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Basel Online 2020

Gagosian is pleased to announce its most significant online sales presentation yet. Important works by modern and contemporary masters will be unveiled in mid-June through two separate online platforms—Gagosian Online and Art Basel Online. These individually curated selections will offer collectors direct access to artworks of the highest caliber. To experience the presentation in its entirety, viewers will need to visit both gagosian.com and artbasel.com. The works on gagosian.com will rotate every forty-eight hours, for a total of five cycles.

The presentations include a remarkable painting by Roy Lichtenstein that combines abstraction and still life, two genres that he reimagined through the prism of Pop art. From the studio of Georg Baselitz comes a key work that has remained in the artist’s possession since he made it in 1980. A robust example of his Strandbilder (Beach Pictures), the painting reflects the primitivist impulses of his large-scale sculptures, the first of which were exhibited at the Venice Biennale the same year. An epic Last Supper painting by Andy Warhol from 1986 is one of very few entirely hand-painted works in the artist’s oeuvre. A sublime “soak-stain” painting by Helen Frankenthaler exemplifies her 1960s shift from gestural, linear painting to “composing with color.” Untitled (Smalls Capri 52.71) (2020) is a dynamic new large-scale painting by Mark Grotjahn. The fragmented look of the Black woman in Nathaniel Mary Quinn’s painting Essential Worker (2020), made especially for this occasion, reflects the repressive double bind into which she has been forced.

Mark Tansey has also produced a new painting especially for this occasion. Recent works by John Currin, Urs Fischer, Theaster Gates, Katharina Grosse, Damien Hirst, Neil Jenney, Jeff Koons, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Sterling Ruby, Ed Ruscha, Richard Serra, Sarah Sze, Jeff Wall, Mary Weatherford, and others will also be unveiled.

Gagosian has exhibited annually at Art Basel in Switzerland since 1995 and is proud to have established a permanent gallery in the city of Basel in 2019. For more information about the works to be featured at gagosian.com and at artbasel.com, please contact inquire@gagosian.com.

Helen Frankenthaler, Orange Underline, 1963 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

Helen Frankenthaler, Orange Underline, 1963 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York

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Photo: Alejandro Ernesto/EPA/Shutterstock

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Albert Oehlen

April 7–13, 2021

Albert Oehlen’s oeuvre is a testament to the innate freedom of the creative act. Through expressionist brushwork, surrealist methodology, and self-conscious amateurism he engages with the history of abstract painting, pushing the basic components of abstraction to new extremes. Oehlen is perhaps best known for his embrace of “bad” painting. Alongside his many rules, he allows a certain awkwardness to enter his work, introducing unsettling gestures, crudely drawn figures, visceral smears of artificial pigments, bold hues, and flesh tones. In this way, he attests to the infinite combinations of form made possible through painting, and shows that these combinations can be manipulated at the artist’s will to produce novel perceptual challenges for the viewer.

Photo: Alejandro Ernesto/EPA/Shutterstock

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Art Fair

Frieze New York 2021

May 5–9, 2021, booth B7
The Shed, New York
frieze.com

Gagosian is pleased to participate in Frieze New York 2021, with a booth dedicated to the work of Rachel Feinstein and Ewa Juszkiewicz.

Left: Rachel Feinstein, Corine, 2018 © Rachel Feinstein. Photo: Jeff McLane. Right: Ewa Juszkiewicz, Untitled (after Elisabeth Vigée Le Brun), 2021 © Ewa Juszkiewicz

Theaster Gates, American Tapestry, 2019 © Theaster Gates

Art Fair

Art Basel OVR: Pioneers
Innovate, Originate, Overturn: Modern and Contemporary Pioneers

March 24–27, 2021

One of a hundred selected galleries, Gagosian is pleased to present Innovate, Originate, Overturn: Modern and Contemporary Pioneers, an exclusive online project for Art Basel’s launch of OVR: Pioneers. The presentation will include works by Helen FrankenthalerTheaster GatesAndreas GurskyDamien HirstJeff KoonsNam June Paik, and Rachel Whiteread.

Theaster Gates, American Tapestry, 2019 © Theaster Gates

Albert Oehlen: In the Studio

Albert Oehlen: In the Studio

This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.

Gerhard Richter’s Helen (1963) on the cover of Gagosian Quarterly, Spring 2021

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Gagosian Quarterly Spring 2021

The Spring 2021 issue of Gagosian Quarterly is now available, featuring Gerhard Richter’s Helen (1963) on its cover.

Albert Oehlen and Mark Godfrey

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Albert Oehlen and Mark Godfrey

Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.

Gerhard Richter working on one of his Cage paintings, Cologne, Germany, 2006. Artwork © Gerhard Richter 2020 (05102020). Photo: © Hubert Becker

Gerhard Richter

Hans Ulrich Obrist traces the history behind Richter’s Cage paintings and speaks with the artist about their creation.

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On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.

Adriana Varejão: In the Studio

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Adriana Varejão: In the Studio

Join Adriana Varejão at her studio in Rio de Janeiro as she prepares for her upcoming exhibition at Gagosian in New York. She speaks about the inspirations for her “tile” paintings, from Portuguese azulejos to the Brazilian Baroque to the Talavera ceramic tradition of Mexico, and reveals for the first time her unique process for creating these works.

Light blue title page with "Compass" in the center and white line radiating out.

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The Art of Biography: Mark Stevens and Annalyn Swan

Mark Stevens and Annalyn Swan, coauthors of the 2005 Pulitzer Prize–winning biography of Willem de Kooning, speak with Michael Cary about the research and revelations that went into their forthcoming biography of Francis Bacon.

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David Adjaye (left). Photo: Chris Schwagga. Zoë Ryan (right). Photo: Clare Britt

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Architect David Adjaye discusses his archival project Adjaye Africa Architecture: A Photographic Survey of Metropolitan Architecture with Zoë Ryan, Daniel W. Dietrich, II Director of the Institute of Contemporary Art at the University of Pennsylvania. For this decade-long project, published in seven volumes, Adjaye traveled to the capital city of every major African country to photograph the continent’s built environment.

Cy Twombly, Untitled, 1990, acrylic, wax crayon, and pencil on handmade paper, 30 ⅝ × 21 ⅝ inches (77.8 × 54.8 cm)

Twombly and the Poets

Anne Boyer, the inaugural winner of the Cy Twombly Award in Poetry, composes a poem in response to TwomblyAristaeus Mourning the Loss of His Bees (1973) and introduces a portfolio of the painters works accompanied by the poems that inspired them.

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In the first of a two-part feature, John Elderfield recounts his experiences at The Lightning Field (1977), Walter De Maria’s legendary installation in New Mexico. Elderfield considers how this work requires our constantly finding and losing a sense of symmetry and order in shifting perceptions of space, scale, and distance, as the light changes throughout the day.