Installation view
Photo: Josh White
Installation view
Photo: Josh White
Installation view
Photo: Josh White
Installation view
Photo: Josh White
Installation view
Photo: Josh White
Installation view
Photo: Josh White
Installation view
Photo: Josh White
Installation view
Photo: Benjamin Lee Ritchie Handler
Ed Ruscha
Goods and Services, 2014
Acrylic on canvas, 26 × 48 inches (66 × 122 cm)
© Ed Ruscha. Photo: Paul Ruscha
Mark Grotjahn
Untitled (Into and Behind the Green Eyes of the Tiger Monkey Face 43.18), 2011
Oil on cardboard mounted on linen, 48 ⅛ × 37 ⅛ inches (122.2 × 94.1 cm)
© Mark Grotjahn
Gagosian Beverly Hills is pleased to present a public preview of more than twenty works donated by leading contemporary artists in support of the Museum of Contemporary Art, Los Angeles (MOCA). The works will be offered during the spring auctions of Contemporary Art at Sotheby’s New York on May 12 and 13, 2015.
The preview includes works by Mark Grotjahn, Barbara Kruger, Takashi Murakami, Ed Ruscha, Richard Serra, and several other artists with strong ties to MOCA. These selections from a group of approximately thirty-five paintings, sculptures, photographs, and works on paper will be offered at the Sotheby’s Evening and Day Sales of Contemporary Art to benefit MOCA’s endowment.
Artists in exhibition: John Baldessari, Walead Beshty, Mark Bradford, Dan Colen, Sam Durant, Shepard Fairey, Mark Grotjahn, Elliott Hundley, Barbara Kruger, Friedrich Kunath, Liz Larner, Nate Lowman, Florian Maier-Aichen, Takashi Murakami, Catherine Opie, Lari Pittman, Sterling Ruby, Ed Ruscha, Richard Serra, Rudolf Stingel, James Welling, and Jonas Wood
Following a recent visit to Jonas Wood’s Los Angeles studio, Justin Beal thinks through the artist’s paintings of tennis courts—the subject of an exhibition at Gagosian, Beverly Hills—examining their relation to the game, color theory, and the rewards of practice.
In this video, musical ensemble Sō Percussion performs Steve Reich’s “Music for Pieces of Wood” inside the exhibition Richard Serra: Running Arcs (For John Cage), 1992, at Gagosian, New York.
Thomas Demand looks at Rudolf Stingel’s Vineyard Paintings.
In conjunction with the exhibition Japanese Art History à la Takashi Murakami at Gagosian, London, Takashi Murakami and Hans Ulrich Obrist, curator and artistic director of Serpentine, London, sit down to discuss the artist’s exploration and contemporizing of ancient Japanese artworks and movements. The two delve into Murakami’s investigation of Iwasa Matabei’s seventeenth-century masterwork Rakuchū-Rakugai-zu (Scenes in and around Kyoto) and the Kyoto-based style of Rinpa painting, among other examples.
Ed Schad, curator and publications manager at the Broad, Los Angeles, examines Takashi Murakami’s prolonged engagement with the practice and concept of the copy. An exhibition of new paintings by the artist, Japanese Art History à la Takashi Murakami, opened at Gagosian, London, on December 10, 2024; Schad reflects on Murakami’s recent works in the wake of his visit to the artist’s 2024 exhibition at Kyoto City Kyocera Museum of Art.
Jessica Beck surveys the career of Rudolf Stingel, noting his sustained engagements with painting, environment, and memory.
Eli Diner visits Jonas Wood in his Los Angeles studio as the artist prepares for an exhibition of new paintings in London.
The Spring 2023 issue of Gagosian Quarterly is now available, featuring Roe Ethridge’s Two Kittens with Yarn Ball (2017–22) on its cover.
In this interview, curator and artist K.O. Nnamdie speaks with artist Dan Colen about his recent show in New York: Lover, Lover, Lover. Colen delves into the concept of “home” as it relates to his work, specifically the Mother and Woodworker series. Thinking through the political and historical implications of “homeland” in the context of the artist’s relationship with Israel and America, the two consider the intersections between these paintings—the final group of his Disney-inspired canvases—and Colen’s work with Sky High Farm, New York.
Ester Coen meditates on the dynamism of Sterling Ruby’s recent projects, tracing parallels between these works and the histories of Futurism, Constructivism, and the avant-garde.
Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.
In this video, Deana Haggag, program officer, Arts and Culture at Mellon Foundation; Dan Colen, artist and founder of Sky High Farm; Linda Goode Bryant, artist and founder of Project EATS; and Diya Vij, curator at Creative Time sit down together to explore the roles of artist and audience, place and accessibility, legacy, capital influence, and individual vs. collective agency as they relate to artmaking today.
In this video, Thelma Golden, chief curator and director of the Studio Museum in Harlem; Tremaine Emory, founder of Denim Tears and creative director of Supreme; Father Mike Lopez, founder of the Hungry Monk Rescue Truck; and artist Anicka Yi sit down to explore how the concept of community has shaped their work, and the power in seeing the places we live, our histories, and even our bodies as porous, interdependent, and alive.
In this video, Veronica Davidov, visual and environmental anthropologist; Karen Washington, activist, farmer and co-founder of Black Urban Growers (BUGS) and co-owner of Rise & Root Farm; Candice Hopkins, curator, writer and executive director of Forge Project; and Haley Mellin, artist, conservationist and founder of Art to Acres sit down to explore the tensions and overlaps between different efforts to define, use, and protect land.
Violinist Alina Ibragimova performs Bach’s Sonata for Solo Violin No. 1 in G Major: Adagio (BWV 1001, c. 1720) from within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies, a nonprofit organization that commissions artists to produce site-specific projects and present performances, in collaboration with Gagosian, this recorded performance took place on May 8, 2022 before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).
Cellist Mario Brunello performs Bach’s Cello Suite No. 1 in G Major: Prelude (BWV 1007, c. 1717–23) within Richard Serra’s sculpture Transmitter (2020) at Gagosian, Le Bourget. Organized by Bold Tendencies—a nonprofit that commissions artists to produce site-specific projects and present performances—in collaboration with Gagosian, this recorded performance took place on May 8, 2022, before a live concert of Olivier Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time, 1941).
Gillian Pistell writes on the loaded symbol of the American flag in the work of postwar and contemporary artists.
Bridging the digital and the physical realms, the three-part presentation of paintings and sculptures that make up Takashi Murakami: An Arrow through History at Gagosian, New York, builds on the ongoing collaboration between the artist and RTFKT Studios. Here, Murakami and the RTFKT team explain the collaborative process, the necessity of cognitive revolution, the metaverse, and the future of art to the Quarterly’s Wyatt Allgeier.
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
