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Gagosian Quarterly

March 8, 2019

Behind the Art

theaster gates: slate wall drawing

Theaster Gates’s exhibition Amalgam at the Palais de Tokyo, Paris, features some of the artist’s slate wall drawings. Watch as Gates creates one of these works in this time-lapse video, featuring music by Theaster Gates and the Black Monks. The drawing forms an improvised timeline that brings together divergent colonial histories, juxtaposing the local history of Malaga Island in Maine with broader networks across Europe, Africa, and the United States. Punctuated by key moments from the history of anti-miscegenation laws in the US, Gates’s diagrams allow multiple narratives to resonate across time and space.

Theaster Gates: Amalgam, Palais de Tokyo, Paris, February 20–May 12, 2019; artwork © Theaster Gates; music © Theaster Gates and the Black Monks, 2019; video: PMG Productions

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

(RED) Auction 2018

(RED) Auction 2018

Theaster Gates and Sir David Adjaye join Bono to spearhead (RED)’s third auction of contemporary art and design, raising funds for the global fight against AIDS. As Gagosian prepares the preview exhibition, Gillian Pistell looks at the urgency of this vital cause.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Installation view of Jeff Wall exhibition at Gagosian, New York

Jeff Wall: The Space of Photography

Jeff Wall leads a tour through his most recent exhibition in New York.

Richard Prince, Untitled, 2016–18.

Richard Prince

Text by Richard Hell.

Marc Newson, London, 2018.

In Conversation
Marc Newson and Derek Blasberg

Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.

Andy Warhol: Everything Is Good

Andy Warhol: Everything Is Good

Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.

Nina Simone at the Globe Jazz festival at Symphony Hall, March 20, 1987.

Nina Simone, Our National Treasure

Giuseppe Penone, Leaves of Light – Tree, 2016, installed at the Louvre Abu Dhabi.

Rain of Light

One year after the opening of the Louvre Abu Dhabi, Jean Nouvel and Giuseppe Penone sat down with Gagosian’s Pepi Marchetti Franchi, Alain Fleischer, and Hala Wardé to reflect on how the museum and Penone’s commissioned artworks for the space came to be.

Anselm Kiefer, Maginot, 1977–93.

Veil and Vault

An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.

View of the south front of Kenwood House.

Kenwood House

Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.

Y.Z. Kami, Gold Dome, 2017, gold leaf on linen, 63 × 70 inches (160 × 177.8 cm). Mr. and Mrs. David Su Collection.

Y.Z. Kami: Luminosities

Elena Geuna interviews the artist on the subjects of his childhood, his approach to portraiture, and the centrality of light in his practice.