Menu

Gagosian Quarterly

October 4, 2016

helen frankenthalerline into color, color into line

Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962–1987, currently on view at Gagosian Beverly Hills, comprises eighteen canvases by Frankenthaler from a twenty-five year time span, selected to reveal how the renowned abstract painter articulated the relationship between drawing and color during this period. To mark the occasion, Gagosian and the Helen Frankenthaler Foundation are pleased to bring you this video of rare archive footage of Frankenthaler on the subject of line and color.

Video © Gagosian. Film credits: Helen Frankenthaler, interviewed by Nancy Miller, Frankenthaler’s East 83rd Street studio, New York, 1977. Courtesy Albright-Knox Art Gallery. Videographer: Chris Crossman; Helen Frankenthaler speaking at Hunter College, April 28, 1965. Courtesy Helen Frankenthaler Foundation Archives, New York; Helen Frankenthaler speaking at Duke University, November 2, 1983. Courtesy Helen Frankenthaler Foundation Archives, New York; Frankenthaler in her East 83rd Street studio working on Rapunzel (1974), April 1974. Photo: Edward Youkilis. Courtesy Helen Frankenthaler Foundation Archives, New York; Special thanks to the Helen Frankenthaler Foundation, New York, especially Elizabeth Smith and Sarah Haug; All artwork by Helen Frankenthaler © 2016 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. All words by Helen Frankenthaler © 2016 Helen Frankenthaler Foundation, Inc.

Frankenthaler

Frankenthaler

John Elderfield and Lauren Mahony discuss Helen Frankenthaler and her work from 1959 to 1962.

John Elderfield and Elizabeth Smith

John Elderfield and Elizabeth Smith

John Elderfield and Elizabeth Smith discuss the paintings of Helen Frankenthaler on the occasion of Helen Frankenthaler: Composing with Color, Paintings 1962–1963.

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Helen Frankenthaler in gondola with various friends, Venice, June 1966

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992

Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.

Helen Frankenthaler: Sea Change

Helen Frankenthaler: Sea Change

Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.

Helen and High Water

Helen and High Water

John Elderfield shares part of his lecture, prepared on the occasion of the exhibition Abstract Climates: Helen Frankenthaler in Provincetown. 

Helen Frankenthaler at the Clark Art Institute

Helen Frankenthaler at the Clark Art Institute

Phyllis Tuchman on the critical role of scale in Frankenthaler’s art practice.

After Frankenthaler: An Interview with Katy Siegel

After Frankenthaler: An Interview with Katy Siegel

Art historian Katy Siegel discusses her recent exhibition at the Rose Art Museum and publication “The heroine Paint”: After Frankenthaler with Gagosian’s Alison McDonald.

Rachel Feinstein working at the Porzellan Manufaktur Nymphenburg, Munich, 2019.

Rachel Feinstein at Chatsworth

A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.

Left: Sally Mann, Self-Portrait, 1974; right: Jenny Saville in her studio, c. 1990s.

Sally Mann and Jenny Saville

The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Glenstone Museum.

Intimate Grandeur: Glenstone Museum

Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.