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Duane Hanson

Duane Hanson, Surfer, 1987 Polyvinyl, polychromed in oil, mixed media, with accessories, 66 ¼ × 37 ½ × 16 inches (168.3 × 95.3 × 40.6 cm)Photo by Rob McKeever

Duane Hanson, Surfer, 1987

Polyvinyl, polychromed in oil, mixed media, with accessories, 66 ¼ × 37 ½ × 16 inches (168.3 × 95.3 × 40.6 cm)
Photo by Rob McKeever

Duane Hanson, Bodybuilder, 1989–95 Autobody filler, polychromed in oil, mixed media, with accessories, 47 × 38 × 39 inches (119.4 × 96.5 × 99.1 cm), edition of 2

Duane Hanson, Bodybuilder, 1989–95

Autobody filler, polychromed in oil, mixed media, with accessories, 47 × 38 × 39 inches (119.4 × 96.5 × 99.1 cm), edition of 2

Duane Hanson, Security Guard, 1990 Autobody filler polychromed in oil, mixed media, and accessories, 71 × 26 × 13 inches (180.3 × 66 × 33 cm)

Duane Hanson, Security Guard, 1990

Autobody filler polychromed in oil, mixed media, and accessories, 71 × 26 × 13 inches (180.3 × 66 × 33 cm)

About

Duane Hanson’s hyperrealistic sculptures portraying working-class Americans eschewed the predominant expressionist and Minimalist concerns of the 1950s and 1960s for an unflinching investigation of the human condition. Early life-size tableaux depicting soldiers killed in action, police brutality, and the homeless confronted viewers with devastating truths largely overlooked in the art of the time. Throughout his forty-year career, Hanson populated exhibition spaces with uncanny sculptural likenesses of blue-collar workers—repairmen, waitresses, and bricklayers—that elicited surprise, embarrassment, amusement, and sympathy from unsuspecting viewers. Although his world-weary figures owe certain qualities to Pop and Photorealism, their veracity prompts responses normally reserved for interactions with other living people. These sculptural illusions, radical in the context of their time, anteceded the later gestures of contemporary provocateurs such as Chris Burden, Maurizio Cattelan, and Fred Wilson.

Hanson was born in 1925 in Alexandria, Minnesota, and died in 1996 in Boca Raton, Florida. He received a BA from Macalester College, Saint Paul, Minnesota, and an MA from Cranbrook Academy of Art, Bloomfield Hills, Michigan. Selected solo exhibitions include Louisiana Museum of Modern Art, Humlebaek, Denmark (1975); Des Moines Art Center (1977); Corcoran Gallery of Art, Washington, DC (1978); Whitney Museum of American Art, New York (1979); Kunsthaus Wien, Vienna (1992); Montreal Museum of Fine Arts (1994, traveled to Modern Art Museum of Fort Worth, Texas); Daimaru Museum, Tokyo (1995, traveled to Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan, and Kintetsu Museum, Osaka, Japan); Saatchi Gallery, London (1997); Duane Hanson: A Survey of His Work from the ’30s to the ’90s, Museum of Art Fort Lauderdale, Florida (1998, traveled to Flint Institute of Arts, Michigan, Whitney Museum of American Art, New York, and Memphis Brooks Museum of Art, Memphis); Duane Hanson: More than Reality, Schirn Kunsthalle, Frankfurt, Germany (2001, traveled to Padiglione d’Arte Contemporanea, Milan, Italy; Kunsthal Rotterdam, Netherlands; Scottish National Gallery, Edinburgh; and Kunsthaus Zürich); Duane Hanson: A Midwestern Perspective, Columbus Museum of Art, Ohio (2004); Duane Hanson: Real Life, Michener Art Museum, Doylestown, Pennsylvania (2006); Sculptures of the American Dream, Kunsthalle Krems, Austria (2009, traveled to ARKEN—Museum for Moderne Kunst, Copenhagen, Helsinki City Art Museum, UNESCO Weltkulturerbe Völklinger Hütte, Völklingen, Germany, and Fundación Canal, Madrid); Duane Hanson, Serpentine Galleries, London (2015); and Duane Hanson Polaroids: 1979–1994, Aperture Foundation, New York (2017).

Fairs, Events & Announcements

Art Fair

Art Basel Unlimited
Edgar Cleijne and Ellen Gallagher, Duane Hanson, Steven Parrino, Giuseppe Penone, Tom Wesselmann

June 13–16, 2019, hall 1.1
Messe Basel
www.artbasel.com

Gagosian is pleased to announce that works by Edgar Cleijne and Ellen Gallagher, Duane Hanson, Steven Parrino, Giuseppe Penone, and Tom Wesselmann have been selected for Art Basel Unlimited 2019, curated by Gianni Jetzer. Launched in 2000, Unlimited is an exhibition platform for exciting large-scale works that transcend the limits of the standard art fair booth. The five artworks are:

Edgar Cleijne and Ellen Gallagher, Highway Gothic, 2017–19
Duane Hanson, Lunchbreak, 1989
Steven Parrino, 13 Shattered Panels (for Joey Ramone), 2001
Giuseppe Penone, Cedro di Versailles (Cedar of Versailles), 2000–03
Tom Wesselmann, Still Life #60, 1973

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Zeng Fanzhi, Rooster, 2019 © 2019 Zeng Fanzhi

Art Fair

Art Basel Hong Kong

March 29–31, 2019, booth 1C18
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong 2019, with works by Georg Baselitz, Edmund de Waal, Urs Fischer, Katharina Grosse, Andreas Gursky, Duane Hanson, Damien Hirst, Thomas Houseago, Yayoi Kusama, René Magritte, Giorgio Morandi, Takashi Murakami, Albert Oehlen, Nam June Paik, Richard Prince, Ed Ruscha, Richard Serra, Andy Warhol, Tom Wesselmann, Rachel Whiteread, Jonas Wood, Christopher Wool, Zao Wou-Ki, Zeng Fanzhi, and others. 

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Download the full press release in English, Simplified Chinese, or Traditional Chinese

Zeng Fanzhi, Rooster, 2019 © 2019 Zeng Fanzhi

Museum Exhibitions

Duane Hanson, Bodybuilder, 1990 © 2019 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

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Duane Hanson in
Hyperrealistic Sculpture. Almost Alive

November 29, 2018–March 10, 2019
Heydar Aliyev Center, Baku, Azerbaijan
heydaraliyevcenter.az

Hyperrealistic Sculpture. Almost Alive gives an overview of hyperrealism as a movement over the past fifty years. The exhibition traces this art from the 1960s to the present, but also shows that the depictions of human physicality are always influenced by the respective zeitgeist of their time. This show was initially produced under the title Almost Alive: Hyperrealistic Sculptures in Art by the Kunsthalle Tübingen, Germany. Work by Duane Hanson is included.

Duane Hanson, Bodybuilder, 1990 © 2019 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York

Installation view, Almost Alive: Hyperrealistic Sculptures in Art, Kunsthalle Tübingen, Germany, July 21–October 21, 2018. Artwork © Estate of Duane Hanson/Licensed by VAGA, New York. Photo: Ulrich Metz

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Duane Hanson in
Almost Alive: Hyperrealistic Sculptures in Art

July 21–October 21, 2018
Kunsthalle Tübingen, Germany
kunsthalle-tuebingen.de

Almost Alive: Hyperrealistic Sculptures in Art gives an overview of hyperrealism as a movement over the past fifty years. The exhibition traces this art from the 1960s to the present, but also shows that the depictions of human physicality are always influenced by the respective zeitgeist of their time. Work by Duane Hanson is included.

Installation view, Almost Alive: Hyperrealistic Sculptures in Art, Kunsthalle Tübingen, Germany, July 21–October 21, 2018. Artwork © Estate of Duane Hanson/Licensed by VAGA, New York. Photo: Ulrich Metz

Thomas Houseago, Baby, 2009–10 © Thomas Houseago

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“Debout!”
Collection François Pinault

June 23–September 9, 2018
Couvent des Jacobins and Musée des Beaux-Arts, Rennes, France
www.tourisme-rennes.com

The city of Rennes will host an exhibition of works from the Pinault collection under the title “Debout!”. More than sixty works by twenty renowned artists will be on display in locations and institutions around the city. Work by Duane Hanson, Thomas Houseago, and Tatiana Trouvé will be included.

Thomas Houseago, Baby, 2009–10 © Thomas Houseago

Jeff Koons, Buster Keaton, 1988 © Jeff Koons

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Like Life
Sculpture, Color, and the Body (1300–Now)

March 21–July 22, 2018
Met Breuer, New York
www.metmuseum.org

Seven hundred years of sculptural practice—spanning fourteenth-century Europe to the global present—will be examined anew. Like Life: Sculpture, Color, and the Body (1300–Now) will explore narratives of sculpture in which artists have sought to replicate the literal, living presence of the human body. Work by Duane Hanson and Jeff Koons will be included.

Jeff Koons, Buster Keaton, 1988 © Jeff Koons

See all Museum Exhibitions for Duane Hanson