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Now available
Gagosian Quarterly Summer 2024
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
To bring on the festive season, Gagosian will present a pop-up exhibition of catalogues, posters, prints, and limited editions by gallery artists including John Currin, Ellen Gallagher, Douglas Gordon, Damien Hirst, Jeff Koons, Yayoi Kusama, Roy Lichtenstein, Takashi Murakami, Richard Prince, Anselm Reyle, Ed Ruscha, Andy Warhol, and Franz West. This exhibition presents a selection of the works available for sale at the permanent Gagosian Shop in New York, which opened in 2009.
In addition to the scholarly monographs, innovative catalogues, and limited editions of Gagosian’s unparalleled publishing program, Gagosian Pop-Up! will feature exclusive limited-edition furniture and design objects—from Jeff Koons’s Puppy vase and Franz West’s Uncle Chairs to striking posters from gallery exhibitions including Crash and Pop Art Is… Limited-edition artist’s books include Ed Ruscha’s illustrated version of Jack Kerouac’s historic novel On the Road, a special edition of Gregory Crewdson’s most recent photographic reverie Sanctuary, and Richard Prince’s Bettie Kline, a surprising visual dialogue between the model Bettie Page and the painter Franz Kline. In addition, etchings and lithographs by John Currin, Dexter Dalwood, Jenny Saville, and others will be available.
A special feature of Gagosian Pop-Up! in London will be the presence of Other Criteria—the London-based publisher of artist editions, books, multiples, and artist-designed merchandise, launched in 2005 by Damien Hirst, Hugh Allan, and Frank Dunphy. Available works by Hirst include editioned prints of the Spot, Pill, and Butterfly paintings, and a series of deck chairs designed by Hirst in an assortment of punchy colors featuring the “stained-glass” butterfly motif from the Superstition series.
On Saturday, December 11, 2010, from 2 to 4pm, Turner Prize nominee Dexter Dalwood will be signing copies of his new monograph published by JRP Ringier.
The Summer 2024 issue of Gagosian Quarterly is now available, featuring a detail of Roy Lichtenstein’s Bauhaus Stairway Mural (1989) on the cover.
On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.
In conjunction with Franz West: Papier, the gallery’s presentation of paper-based works by Franz West at Frieze Masters 2023, artist Oscar Murillo and arts writer, critic, and broadcaster Ben Luke sit down to discuss Murillo’s collaboration in selecting the works on view, as well as his personal experiences meeting the late artist in London.
In celebration of the centenary of Roy Lichtenstein’s birth, Irving Blum and Dorothy Lichtenstein sat down to discuss the artist’s life and legacy, and the exhibition Lichtenstein Remembered curated by Blum at Gagosian, New York.
Douglas Gordon took over the Piccadilly Lights advertising screen in London’s Piccadilly Circus, as well as a global network of screens in cities including Berlin, Melbourne, Milan, New York, and Seoul, nightly for three minutes at 20:22 (8:22pm) throughout December 2022, with his new film, if when why what (2018–22). The project was presented by the Cultural Institute of Radical Contemporary Art (CIRCA) in conjunction with the exhibition Douglas Gordon: Neon Ark at Gagosian, Davies Street, London.
Gagosian and the Art Students League of New York hosted a conversation on Roy Lichtenstein with Daniel Belasco, executive director of the Al Held Foundation, and Scott Rothkopf, senior deputy director and chief curator of the Whitney Museum of American Art, New York. Organized in celebration of the centenary of the artist’s birth and moderated by Alison McDonald, chief creative officer at Gagosian, the discussion highlights multiple perspectives on Lichtenstein’s decades-long career, during which he helped originate the Pop art movement. The talk coincides with Lichtenstein Remembered, curated by Irving Blum and on view at Gagosian, New York, through October 21.
Writers and curators Dodie Kazanjian and Alison Gingeras spoke with the Quarterly’s Alison McDonald about the arts organization Art&Newport and the possibilities the historic Rhode Island town offers contemporary artists. Their current exhibition, Games, Gamblers & Cartomancers: The New Cardsharps, on view through October 1, 2023, examines the varied custom of card play and includes artists such as John Currin, Hadi Falapishi, and Katie Stout.
Actor and art collector Steve Martin reflects on the friendship and professional partnership between Roy Lichtenstein and art dealer Irving Blum.
Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
In this video, Jessica Beck, director at Gagosian, Beverly Hills, sits down to discuss the three early paintings by Andy Warhol from 1963 featured in the exhibition Andy Warhol: Silver Screen, at Gagosian in Paris.
Gagosian hosted a conversation between Jenny Saville and Martin Gayford, art critic and author, in conjunction with the exhibition Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews at Gagosian, Grosvenor Hill, London. Gayford also spoke with the artist about her works in the exhibition Jenny Saville: Latent at Gagosian, rue de Castiglione, Paris.
In this video, Jenny Saville describes the evolution of her practice inside her latest exhibition, Latent, at Gagosian, Paris. She addresses the genesis of the title and reflects on the anatomy of a painting.
In conversation with James Fox, Damien Hirst reflects on the artwork of his longtime friend.
Gillian Pistell writes on the loaded symbol of the American flag in the work of postwar and contemporary artists.
Bridging the digital and the physical realms, the three-part presentation of paintings and sculptures that make up Takashi Murakami: An Arrow through History at Gagosian, New York, builds on the ongoing collaboration between the artist and RTFKT Studios. Here, Murakami and the RTFKT team explain the collaborative process, the necessity of cognitive revolution, the metaverse, and the future of art to the Quarterly’s Wyatt Allgeier.
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.
An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.
Natasha Stagg reports on a trip to John Currin’s New York studio.
The Fall 2021 issue of Gagosian Quarterly is now available, featuring Damien Hirst’s Reclining Woman (2011) on its cover.