The Bold Stroke: Spencer Sweeney & Lizzi Bougatsos
Old friends chat about their love of music, nightclub paintings, life lessons from aikido, and Spencer Sweeney’s upcoming exhibition The Painted Bride, at Gagosian, New York.
Picture by Picture: Revisiting Frankenthaler
John Elderfield and Lauren Mahony of Gagosian speak with the National Gallery of Art’s Harry Cooper about the new and expanded version of Elderfield’s 1989 monograph on Helen Frankenthaler that Gagosian, in collaboration with the Helen Frankenthaler Foundation, will publish this summer. The conversation traces Elderfield’s long interest in Frankenthaler’s work—from his time as a young curator at the Museum of Modern Art, New York, to the present—and reveals some of the new perspectives and discoveries awaiting readers.
Richard Armstrong
Richard Armstrong, director emeritus of the Solomon R. Guggenheim Museum and Foundation, joins the Quarterly’s Alison McDonald to discuss his election to the board of the Helen Frankenthaler Foundation, as well as the changing priorities and strategies of museums, foundations, and curators. He reflects on his various roles within museums and recounts his first meeting with Frankenthaler.
Nostalgia and Apocalypse
In conjunction with My Anxious Self, the most comprehensive survey of paintings by the late Tetsuya Ishida (1973–2005) to have been staged outside of Japan and the first-ever exhibition of his work in New York, Gagosian hosted a panel discussion. Here, Alexandra Munroe, senior curator at large, Global Arts, Solomon R. Guggenheim Museum and Foundation, and Tomiko Yoda, Takashima Professor of Japanese Humanities at Harvard University, delve into the societal context in which Ishida developed his work, in a conversation moderated by exhibition curator Cecilia Alemani.
to light, and then return—: A Night of Poetry with Edmund de Waal, Elisa Gonzalez, Terrance Hayes, and Sally Mann
Gagosian presented an evening of poetry inside to light, and then return—, an exhibition of new works by Edmund de Waal and Sally Mann, inspired by each other’s practices, at Gagosian, New York. In this video—taking the artists’ shared love of poetry, fragments, and metamorphosis as a point of departure—poets Elisa Gonzalez and Terrance Hayes read a selection of their recent works that resonate with the themes of elegy and historical reckoning in the show. The evening was moderated by Jonathan Galassi, chairman and executive editor at Farrar, Straus & Giroux.
Sarah Sze: Timelapse
Francine Prose ruminates on temporality, fragility, and strength following a visit to Sarah Sze’s exhibition Timelapse at the Solomon R. Guggenheim Museum, New York.
In Conversation
Georg Baselitz and Richard Calvocoressi
In conjunction with the exhibition The Painter in His Bed, at Gagosian, New York, Georg Baselitz and Richard Calvocoressi discuss the motif of the stag in the artist’s newest paintings.
The Importance of Elsewhere: on Ashley Bickerton
This documentary film includes footage of Ashley Bickerton as he gives a tour of his Bali studio during his final year, as well as interviews with artists Matthew Barney, Mark Dion, Damien Hirst, Jamian Juliano-Villani, Jon Kessler, and writer Paul Theroux.
Axel Salto: Playing with Fire
On the occasion of the forthcoming exhibition Playing with Fire: Edmund de Waal and Axel Salto, Edmund de Waal composed a series of reflections on the Danish ceramicist Axel Salto and his own practice.
Sarah Sze: Timelapse
In this video, Sarah Sze elaborates on the creation of her solo exhibition Timelapse, on view through September 10, 2023. The show features a series of site-specific installations throughout the Solomon R. Guggenheim Museum, New York, that explore her ongoing reflection on how our experience of time and place is continuously reshaped in relationship to the constant stream of objects, images, and information in today’s digitally and materially saturated world. In Sze’s reimagination of the Guggenheim’s iconic architecture, designed in the 1940s by Frank Lloyd Wright, the building becomes a public timekeeper reminding us that timelines are built through shared experience and memory.
Seductive Imitation: on Anna Weyant’s Still Lifes
Inspired by Anna Weyant’s still lifes, John Elderfield explores the genre and its relationship with trompe l’oeil techniques, tracking its formal development, as well as the evolving critical receptions it has elicited.
to light, and then return—Edmund de Waal and Sally Mann
This fall, artists and friends Edmund de Waal and Sally Mann will exhibit new works together in New York. Inspired by their shared love of poetry, fragments, and metamorphosis, the works included will form a dialogue between their respective practices. Here they meet to speak about the origins and developments of the project.
