Studio Visits, Page 2 of 3
In the Studio: Damien Hirst’s Veil Paintings
Damien Hirst speaks about his Veil paintings with Gagosian’s Alison McDonald. “I wanted to make paintings that were a celebration,” he says, “and that revealed something and obscured something at the same time.”
Rudolf Polanszky: Reconstructions
Gagosian director Ealan Wingate describes his first visit to Rudolf Polansky’s studio outside Vienna and discusses the development of the artist’s practice—from his early works informed by the legacy of the Viennese Actionists to the Reconstructions, an ongoing body of assemblage-type wall works and sculptures.
Titus Kaphar: In the Studio
Jacoba Urist reports on a recent trip to the artist’s studio in New Haven, Connecticut, to see his new body of work, From a Tropical Space (2019–). She writes on the emotional and sensory impact of these paintings and considers their singular place in Titus Kaphar’s oeuvre.
Now available
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Baselitz
Morgan Falconer visits the artist’s studio outside Munich to learn more about his newest paintings, a series entitled Devotion.
Work in Progress
Mary Weatherford
We visit the artist’s California studio as she prepares for her exhibition I’ve Seen Gray Whales Go By. She speaks with Jennifer Peterson about her new paintings, her studio process, and the artists who have inspired her.
Work in Progress
Dan Colen
We visit the artist’s studio in Brooklyn, New York, to get a behind-the-scenes glimpse of his new series of Desert paintings while he prepares for an upcoming exhibition in Beverly Hills. Text by Ben Eastham.
Work in Progress
Nancy Rubins
In the summer of 2017, Laura Fried took a trip to Nancy Rubins’s awe-inspiring studio in Topanga Canyon, CA. In this essay, she recounts her visit, detailing Rubins’s latest sculptures and the history of the studio.
At the Studio with Paul Noble
This video features interview footage alongside documentation of the artist’s intensive process, serving as a faithful chronicle of Noble’s latest efforts.