2019
Francis Bacon: Couplings
Richard Calvocoressi provides an in-depth view of the exhibition Francis Bacon: Couplings at Gagosian, London, examining a theme that preoccupied the artist throughout his career: the relationship between two people, both physical and psychological.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Damien Hirst: Visual Candy
James Fox considers the origins of Damien Hirst’s Visual Candy paintings on the occasion of a recent exhibition of these early works in Hong Kong.
Multiplo–Diverso–Plural: Museu de Arte de São Paulo
Louise Neri speaks with Adriano Pedrosa, artistic director of the Museu de Arte de São Paulo (MASP), about the history of this unique Brazilian museum and his vision for its future.
Georg Baselitz: Life, Love, Death
Richard Calvocoressi writes on the painter’s latest bodies of work, detailing the techniques employed and their historical precedents.
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.
On the occasion of a career-spanning exhibition at the Gallerie dell’Accademia, Venice, Richard Calvocoressi tracks the evolution of Georg Baselitz’s development from his early education in East Germany to his revelatory trip to Florence, in 1965, and beyond.
Christopher Wool: Part One
Christopher Wool and his unlikely heroes or conceptual or not? Text by Richard Hell.
Discovering Dora Maar
Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.
The Studio Museum in Harlem
Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.
Veil and Vault
An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.
Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.
Cows by the Water
At the Palazzo Grassi, Venice, a career-spanning exhibition of paintings by Albert Oehlen, entitled Cows by the Water, went on view in the spring of 2018. Caroline Bourgeois, the curator of the exhibition, discusses how the show was organized around the artist’s relationship to music.