Duane Hanson’s hyperrealistic sculptures portraying working-class Americans eschewed the predominant expressionist and Minimalist concerns of the 1950s and 1960s for an unflinching investigation of the human condition. Early life-size tableaux depicting soldiers killed in action, police brutality, and the homeless confronted viewers with devastating truths largely overlooked in the art of the time. Throughout his forty-year career, Hanson populated exhibition spaces with uncanny sculptural likenesses of blue-collar workers—repairmen, waitresses, and bricklayers—that elicited surprise, embarrassment, amusement, and sympathy from unsuspecting viewers. Although his world-weary figures owe certain qualities to Pop and Photorealism, their veracity prompts responses normally reserved for interactions with other living people. These sculptural illusions, radical in the context of their time, anteceded the later gestures of contemporary provocateurs such as Chris Burden, Maurizio Cattelan, and Fred Wilson.
Hanson was born in 1925 in Alexandria, Minnesota, and died in 1996 in Boca Raton, Florida. He received a BA from Macalester College, Saint Paul, Minnesota, and an MA from Cranbrook Academy of Art, Bloomfield Hills, Michigan. Selected solo exhibitions include Louisiana Museum of Modern Art, Humlebaek, Denmark (1975); Des Moines Art Center (1977); Corcoran Gallery of Art, Washington, DC (1978); Whitney Museum of American Art, New York (1979); Kunsthaus Wien, Vienna (1992); Montreal Museum of Fine Arts (1994, traveled to Modern Art Museum of Fort Worth, Texas); Daimaru Museum, Tokyo (1995, traveled to Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan, and Kintetsu Museum, Osaka, Japan); Saatchi Gallery, London (1997); Duane Hanson: A Survey of His Work from the ’30s to the ’90s, Museum of Art Fort Lauderdale, Florida (1998, traveled to Flint Institute of Arts, Michigan, Whitney Museum of American Art, New York, and Memphis Brooks Museum of Art, Memphis); Duane Hanson: More than Reality, Schirn Kunsthalle, Frankfurt, Germany (2001, traveled to Padiglione d’Arte Contemporanea, Milan, Italy; Kunsthal Rotterdam, Netherlands; Scottish National Gallery, Edinburgh; and Kunsthaus Zürich); Duane Hanson: A Midwestern Perspective, Columbus Museum of Art, Ohio (2004); Duane Hanson: Real Life, Michener Art Museum, Doylestown, Pennsylvania (2006); Sculptures of the American Dream, Kunsthalle Krems, Austria (2009, traveled to ARKEN—Museum for Moderne Kunst, Copenhagen, Helsinki City Art Museum, UNESCO Weltkulturerbe Völklinger Hütte, Völklingen, Germany, and Fundación Canal, Madrid); Duane Hanson, Serpentine Galleries, London (2015); and Duane Hanson Polaroids: 1979–1994, Aperture Foundation, New York (2017).
I Don’t Like Fiction, I Like History
Duane Hanson with Thomas Demand, Andreas Gursky, Sharon Lockhart, and Jeff Wall
September 5–28, 2018
Felix Art Fair 2021
July 29–August 1, 2021
Hollywood Roosevelt, Los Angeles
Gagosian is pleased to participate, for the first time, in the Felix Art Fair at the Hollywood Roosevelt, with a presentation of contemporary paintings, sculptures, photographs, and works on paper.
Duane Hanson, High School Student, 1990–92, 1 of 2 unique versions © 2021 Estate of Duane Hanson/Licensed by VAGA at Artists Rights Society (ARS), New York
Duane Hanson, Taryn Simon, Jeff Wall
Thursday, August 20, 2020, 5pm EDT
Join Gagosian for a trio of online presentations to learn about the ways Duane Hanson, Taryn Simon, and Jeff Wall approach photography as a generative practice and notions of truth and reality. Andy Avini will explain how Hanson’s figures take on new meaning in a photographic context, Louise Neri will speak about the intersection of photography in Simon’s multidisciplinary practice, and Graham Dalik will discuss how Wall changes photography’s relationship to truth through influence from other art forms. To join, register at zoom.us.
Jeff Wall, Pawnshop, 2009 © Jeff Wall
Thursday, March 5, 2020, 6:30pm
Gagosian, Britannia Street, London
Join Gagosian for a tour of the group exhibition American Pastoral. The show juxtaposes modern and contemporary works with historical American landscapes ranging from Albert Bierstadt’s depiction of the sublime in Sunset over the River (1877) to Edward Hopper’s tranquil seaside scene, Gloucester Harbor (1926). Gagosian’s Alice Godwin will focus on a select grouping of exhibited works that seek to challenge the idealized vision of the American Dream that has long been a rich topic of inquiry for artists in the United States. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Installation view, American Pastoral, Gagosian, Britannia Street, London, January 23–March 14, 2020. Artwork, left to right: © Theaster Gates, © Adam McEwen, Thomas Moran, © Richard Prince, © Banks Violette, © Ed Ruscha. Photo: Lucy Dawkins
Through November 14, 2021
Boghossian Foundation, Brussels
From early European and Middle Eastern artifacts to modern and contemporary works, icons have inspired many believers, as well as artists, throughout the ages. This exhibition explores how spiritual dimensions have been incorporated into artworks from antiquity to the present day. Work by Michael Craig-Martin, Ellen Gallagher, Douglas Gordon, Duane Hanson, Titus Kaphar, and Andy Warhol is included.
Ellen Gallagher, Untitled, 2000 © Ellen Gallagher
Hey! Did you know that art does not exist
Through January 7, 2022
Tel Aviv Museum of Art, Israel
This exhibition presents more than one hundred works from Sylvio Perlstein’s intensely personal collection, which traces artists and trends that have defined the avant-garde, complex, and experimental nature of twentieth-century art. Work by Jean-Michel Basquiat, Duane Hanson, Roy Lichtenstein, Man Ray, Brice Marden, Ed Ruscha, Rudolf Stingel, Cy Twombly, and Andy Warhol is included.
Rudolf Stingel, Untitled, 2002 © Rudolf Stingel. Photo: Alessandro Zambianchi
“Grandi quadri miei con piccoli quadri di altri”
Through February 20, 2022
Museo d’arte della Svizzera italiana, Lugano, Switzerland
In this exhibition, Albert Oehlen: “Big Paintings by Me with Small Paintings by Others”, select works from Oehlen’s personal art collection are on view alongside some of his most significant paintings. In staging this large-scale exhibition, Oehlen aims to make relationships perceptible between his artworks and those by artists whose practices he has long admired. Work by Richard Artschwager, Willem de Kooning, Duane Hanson, Mike Kelley, and Franz West, among others, is included.
Albert Oehlen, Untitled, 1997/2005 © Albert Oehlen. Photo: Lothar Schnepf
March 22–November 4, 2020
Punta della Dogana, Venice
Conceived and curated by Thomas Houseago, Muna El Fituri, and Caroline Bourgeois, Untitled, 2020 places into dialogue works in a broad range of media by more than sixty artists held by the Pinault Collection, international museums, and private collections. The exhibition centers around a re-creation of Houseago’s studio in Tadao Ando’s cube room, in the heart of Punta della Dogana. Work by Ellen Gallagher, Duane Hanson, Mike Kelley, Henry Moore, and Nam June Paik is included.
Installation view, Untitled, 2020, Punta della Dogana, Venice, March 22–December 13, 2020. Artwork © Thomas Houseago. Photo: Marco Cappelletti/DSL Studio