Video © Gagosian. Film credits: Helen Frankenthaler, interviewed by Nancy Miller, Frankenthaler’s East 83rd Street studio, New York, 1977. Courtesy Albright-Knox Art Gallery. Videographer: Chris Crossman; Helen Frankenthaler speaking at Hunter College, April 28, 1965. Courtesy Helen Frankenthaler Foundation Archives, New York; Helen Frankenthaler speaking at Duke University, November 2, 1983. Courtesy Helen Frankenthaler Foundation Archives, New York; Frankenthaler in her East 83rd Street studio working on Rapunzel (1974), April 1974. Photo: Edward Youkilis. Courtesy Helen Frankenthaler Foundation Archives, New York; Special thanks to the Helen Frankenthaler Foundation, New York, especially Elizabeth Smith and Sarah Haug; All artwork by Helen Frankenthaler © 2016 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. All words by Helen Frankenthaler © 2016 Helen Frankenthaler Foundation, Inc.
October 4, 2016
helen frankenthalerline into color, color into line
Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962–1987, currently on view at Gagosian Beverly Hills, comprises eighteen canvases by Frankenthaler from a twenty-five year time span, selected to reveal how the renowned abstract painter articulated the relationship between drawing and color during this period. To mark the occasion, Gagosian and the Helen Frankenthaler Foundation are pleased to bring you this video of rare archive footage of Frankenthaler on the subject of line and color.
John Elderfield and Lauren Mahony discuss Helen Frankenthaler and her work from 1959 to 1962.
John Elderfield and Elizabeth Smith
John Elderfield and Elizabeth Smith discuss the paintings of Helen Frankenthaler on the occasion of Helen Frankenthaler: Composing with Color, Paintings 1962–1963.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Helen Frankenthaler: Sea Change
Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.
Helen and High Water
John Elderfield shares part of his lecture, prepared on the occasion of the exhibition Abstract Climates: Helen Frankenthaler in Provincetown.
Helen Frankenthaler at the Clark Art Institute
Phyllis Tuchman on the critical role of scale in Frankenthaler’s art practice.
After Frankenthaler: An Interview with Katy Siegel
Art historian Katy Siegel discusses her recent exhibition at the Rose Art Museum and publication “The heroine Paint”: After Frankenthaler with Gagosian’s Alison McDonald.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.