Fall 2022, Page 2 of 3
Shooting the Myth: Painters on Film
Carlos Valladares examines the varied attempts by filmmakers to capture the creative act of painting.
There is No Neutral Space: The Architecture of Donald Judd, Part 2
In this second installment of a two-part essay, Julian Rose continues his exploration of Donald Judd’s engagement with architecture. Here, he examines the artist’s proposals for projects in Bregenz, Austria, and in Basel, arguing that Judd’s approach to shaping space provides a model for contemporary architectural production.
A Bouquet of Gardenias
A short story by Anne-Laure Zevi.
Picture Books: Sam Lipsyte and Jordan Wolfson
The third book published by Picture Books, an imprint organized by Emma Cline and Gagosian, is Sam Lipsyte’s Novella Friend of the Pod. Accompanying the text is a new artwork by Jordan Wolfson. In celebration of this forthcoming publication, Lipsyte and Wolfson speak with their mutual friend Joey Frank about the year 1993, eroticism and art, and what the proliferation of podcasts is doing to the ego.
Minnette De Silva
Amie Corry traces the trailblazing Sri Lankan architect’s biography, philosophy, and achievements.
The Iron Curtain: Christo & Jeanne-Claude
To mark the sixtieth anniversary of Christo and Jeanne-Claude’s seminal installation The Iron Curtain, author William Middleton addresses the radicality of this work and its enduring relevance to the artists’ subsequent projects.
Fashion and Art: Diane von Furstenberg
Derek Blasberg speaks with fashion designer Diane von Furstenberg about her relationship with Andy Warhol, the liberations of the 1970s, nature as the ultimate influence, and why it is essential to keep a diary.
Katy Hessel: The Story of Art without Men
Author, curator, and podcaster Katy Hessel met with the artist Somaya Critchlow to discuss Hessel’s latest publication, The Story of Art without Men.
Tyler Mitchell: This Side of Paradise
Brendan Embser reports on his encounter with Tyler Mitchell’s newest series of photographs, addressing their aesthetic motifs and art-historical references, while charting the development of these works in relation to the photographer’s earlier projects.