Art Fair
Art Basel Hong Kong 2022
May 27–29, 2022, booth 1C15
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is pleased to participate in Art Basel Hong Kong 2022 with an ensemble of contemporary works by international artists.
Gagosian’s presentation will include Zeng Fanzhi’s expansive new painting, Untitled (2022). In Zeng’s canvases, allover linear networks generate dynamic rhythms and feature luminous chromatic shifts. Untitled represents a culmination of twenty years of investigating the expressive potentials of abstraction, in works ranging from landscapes to compositions with intertwined foliage, figures, and animals, to purely nonrepresentational explorations of painterly form.
Leneh (2020), from Georg Baselitz’s Springtime series (2020–21), features the motif of the inverted figure that the painter has explored over the past five decades and juxtaposes broad, flowing brushstrokes in bright, vernal colors with the direct imprint of a pair of nylon stockings. The title is an anagram of “Helen”—a reference to Helen Frankenthaler. Another painting that simultaneously represents and obscures the female figure is Ewa Juszkiewicz’s Lace Leaves (2022). Emulating the modes of historical European portraiture while subverting genre conventions, Juszkiewicz hides the faces of her subjects behind drapery or flowers. Here, the sitter’s face is replaced by anemone and anthurium (laceleaf) flowers and leaves.
Tetsuya Ishida’s haunting painting The Visitor (1999) pictures the head of a bearded man merged with a nautilus shell within the confined space of a door’s threshold. Realized in fine illustrative detail, its amalgamation of human and animal forms conveys the artist’s visionary imagination while reflecting the anxieties of his generation. Takashi Murakami’s Korpokkur in the Forest (2019) is titled after an ancient race of small people in the folklore of the Ainu of Japan’s northern islands. The painting’s profusion of colorful, smiling flowers is rendered in Murakami’s Superflat style, which is inspired by both manga and fine-art traditions.
The gallery’s presentation will also feature works by artists including Louise Bonnet, Edmund de Waal, Urs Fischer, Katharina Grosse, Mark Grotjahn, Jennifer Guidi, Simon Hantaï, Hao Liang, Damien Hirst, Thomas Houseago, Alex Israel, Rick Lowe, Albert Oehlen, Nam June Paik, Giuseppe Penone, Rudolf Polanszky, Sterling Ruby, Ed Ruscha, Jenny Saville, Jim Shaw, Rudolf Stingel, Spencer Sweeney, and Rachel Whiteread.
To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com.
To attend the fair, purchase tickets at artbasel.com.
#ArtBaselHongKong2022
Related News
Book Fair
NY Art Book Fair 2024
April 25–28, 2024, booth B5
548 West 22nd Street, New York
printedmatterartbookfairs.org
Gagosian is celebrating the thirtieth issue of Gagosian Quarterly at Printed Matter’s NY Art Book Fair 2024. The Summer 2024 issue—on newsstands May 3—will debut, with Roy Lichtenstein on the magazine’s newly redesigned cover and a music-themed stand-alone supplement, among other editorial features. For the occasion, copies of the past four issues of the magazine will be free with any purchase, and all Gagosian publications on display will be available for $10 each, including exhibition catalogues, monographs, and artist’s books.
Gagosian publications. Photo: Mauricio Zelaya
Art Fair
Frieze New York 2024
Sterling Ruby
May 2–5, 2024, booth B06
The Shed, New York
frieze.com
Gagosian is presenting new works by Sterling Ruby at Frieze New York 2024, including four paintings from the TURBINE series (2021–) and a selection of collages from the DRFTRS series (2012–). Incorporating the same materials and namesake mechanism as Ruby’s WIDW paintings (2016–), but also suggesting hurricanes and explosions, fire and conflict, the TURBINE paintings evoke speed and self-destruction, alluding to the Futurists and Russian Constructivism. Ruby again employs formal relationships in response to contemporary problems, pairing them with diverse cultural and historical references. In the DRFTRS series of works on paper, Ruby layers and formally arranges microcosmic and macrocosmic imagery, collaging photographs of spores and plants, particles and stars onto surfaces washed with paint.
Sterling Ruby, TURBINE. LITANY OF HAWKS., 2024 © Sterling Ruby
Art Fair
Art Basel Hong Kong 2024
March 27–30, 2024
Hong Kong Convention and Exhibition Centre
www.artbasel.com
Gagosian is participating in Art Basel Hong Kong 2024 with a selection of works by international contemporary artists. The works on view, which embrace a dizzying variety of subjects and approaches, see the participating artists identify fresh ways to disrupt established histories of abstraction and figuration, and instill sculptural and painterly representations of the natural world with complex cultural significance.
Sarah Sze, Turning and Turning, 2024 © Sarah Sze. Photo: Maris Hutchinson
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Sofia Coppola: Archive
MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.
Prosperity’s Long Song #1: At Lights-Out Hour
We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.
Mount Fuji in Satyajit Ray’s Woodblock Art, Part II
In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.
Adaptability
Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.
Not Running, Just Going
Robert M. Rubin’s Vanishing Point Forever (RideWithBob/Film Desk Books, 2024) explores the production, reception, and lasting influence of Richard Sarafian’s 1971 film. In this excerpt, Rubin discusses the pseudonymous screenwriter Guillermo Cain (Guillermo Cabrera Infante), the famous Kowalski car, and how a nude hippie biker chick became the Lady Godiva of the internal combustion engine.
On Frederick Wiseman
Carlos Valladares writes on the life and work of the legendary American filmmaker and documentarian.
You Don’t Buy Poetry at the Airport: John Klacsmann and Raymond Foye
Since 2012, John Klacsmann has held the role of archivist at Anthology Film Archives, where he oversees the preservation and restoration of experimental films. Here he speaks with Raymond Foye about the technical necessities, the threats to the craft, and the soul of analogue film.
Whit Stillman
In celebration of the monograph Whit Stillman: Not So Long Ago (Fireflies Press, 2023), Carlos Valladares chats with the filmmaker about his early life and influences.
Lisa Lyon
Fiona Duncan pays homage to the unprecedented, and underappreciated, life and work of Lisa Lyon.
Game Changer: Alexey Brodovitch
Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.