Menu

Meet Me Inside

January 15–February 24, 2010
Beverly Hills

Installation view Photo: Josh White

Installation view

Photo: Josh White

Installation view Photo: Josh White

Installation view

Photo: Josh White

Installation view Photo: Josh White

Installation view

Photo: Josh White

Installation view Photo: Josh White

Installation view

Photo: Josh White

Installation view Photo: Josh White

Installation view

Photo: Josh White

Installation view Photo: Josh White

Installation view

Photo: Josh White

Installation video Play Button

Installation video

Works Exhibited

Roe Ethridge, Sun with Refracted Suns, 2008 Chromogenic print, 57 × 42 inches (144.8 × 106.7 cm), edition of 5© Roe Ethridge

Roe Ethridge, Sun with Refracted Suns, 2008

Chromogenic print, 57 × 42 inches (144.8 × 106.7 cm), edition of 5
© Roe Ethridge

Faile, Waiting for the End, 2009 Acrylic and silkscreen on wood in a steel frame, 42 ½ × 64 ½ × 2 ½ inches (108 × 164 × 6 cm)

Faile, Waiting for the End, 2009

Acrylic and silkscreen on wood in a steel frame, 42 ½ × 64 ½ × 2 ½ inches (108 × 164 × 6 cm)

Mike Kelley, Extracurricular Activity Projective Reconstruction #20 (Lonely Vampire), 2005 Piezo print on rag paper and chromogenic print, each image: 30 × 25 ½ inches (76.2 × 64.8 cm), edition of 5

Mike Kelley, Extracurricular Activity Projective Reconstruction #20 (Lonely Vampire), 2005

Piezo print on rag paper and chromogenic print, each image: 30 × 25 ½ inches (76.2 × 64.8 cm), edition of 5

Monica Majoli, Diptych: Black Mirror (1) / Black Mirror (Kate), 2009 1: acrylic, acrylic ink, and gouache on paper, 24 × 30 inches (61 × 76.2 cm); Kate: oil on panel, 16 × 20 inches (40.6 × 50.8 cm)Photo: Josh White

Monica Majoli, Diptych: Black Mirror (1) / Black Mirror (Kate), 2009

1: acrylic, acrylic ink, and gouache on paper, 24 × 30 inches (61 × 76.2 cm); Kate: oil on panel, 16 × 20 inches (40.6 × 50.8 cm)
Photo: Josh White

Adam McEwen, Switch, 2009 Graphite light fixtures, in 5 parts, each: 4 × 72 × 4 ½ inches (10.2 × 182.9 × 11.4 cm), edition of 5Photo: Josh White

Adam McEwen, Switch, 2009

Graphite light fixtures, in 5 parts, each: 4 × 72 × 4 ½ inches (10.2 × 182.9 × 11.4 cm), edition of 5
Photo: Josh White

Enoc Perez, Bacardi, 2009 Oil on canvas, 60 × 42 inches (152.4 × 106.7 cm)

Enoc Perez, Bacardi, 2009

Oil on canvas, 60 × 42 inches (152.4 × 106.7 cm)

Seth Price, Untitled, 2009 V-cured inkjet on high-impact polystyrene vacuum-formed over rope, 94 × 48 inches (243.8 × 121.9 cm)

Seth Price, Untitled, 2009

V-cured inkjet on high-impact polystyrene vacuum-formed over rope, 94 × 48 inches (243.8 × 121.9 cm)

Rob Reynolds, Untitled (Photo of Empire Burning #2), 2009 Oil, alkyd, and acrylic on canvas and wood support, 60 × 72 inches (152.4 × 182.9 cm)

Rob Reynolds, Untitled (Photo of Empire Burning #2), 2009

Oil, alkyd, and acrylic on canvas and wood support, 60 × 72 inches (152.4 × 182.9 cm)

RT Studio, No Title (desk), 2009 White and dark redwood, 32 × 54 × 22 inches (81.3 × 137.2 × 55.9 cm), 1 of 5 unique versions© RT Studio

RT Studio, No Title (desk), 2009

White and dark redwood, 32 × 54 × 22 inches (81.3 × 137.2 × 55.9 cm), 1 of 5 unique versions
© RT Studio

Ed Ruscha, Lights Out, 2008 Acrylic on canvas, 42 × 60 inches (106.7 × 152.4 cm)© Ed Ruscha

Ed Ruscha, Lights Out, 2008

Acrylic on canvas, 42 × 60 inches (106.7 × 152.4 cm)
© Ed Ruscha

Tom Sachs, Salt the Fries, 2005–09 Plywood, synthetic polymer, hardware, wires, friers, lighting system, fridges, casters, plexiglass, steel, and wood barriers, 100 × 70 × 48 inches (254 × 177.8 × 121.9 cm)Photo: Josh White

Tom Sachs, Salt the Fries, 2005–09

Plywood, synthetic polymer, hardware, wires, friers, lighting system, fridges, casters, plexiglass, steel, and wood barriers, 100 × 70 × 48 inches (254 × 177.8 × 121.9 cm)
Photo: Josh White

Taryn Simon, The Blaster, South Africa, Invented by Charl Fourie as an Anti-Hijacking system photographed installed on a Toyota Corolla, one of the most frequently carjacked vehicles in South Africa., 2009 Chromogenic print, 34 × 44 ¾ inches (86.4 × 113.7 cm), edition of 7© Taryn Simon

Taryn Simon, The Blaster, South Africa, Invented by Charl Fourie as an Anti-Hijacking system photographed installed on a Toyota Corolla, one of the most frequently carjacked vehicles in South Africa., 2009

Chromogenic print, 34 × 44 ¾ inches (86.4 × 113.7 cm), edition of 7
© Taryn Simon

Taryn Simon, Black Square, Artificial Heart, 2009 Chromogenic print, 31 ½ × 31 ½ inches (80 × 80 cm), edition of 5© Taryn Simon

Taryn Simon, Black Square, Artificial Heart, 2009

Chromogenic print, 31 ½ × 31 ½ inches (80 × 80 cm), edition of 5
© Taryn Simon

Piotr Uklański, Untitled (Cockatrice), 2009 Jute, linen, sisal, and aluminum, 59 ½ × 50 ½ × 25 ¼ inches (151 × 128 × 64 cm)

Piotr Uklański, Untitled (Cockatrice), 2009

Jute, linen, sisal, and aluminum, 59 ½ × 50 ½ × 25 ¼ inches (151 × 128 × 64 cm)

Andy Warhol, Diamond Dust Shadow, c. 1979 Polymer paint and diamond dust on canvas, 76 × 52 inches (193 × 127 cm)© The Andy Warhol Foundation for the Visual Arts, Inc.

Andy Warhol, Diamond Dust Shadow, c. 1979

Polymer paint and diamond dust on canvas, 76 × 52 inches (193 × 127 cm)
© The Andy Warhol Foundation for the Visual Arts, Inc.

About

Gagosian is pleased to present Meet Me Inside.

Artists include: Uta Barth, Larry Bell, Roe Ethridge, FAILE, Jacob Kassay, Mike Kelley, Monica Majoli, Adam McEwen, Allison Miller, Kori Newkirk, Enoc Perez, Seth Price, Rob Reynolds, Ed Ruscha, Tom Sachs, Taryn Simon, Robert Therrien, Piotr Uklański, Kara Walker, Andy Warhol

Roe Ethridge, Oslo Grace at Willets Point, 2019, dye sublimation print on aluminum.

In Conversation
Roe Ethridge and Antwaun Sargent

From his early work for magazines in the 1990s to recent projects with the designer Telfar Clemens, Roe Ethridge has consistently challenged the distinctions between commercial and conceptual photography that long defined the medium. Antwaun Sargent recently caught up with him to discuss the moment that confirmed the artist’s understanding of the photographic image’s potential for boundary-hopping ubiquity in the contemporary era.

Twelve Tracks: Roe Ethridge

Shortlist
Twelve Tracks: Roe Ethridge

Roe Ethridge shares the transportive powers of his playlist “Teenage Chemicals in 1985,” a soundtrack that began playing in those formative years and hasn’t stopped since.

Photograph of pink satin bow by Roe Ethridge

Roe Ethridge

During a conversation with David Rimanelli, Roe Ethridge reflected on photographs that he made during the late 1990s and early 2000s after moving to New York. They spoke as Ethridge was preparing for his exhibition Old Fruit.

Robert Therrien: The Causal Link to the (Un)Real

Robert Therrien: The Causal Link to the (Un)Real

In honor of the extraordinary life of Robert Therrien (1947–2019), Aimee Gabbard writes about her time with the artist and explores his lifelong interest in photography.

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Diana Widmaier-Picasso standing in front of a bookcase

Picasso and Maya: An Interview with Diana Widmaier-Picasso

Diana Widmaier-Picasso curated a presentation at Gagosian, Paris, to celebrate the publication of Picasso and Maya: Father and Daughter at the end of 2019. This comprehensive reference publication explores the figure of Maya Ruiz-Picasso, Pablo Picasso’s beloved eldest daughter, throughout Picasso’s work and chronicles the loving relationship between the artist and his daughter. In this video, Widmaier-Picasso details her ongoing interest in the subject and reflects on the process of making the book.