Art Fair
Basel Online 2020
Gagosian is pleased to announce its most significant online sales presentation yet. Important works by modern and contemporary masters will be unveiled in mid-June through two separate online platforms—Gagosian Online and Art Basel Online. These individually curated selections will offer collectors direct access to artworks of the highest caliber. To experience the presentation in its entirety, viewers will need to visit both gagosian.com and artbasel.com. The works on gagosian.com will rotate every forty-eight hours, for a total of five cycles.
The presentations include a remarkable painting by Roy Lichtenstein that combines abstraction and still life, two genres that he reimagined through the prism of Pop art. From the studio of Georg Baselitz comes a key work that has remained in the artist’s possession since he made it in 1980. A robust example of his Strandbilder (Beach Pictures), the painting reflects the primitivist impulses of his large-scale sculptures, the first of which were exhibited at the Venice Biennale the same year. An epic Last Supper painting by Andy Warhol from 1986 is one of very few entirely hand-painted works in the artist’s oeuvre. A sublime “soak-stain” painting by Helen Frankenthaler exemplifies her 1960s shift from gestural, linear painting to “composing with color.” Untitled (Smalls Capri 52.71) (2020) is a dynamic new large-scale painting by Mark Grotjahn. The fragmented look of the Black woman in Nathaniel Mary Quinn’s painting Essential Worker (2020), made especially for this occasion, reflects the repressive double bind into which she has been forced.
Mark Tansey has also produced a new painting especially for this occasion. Recent works by John Currin, Urs Fischer, Theaster Gates, Katharina Grosse, Damien Hirst, Neil Jenney, Jeff Koons, Takashi Murakami, Albert Oehlen, Giuseppe Penone, Sterling Ruby, Ed Ruscha, Richard Serra, Sarah Sze, Jeff Wall, Mary Weatherford, and others will also be unveiled.
Gagosian has exhibited annually at Art Basel in Switzerland since 1995 and is proud to have established a permanent gallery in the city of Basel in 2019. For more information about the works to be featured at gagosian.com and at artbasel.com, please contact inquire@gagosian.com.
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Helen Frankenthaler, Orange Underline, 1963 © 2020 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
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Installation
Urs Fischer
Rose
Urs Fischer’s painting Rose (2024) is on view in the vitrine at Gagosian, rue de Ponthieu, Paris, as part of the artist’s exhibition Beauty at the rue de Castiglione gallery.
In 2010, Fischer began the Problem Paintings series, layering vivid screen-printed images of familiar objects and organic forms—from fixtures and fittings to fruits and vegetables—over precisely rendered enlargements of vintage Hollywood headshots. Rose belongs to this series and shows a glamorous screen actor wearing red lipstick, her face partially obscured by a luscious pink rose with a bright green stem and leaves. The juxtaposition enacts a playful conflict between clarity and secrecy, aesthetic experimentation and symbolic meaning. Evoking the cryptological messaging of Victorian floriography, Rose confronts the viewer with a mischievous, perhaps unsolvable visual conundrum.
Urs Fischer, Rose, 2024 © Urs Fischer. Photo: Stefan Altenburger
Art Fair
Frieze Los Angeles 2024
Social Abstraction
March 1–3, 2024, booth D13
Santa Monica Airport, California
frieze.com
Gagosian is pleased to announce its participation in Frieze Los Angeles 2024 with Social Abstraction, a diverse selection of paintings and sculptures rooted in the exploration of historic qualities of abstraction and contemporary social realities. The first in a sequence of three presentations organized by Antwaun Sargent, Social Abstraction at Frieze Los Angeles will be followed by exhibitions in Beverly Hills this summer and in Hong Kong this fall.
The intergenerational group of Black artists in Social Abstraction—Derrick Adams, Theaster Gates, Cy Gavin, Lauren Halsey, and Rick Lowe—operates beyond purely formal concerns to create artworks that move between and beyond figuration and abstraction. They push shape to become landscape, color to reveal people, and texture to map the totality of experience.
Gagosian’s booth at Frieze Los Angeles 2024. Artwork, front to back: © Lauren Halsey, © Cy Gavin, © Theaster Gates. Photo: Ed Mumford
Art Fair
ART SG 2024
January 19–21, 2024, booth BC06
Marina Bay Sands Expo and Convention Centre, Singapore
artsg.com
Gagosian is pleased to participate in the second edition of ART SG, with a selection of works by international contemporary artists including Harold Ancart, Georg Baselitz, Ashley Bickerton, Amoako Boafo, Dan Colen, Edmund de Waal, Nan Goldin, Lauren Halsey, Hao Liang, Keith Haring, Damien Hirst, Tetsuya Ishida, Alex Israel, Donald Judd, Y.Z. Kami, Emily Kame Kngwarreye, Rick Lowe, Takashi Murakami, Takashi Murakami & Virgil Abloh, Nam June Paik, Ed Ruscha, Jim Shaw, Alexandria Smith, Spencer Sweeney, Stanley Whitney, Jonas Wood, and Zeng Fanzhi. The works on view, which embrace a wide variety of subjects and approaches, find artists infusing traditional genres such as history painting, portraiture, and landscape with new and surprising ideas that traverse cultural and temporal boundaries.
Gagosian’s booth at ART SG 2024. Artwork, left to right: © ADAGP, Paris, 2024, © Jonas Wood, © Rick Lowe Studio. Photo: Ringo Cheung
Now available
Gagosian Quarterly Spring 2024
The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).
Jamian Juliano-Villani and Jordan Wolfson
Ahead of her forthcoming exhibition in New York, Jamian Juliano-Villani speaks with Jordan Wolfson about her approach to painting and what she has learned from running her own gallery, O’Flaherty’s.
Stanley Whitney: Vibrations of the Day
Stanley Whitney invited professor and musician-biographer John Szwed to his studio in Long Island as he prepared for an upcoming survey at the Buffalo AKG Art Museum to discuss the resonances between painting and jazz.
Francesca Woodman
Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.
Jeff Wall: In the Domain of Likeness
The Fondation Beyeler, Riehen/Basel, has staged a comprehensive Jeff Wall exhibition including more than fifty works spanning five decades. Here, Barry Schwabsky reflects on the enduring power of and mystery in Wall’s photography.
Jean-Michel Basquiat: Los Angeles
Jean-Michel Basquiat’s sisters, Lisane Basquiat and Jeanine Heriveaux, met with filmmaker Tamra Davis, art dealer Larry Gagosian, and author and curator Fred Hoffman to reflect on their experiences with the artist during the 1980s in Los Angeles.
Black Futurity: Lessons in (Art) History to Forge a Path Forward
Jon Copes asks, What can Black History Month mean in the year 2024? He looks to a selection of scholars and artists for the answer.
Kelsey Lu
Art historian and curator Olivier Berggruen reflects on his trip to Berlin to see a performance by the multihyphenate Kelsey Lu. Following his experience of that performance, The Lucid, Berggruen caught up with Lu in New York, where they spoke about the visual elements of their work, dreaming, and the necessity of new challenges.
The Art of Biography: Mary Gabriel and Carol Kino
Carol Kino’s forthcoming biography of Frances McLaughlin-Gill and Kathryn Abbe, the identical twin sisters who blazed new trails in the world of photography—Double Click: Twin Photographers in the Golden Age of Magazines—charts a critical moment in the United States, bringing to the surface questions around aesthetics, technologies, and gender through the arc of the twins’ lives. Here, Kino meets with award-winning biographer Mary Gabriel, whose 2023 publication Madonna: A Rebel Life described the unparalleled significance of the musician’s life and career, to discuss the origins of their most recent projects, as well as the specific considerations that underpin the process of narrating a life.
Douglas Gordon: To Sing
On the occasion of Douglas Gordon: All I need is a little bit of everything, an exhibition in London, curator Adam Szymczyk recounts his experiences with Gordon’s work across nearly three decades, noting the continuities and evolutions.
Simon Hantaï: Azzurro Blue
In conjunction with Azzurro, an exhibition of paintings by Simon Hantaï at Gagosian, Rome, we share the catalogue essay by curator Anne Baldassari. Here Baldassari focuses on the significance of blue in the artist’s practice, illuminating his affinity with Italy and the influence on his work of its classical painting tradition.
The Beginning: A Life in Art
Delphine Huisinga and Alison McDonald chart Larry Gagosian’s formative years on the West Coast and contextualize the Los Angeles art scene in the mid-1970s.